The Awesome Foundation is an ever-growing worldwide community devoted to forwarding the interest of awesome in the universe. Created in the long hot summer days of 2009 in Boston, the Foundation distributes $1,000 grants, no strings attached, to projects and their creators. At each fully autonomous chapter, the money is pooled together from the coffers of ten or so self-organizing “micro-trustees” and given up front in cash, check, or gold doubloons.

The Residency is multi-disciplinary and open for most creative directions: Visual Art, New Media, Printmaking, Ceramic, Sculpture, Dance, Performing Arts, Land Art, Textile Art, Music, Literature, Crafts, Sustainable Design, Engineering & Photography.

The Artist In Residence Program (AIR) serves K – 5 students in all six Jamestown elementary schools following the school calendar. Residency options include a fall semester and a winter/spring semester, or both. Artists follow a visual arts curriculum structured on basic design elements working with teachers and administrators. Each rotation requires a completed “Unit Plan” which includes lesson plans or goals, supplies needed, and a section for teacher feedback.
The resident artist may use the rest of the day and the weekends for personal studio time, including access to the pottery studio and print shop, and teaching classes at the Arts Center.

DEADLINE IS ONGOING

Buenos Aires is one of the busiest cities on the planet, and its artists are some of the busiest people in the world. That is why we understand that not everyone has the time to carry out a one-month residency. However, this does not change the importance of time and space for our artistic practices.The Micro-Residences are mainly aimed at completing or deepening ongoing projects / ideas / works or starting a new project. Each Micro-Residence intends to be different (as the artists are diverse) and each resident can help develop new aspects of the residence.

Take advantage of your stay in Buenos Aires to get in touch with its rich artistic community, producing art in an inspiring environment. ‘Ace gives you space and professional assistance to create new works in a short, but very intense, period of time. This format is ideal for those artists who belong to academic institutions and who do not have long periods of time to complete a full residency, since this option allows them to venture into the world of residences according to more limited time possibilities.

Because we firmly believe that diversity enriches us, the artists selected in our Micro Residencies are not discriminated against by race, skin color, gender, national origin, age, religion, creed, sexual orientation, gender identity, or gender expression.

Within the broad spectrum of artistic residencies, this 5-days Micro Residence is a new concept of work that seeks significant results in a stimulating environment. This short space of time fosters informal knowledge and exchange, both for the resident and the host organization and, to some extent, between the resident and the local art scene.

NES Artist Residency was founded in March 2008 in Skagaströnd, a small town in northwest Iceland. The first artists in residence arrived in June of that year. Now one of the largest residencies in Iceland, NES currently hosts between 90-120 artists per year. NES provides artists with a workspace and living quarters within Skagaströnd, and the freedom to create as they wish.

During their stay, artists live in shared houses throughout the town. The NES studios, located at Fjörubraut 8, are housed in what once was the main fish processing plant of Skagaströnd.

NES is a multidisciplinary residency. We accept applicants from all creative fields and career stages. Additionally, we offer a writer-in-residence program in collaboration with the University of Iceland; likewise, we are able to coordinate access to additional facilities for dancers, composers, musicians, filmmakers, and researchers, or anyone who might require additional space to work. NES accepts applicants on the basis of self-definition, and we, therefore, do not seek to define “who is an artist” when evaluating applications.

In addition to offering year-round residency programs, NES also operates as an educational resource. We work with local lecturers and educators to develop both national and international educational exchange programs. For more information about the institutions we have worked with, see our partnerships page.

Nes is a family-friendly residency and we invite artists with children to apply.

Submit your work to show at Blue Cat
Blue Cat runs exhibits from March or April to December each year. Most exhibits are scheduled for two months, but exceptions may be made. Submit a proposal for an individual or group show. Include the following information and materials listed below when submitting your proposal.

Deadline: ongoing (currently considering work for exhibits in 2025-2026; gallery closed Jan-Feb each year; possible exhibit dates include: March-April, May-June and Sept-Oct).

