The City of Santa Clarita (City) is inviting artists to submit artwork for consideration for our upcoming “Nature’s Palette” juried exhibition, which will be on view at the First Floor Gallery located in Santa Clarita City Hall. We are seeking original artwork in any medium that captures the essence of the natural world around us. Artwork should highlight the intricate hues, textures, and forms that define our planets landscapes and ecosystems.

Submit your art for a chance to take center stage in Times Square & across the USA on gigantic billboards. The top ten artists will present to our jury at a renowned auction house (in person or via zoom) , and all selected artists are invited to a VIP party on October 17. Winner will receive a Clio Award. Visit www.mvvoart.com for details and to apply.

Now accepting applications for The Other Art Fair in Los Angeles (Sept 26-29, Barker Hangar-Deadline: June 16), Sydney (Oct 3 - 6, White Bay Cruise Terminal), London (Oct 10 - 13, The Truman Brewery), and Brooklyn (Nov 7-10, ZeroSpace).

The Other Art Fair Sydney: Application Deadline: July 1
The Other Art Fair London: Application Deadline: July 15
The Other Art Fair Brooklyn: Application Deadline: July 31

The Other Art Fair is a global gathering of creative thinkers, game changers and pleasure seekers sharing emerging talent and unforgettable experiences, and we’re looking for boundary-pushing artists from all over the world. This is your chance to showcase your work to thousands of art-lovers, collectors and industry professionals over 4 unforgettable days. Choose a booth size that suits your work and budget, and join us alongside immersive installations, performances and curious encounters to reframe the art buying experience.

Why Apply?
- Direct connections: Engage with art-engaged visitors, sell your work, grow your audience, and build your artist community. On average, 1 in 4 attendees purchase artwork!

- Supportive environment: Access pre-Fair workshops and resources designed to help artists of all experience levels make the most of this opportunity.

- Enhance your profile: Strengthen your artistic career by showing at a Fair where all exhibitors are selected by leading industry experts. 93% of our 2023 artists would recommend the Fair to others!

Ready to jump in?
Find out all the details, or apply now at www.theotherartfair.com/artists-apply/
We accept applications from artists working in all mediums, living and working all over the world.

Need personalized help?
Our friendly team is ready to provide dedicated support:
Los Angeles - [email protected]
Sydney - [email protected]
London - [email protected]
Brooklyn - [email protected]

Don’t delay— booth spaces fill quickly! Get your application in for the chance to be part of something extraordinary.

Limner Gallery in Hudson, NY announces a call to artists for a juried art exhibition, October 12 - November 4, 2023. Juror: Limner Gallery Director. This is a thematic group exhibition of work that includes and is based on the portrayal, interpretation and/or transformation of the human head. The exhibition is open for entry to all artists working in any media.

Submissions are now open for Ridgewood Off-Kilter Film Festival! Share your Off-Kilter (unusual, artful, independent of commercial causes)film. We are holding screenings of Live- action shorts (20 minutes or less) Animated shorts (2d, 3d, claymation, hand-drawn etc....20 minutes or less) Short Docs, Music Videos, and Narrative Features. Use the code roffnyfa for a 20% discount on submission.
Films must be submitted in English (or subtitled in English).

Short films must not exceed 20 minutes.

Feature films must be at least 60 minutes.

By submitting to us, you give us consent and right to screen your film in front of a live audience, and, under special circumstances, online screening.

Step 1. Guidelines and process for selection
Each artist must submit their own application.
Must be able to display 16 - 25 works.
You may request to exhibit with another artist. Placement is not guaranteed.
Selected artists must not have exhibited in a monthly show in any medium within the past 2 years at the Tim Murphy Art Gallery.
Applications are reviewed by a committee.
Notification will be sent no later than the week after Labor Day.

Step 2.Gather your information
Five digital pictures that represent work you intend to exhibit.
Samples must be high resolution .jpgs
File names must include your last name and the title of the piece.

Step 3.Submit your application
Application
Artists who wish to be considered for 2025 exhibitions must submit application by Sunday, July 31, 2024

Step 4.You'll hear from us
All applicants receive notification via email of acceptance or rejection the week after Labor Day.

How artist selection works:
A committee selects artists for exhibitions.
The committee may assign more than one artist per exhibition.

Step 5.Gallery policies
Accepted artists must follow these guidelines:
All exhibited 2D works must be matted and framed unless wrap around canvas technique is utilized.
Accepted artist must sign gallery agreement.
90% of displayed artwork must be for sale.
Gallery commission is 30% of sales.
3-D mediums displayed on pedestals.
Insurance is the responsibility of the artist.
Artists Responsibility
It will be the responsibility of the artist to deliver or ship accepted work to arrive at the gallery no later than the Sunday prior to the exhibit opening night.
Artist will provide a complete listing of titles and sales price of exhibited work no later than 7 days in advance of show.
Artist shall accept the responsibility for providing insurance on artwork and shall hold the city harmless.
At least 90% of the works shown by accepted artist must be available for sale.
Artist will agree to leave work on exhibit until the conclusion of the show, and remove work within one week of the conclusion of the show.