Materials and information to include:
5-10 images in jpg format for individuals (2-3 images per artist for group proposals)
Image list: title, medium, size, date, price - pdf format
Resume/CV - pdf format
Biography narrative (1-2 paragraphs about you and your art career) - pdf format
Artist Statement/Inspiration for your work (no more than one page) - pdf format
Where to submit your materials
Email your jpgs (images) and PDF documents to: [email protected]

In the subject line, type "Blue Cat Artist Proposal"

Expect a response within 1-2 weeks of emailing your materials

Cultural sector workers based in Greater Austin facing verifiable and immediate housing, food or healthcare insecurity (including travel, lodging and procedure expenses related to reproductive care) may apply for up to $1000 in unrestricted funds. The funding pool is limited, so applicants are asked to carefully consider the amount they request. Applications are reviewed on an ongoing basis, and are subject to verification and available funds. A short phone interview may be required. Priority will be given to ACA members. Repayment is not required, but artists who receive funding may be asked to support the ACA Community in the future.

DEADLINE IS ONGOING

The 14th Annual PleinAir Salon is an online art competition with 12 monthly cycles, and is open to a variety of mediums and styles. It’s not just for plein air painters! They invite a variety of top master artists, museum directors and gallery owners to judge each month. All monthly winners are automatically included in the Annual Competition where the Grand Prize winner receives $15,000 and has their painting featured on the cover of PleinAir Magazine, the #1 representational art magazine at Barnes & Noble.

In addition to a total of $50,000 in ALL Cash Prizes, winners receive exposure and recognition through their various magazines, websites, newsletters and social media platforms.

What is National Lottery Project Grants?
Project Grants can support individual practitioners, communities and cultural organisations
with projects that focus on:
Combined Arts including festivals and carnivals
Dance
Libraries
Literature
Museums
Music
Theatre
or Visual Arts

When we say ‘project’, we mean a series of activities or a piece of work. Your project will
have a start and an end date, and a set of measurable aims that you’d like to achieve in
that time.
Before you apply to Project Grants you should read our ten year plan called Let’s Create.
Our plan is made up of 3 Outcomes and 4 Investment Principles.
Outcomes are what we want our plan to do.
Investment Principles are what we believe in. We think about our principles before we
give money to people or organisations.

Our 3 Outcomes are:
• We want creative people
• We want cultural communities
• We want a creative and cultural country
Our 4 Investment Principles are:
• We believe in ambition and quality
• We believe in being flexible, we call this dynamism
• We believe in being environmentally friendly
• We believe in being inclusive and relevant

Local studio artist residencies are open to local artists who wish to rent either live/work or day studios at the center for terms of 1-2 years with a possibility for renewal. We have artist studios on two campuses – on our 18th Street campus at 1639 18th Street, and the Airport campus at 3026 Airport Ave at the Santa Monica airport. On our 18th Street campus, these studios are subsidized in part by 18th Street Arts Center at far below market rate in an effort to provide local artists with affordable rental properties within Santa Monica. Our Airport campus is a city-owned building and artists lease directly with the City of Santa Monica, who set the terms for the leases on that site, with 18th Street Arts Center acting as facility and program managers. The local studio program is open to artists of all disciplines, as well as small, artist-run initiatives. When a space becomes available, applications are reviewed by an impartial jury and artists are selected at that time. Applicants should indicate their space and affordability requirements, as well as which campus they prefer.

Duration: 1-2 years

DEADLINE IS ONGOING

We established the Community Fund to provide support to professional creators during times of extraordinary hardship.

This year, we have witnessed the unprovoked, violent attacks on Ukraine and the tragic loss of innocent lives. As we see continue to see this tragedy unfold, we believe we have a responsibility to support professional creators during the growing humanitarian crisis and refugee situation in the region. We will now be focusing our Community Fund efforts on providing support to those creators who have been directly impacted by the unjustified invasion of Ukraine.

If selected, you will receive US$10,000 from the Adobe Creative Residency Community Fund. While applicants can use the money granted to them by the Community Fund at their full and lawful discretion, the purpose of the award is to allow recipients impacted by the invasion of Ukraine to support themselves and their families during this time of conflict. See the full list of qualification criteria here. https://www.adobe.com/about-adobe/creative-residency/community-fund.html

THE POP CULTURE COLLABORATIVE’S VISION AND PURPOSE
Throughout America’s history, the most transformative cultural shifts—from slavery abolition to Reconstruction, “I Have A Dream” to “Yes We Can,” #BlackLivesMatter, the DREAM-ers, and Love Is Love—have been achieved by movements and leaders who have awakened people’s deep yearning to belong in a pluralist America. In each case, the tug-of-war between belonging and exclusion sparked a portal moment—a cracking open of the public imagination about what this nation is capable of becoming.

We believe our nation is on the precipice of another historic breakthrough: a once-in-a-generation opportunity for the American people to decisively choose to move in the direction of pluralism and justice. How will we respond to this call for transformation? Will we submit to authoritarian narratives that entice us to retreat back into the systems of exclusion and violence that stain our past, or will we step boldly through the portal and onto the path towards our pluralist future?

Americans have the opportunity to ask: What society do we yearn to create and who can we empower to lead the way? If, as civil rights scholar Vincent Harding once said, America is “a country that has yet to be born,” the pop culture for social change field can help prepare and guide millions of people through this process of becoming something new by clearing away the detritus of our nation’s past, replacing fetid, crumbling ideas and norms with ones rooted in justice, care, and connection.

Together, artists, organizers, strategists, and researchers can create the stories that help the American public understand and interpret the choices we face through the lens of our shared commitment to becoming a pluralist nation.

Over the long-term, the Collaborative is working to support the growth of a pop culture for social change field capable of building the yearning in most Americans (more than 150 million people) to actively co-create a just and pluralist society in which everyone is perceived to belong, inherently, and is treated as such. The Pop Culture Collaborative defines a pluralist society as a culture in which the majority of people in a community and nation are engaged in the hard and delicate work of belonging together in a just and equitable society.

GRANT ELIGIBILITY
Individuals/organizations with fiscal sponsorships as well as nonprofits and for-profits in the United States are eligible for Pop Culture Collaborative grants.

To be considered, proposals must engage, affect, center, and/or support at least one or all of our multi-community focus areas: people of color, immigrants, refugees, Indigenous peoples, and/or Muslims, particularly those who are women, queer, transgender, and/or disabled. Initiatives with an intersectional and intentional focus on gender justice, LGBTQIA rights, disability, democratic fairness, pluralist values, and economic justice are highly prioritized. The Collaborative seeks grantee partners working at the intersection of pop culture and social change who:

Are artists, activists, organizations, strategists, researchers, and/or others who identify culture change as a clear outcome of their work and pop culture strategies as a critical aspect of their culture change efforts.
The Pop Culture Collaborative provides grants to artists and organizations or companies that support artist cohorts, from various disciplines, locations, and industries to bring their artistic vision to mass audiences, while also contributing to field-wide efforts to build public yearning for a pluralist America.

We seek to create a large, networked community of artists who believe that their creative work and leadership have the power to inspire millions of Americans to actively co-create a pluralist society.

Areas of interest include:

Supporting artists and cultural organizations to conceptualize, develop, and produce creative works that can help build public yearning for pluralist culture in America.
Supporting artists to gather for shared learning, networking, community-knitting, and power-building, especially spaces that bring artists into direct and meaningful connection with frontline activists and culture change strategists.
Helping artists and organizations develop the methodology, networks, infrastructure, pipelines, and leadership skills needed to redistribute access and power in their respective industries to historically excluded communities.

The Pop Culture Collaborative accepts proposals by invitation only. However, we have created a simple process for potential grantees to self-evaluate whether they are a match with the Collaborative’s goals and guidelines, and if so, to submit an idea for our consideration. It is important to note that an idea submission is not a proposal. The Collaborative will respond only to idea submissions that the staff team has reviewed and deem a potential match.

One of our most vital services, the SubletSeries@HERE supports 150 guest independent artists and groups—such as Colt Coeur, Ma-Yi, and New Georges each season. As Ben Brantley of The New York Times states, “HERE’s Sublet Series allows artists to develop and perform work, at a discount.”

This creative curated rental program has allowed many upstart companies and emerging artists to realize their full artistic vision on a small budget. The program provides subsidized performance and rehearsal space, a technical liaison, and administrative support, including a fully staffed box office. SubletSeries@HERE artists can also access equipment that is not typically available in venues our size such as video projectors, wireless microphones, LEDs—all for free or at subsidized rates. We accept applications from artists all over the world for the opportunity to show work.

Open to Performance Artists, Film, theater, Music and Dance.

Up to six best in show artists will have their work published with a critical review in our Artist Feature Catalogue. Artists participating in our online exhibit will have two works of art on display and links to their website and social media. Artists keep 100% sales of their work.

You can apply for online exhibits by emailing us at [email protected].
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How to apply:

Email your resume, 3 image samples, and artist website.

There are no application or registration fees. Artist Feature Catalogue articles are published on our website and on our Substack page.

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The PleinAir Salon $50,000 Art Competition is an online competition consisting of 12 monthly cycles of competitions and one annual competition. We award $50,000 in ALL Cash prizes each year. The Annual Grand Prize winner receives a check for $15,000 and is featured on the cover of PleinAir Magazine. We award an additional $9,200 to the annual winners and award $2,150 in each of the monthly competitions. Each of the 23 monthly winners will be automatically entered into the Annual Competition. The annual awards are presented live at the Plein Air Convention & Expo each spring.

Because this competition is created by PleinAir magazine, which features not only plein air paintings, but also studio paintings, all types of paintings are eligible and do not need to have been completed in plein air. As we know, many studio paintings start with plein air sketches, and many plein air painters paint figures and still life. Our interest is in rewarding great paintings.

Nestled in the heart of the Napa Valley, Yountville’s perfectly walkable one-mile main street features world-renowned restaurants, over a dozen wine tasting rooms and exclusive high-end hotels, as well as shopping, galleries and best of all, a beautiful collection of public art.

The Yountville Art Walk program is designed to promote the Town’s pedestrian-friendly atmosphere with a collection of outdoor public art that includes approximately 35 sculptures.

The Art Walk is always open to sculpture entries. We offer a $2500 stipend to assist with costs and ask for a two-year loan agreement for each piece. Our rotation of sculptures provides our guests and visitors with an ever-changing Art Walk experience throughout the tourist section of our town.

Yountville Arts Commission’s Mission Statement reads;
“To provide vision, leadership, inspiration and support for artists and their art in Yountville, creating a bridge that links artists, community, visitors, business and government.”

Our Mission Statement formalizes our goal of supporting the artist. Each piece on loan to the town for the Art Walk is for sale and promoted through our Art Walk map, social media, a new QR code accessible Audio Tour, and press releases for new works.

Since its inception in 2009, 35 of the sculptures placed on the Art Walk have sold.

Artudio announces an open call for the artists from all around the globe to apply for our dynamic residency program in the heart of Kathmandu, Nepal. This residency offers a unique opportunity to immerse yourself in a vibrant cultural environment, collaborate with local and international artists, and explore new dimensions of your creative practice in one of the most beautiful environments on the earth.

Join us to engage with a supportive community, access dedicated studio and living space, and participate in exhibitions, workshops, and cultural exchanges. Whether you’re seeking inspiration or looking to deepen your artistic journey, Artudio provides the perfect platform to expand your horizons.

Application Deadline: Ongoing

Please submit your ARTWORK to [email protected], along with the following information:
-Your full name and/or pen name.
-Your country of residence.
-A photograph of you (high-resolution with no filters)
-A brief third-person bio (2-5 sentences). If your bio includes references of your past work, feel free to provide links!
-A brief foreword to your piece, explaining your inspiration for creating the piece, background information, and any other key insight for the reader.

The International Human Rights Art Movement and IHRAM Publishes give voice to the most vulnerable people in the most difficult situations around the world, harnessing their passion, creativity, and positivity to address the pressing human rights challenges in their community.  We not only give their narrative a global stage, but empower them to find peace and effect change in their local communities.

IHRAM Publishes pays $25 per accepted artist.

We publish an ever-expanding collection of original works from lesser known and up-and-coming writers AND ARTISTS who seek to bring attention to urgent social justice issues around the world. We base our work on the values of beauty, sincerity, vulnerability, engagement and celebration of diversity. HRAM Publishes has presented work from 50 countries and 30 U.S. States.

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IHRAM Publishes is moving to a quarterly, themed literary edition!

We will be focusing on the following concerns:

FIRST AND FOURTH QUARTER: VOICE OF A REFUGEE: RESILIENCE AMIDST DISPLACEMENT.
According to the UNHCR, 117.2 million people will be forcibly displaced or stateless in 2023 — this is up nearly 100% in the past decade, and the most in recorded history. This issue will drive our literary magazine, bookending our publication year.

We are eager to publish firsthand experiences and factual, sensitive retellings of refugee experiences. We are not looking to publish fictional interpretations of the refugee experience at this time.

Themes: Journey, survival, identity, belonging, loss and resilience, hope, community, solidarity, cultural preservation, chosen family and blood relation, integration into new cultures, intersectionality, and global perspective.

SECOND QUARTER: FEMININE EMPOWERMENT.
Though women comprise more than 50% of the world's population, they only own 1% of the world's wealth. In some places, women still lack rights to own land or to inherit property, obtain access to credit, earn income, or to move up in their workplace, free from job discrimination. In legislatures around the world, women are outnumbered 4 to 1.

We are eager to publish firsthand experiences by women, factual retellings of stories told by women in the author's life, and reflections of the writer's personal experience with gendered inequality. We encourage submissions from, regardless of gender identity!

Themes: Economic empowerment, workplace equality, legal rights, women in leadership roles, educational opportunities, violence against women, health and wellbeing, comparison of historical and contemporary women's voices, solidarity, femininity, gender expression.

THIRD QUARTER: CHILDHOOD EDUCATION IN AFRICA.
Three out of four children do not attend any form of preschool in Central, West and sub-Saharan Africa. Over 20% of children between the ages of about 6 and 11 are out of school; followed by one-third of youth between the ages of about 12 and 14. Almost 60% of youth between the ages of about 15 and 17 are not in school.

We are eager to publish firsthand accounts from African Youth writers, reflections by adult writers on their youth experiences, and firsthand accounts from childhood educators, and factual retellings.

Themes: Access to education, barriers, early childhood development, childhood dreams and aspirations, value of the youth voice, role models, challenges faced by teachers.

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Of course, we will continue to look, to listen and to learn about issues of concern for creators from Algeria to Zimbabwe, and everywhere in between! Up to 50% of each issue will be reserved for pieces that expand our understanding of human rights and social justice concerns not covered by the quarterly theme.

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Submission Guidelines:
Please submit your ARTWORK, poem, short story, or essay (2500 words or less) to [email protected], along with the following information:
-Your full name and/or pen name.
-Your country of residence.
-A photograph of you (high-resolution with no filters)
-A brief third-person bio (2-5 sentences). If your bio includes references of your past work, feel free to provide links!
-A brief foreword to your piece, explaining your inspiration for writing the piece, background information, explanation of key characters, and any other key insight for the reader.

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IHRAM Publishes pays $50 per accepted piece.