About artworks:
The Award is open to all printmaking disciplines, admitting digital printed artwork and monotype as well.
The general theme is The Sea and the Lighthouses, but this does not imply that the artwork must be figurative. All kinds of aesthetic languages are admitted.
The image and the paper must not exceed 20 x 20 cm. (7,8” x 7,8”)
There is no minimum image or paper size.
Artwork/s must be without mat, frame or glass.
You can submit up to 3 artworks paying only one participation fee.

Jury and awarding process:
The jury will be formed by three invited jurors.
The decision of the jury will be unappealable and notified to the winner artists by email and published on the website: www.MiniPrintCantabria.es
The jury will meet and assess all the works received physically and will select, among all those artworks, the three main awards (1st, 2nd, 3rd).
Once this choice has been made, a special prize for the artwork of an artist from the Community of Cantabria will be chosen from among the participants who meet the requirement of being born or being residents of Cantabria. This award aims to support the practice of graphic arts among artists from Cantabria.
Finally will be selected the Honorary Awards and Mentions.

Awards:
The following prizes will be awarded:
1st Prize: € 4000.-
2nd Prize: € 1500.-
3rd Prize: € 500.-
Mar Cantábrico Award: € 500.- This prize will be awarded to a work by an artist from Cantabria. The artist born and / or current resident in the territory of Cantabria will be recognized as such.

The awarded artworks will become part of the Heritage of the Art Collection of the Port Authority of Santander, maintaining them in deposit for their conservation and exhibition in the Faro Cabo Mayor Art Center.
The prizes will be transferred to the artists to a bank account that they indicate in a timely manner.

The jury will also grant Honorary Awards and Mentions.

Participation guide:

Each participating artist, before July 31, 2024 must:

1. Complete the online registration form.
2. Pay the participation fee.
3. Send the artworks by mail post

Showcase and sell your work at the largest juried craft show on the East Coast. American Craft Made Baltimore features more than 350 artists and makers as well as demonstrations, talks, and hands-on experiences. In 2024, participating artists made a combined $3.4 million in sales. Now entering its 48th year, this immersive annual event attracts more than 10,000 dedicated collectors and enthusiasts.

Key Dates:
Application Open: June 11, 2024
Application Deadline: August 2, 2024
Acceptance Notification: September 18, 2024
Waitlist Invitations Begin: Early October
Move-In Dates: February 19–20, 2025
Show: February 21–23, 2025

WHAT: Abstract Juried Exhibition - An exhibition to celebrate Abstract Art

WHERE:
SullivanMunce Cultural Center
225 West Hawthorne Street
Zionsville, IN 46077

OPENING: Friday, September 13, 2024,
6 pm - 8 pm

EXHIBITION CLOSES: October 26, 2024

HOW:
Please Read Instructions Carefully:
All work must be original and must have been completed within the last three years.
Up to three submissions per artist will be accepted.
All 2D artwork must be framed (except for gallery wrapped canvas), wired and ready to hang. No exceptions.
2D artwork must not exceed 4' wide x 5' high
3D work may not exceed 6.5' x 2.5' x 7*and not exceed 200 pounds. Heavier work will be considered, but the artist will need to contact [email protected]
All works must be available for sale. When pricing, please be aware that the artist receives 70% of the sale and SullivanMunce Cultural Center retains a 30% commission. Sold pieces must remain on display through the conclusion of the exhibit.
One image per 2D work and 2 images per 3D work.
Images must be formatted as JPEGS and not exceed 3MB.
Images must be rotated for correct orientation. Images of 2D work SHOULD NOT include the frame or wall behind it. Images of 3D work should have a neutral background to be clear as possible.
The entry form asks for Description. This is where you describe the Process/Technique used to create the work. Techniques are not materials; they are the process that should be noted in the description along with the materials. The description is only to describe the art making process. It is NOT an artist's statement or philosophy.

Examples: Acrylic on Canvas, Mixed Media, Glazed Ceramic, Lithograph printed with Litho Ink on Archival Paper, etc.

*We encourage you to use Acrylic, polystyrene, or Plexiglas in place of real glass in framed artworks*

ALL 2D ARTWORK MUST BE LABELED ON THE BACK, ALL 3D PIECES SHOULD BE LABLED ON THE BOTTOM AND JEWELRY SHOULD BE LABELED WITH A TAG:

*Title of Piece
*Year Created
*Materials Used
*Artist Name

If you need assistance with entry process, please contact Cynthia Young, [email protected]

PLEASE NOTE:
The SullivanMunce Cultural Center reserves the right to reject any artwork due to inadequate preparation for installation, or for potential security or public safety issues. Any accepted and delivered works which differs in quality or are not representative of the digital file may be disqualified at the discretion of the Gallery Director.

Works not collected within 30 days of the close of the exhibition will become the property of SullivanMunce Cultural Center.
​
NOTIFICATION OF ACCEPTED WORKS: On or before August 17, 2024. Jurors will choose accepted pieces and artists will be notified by email of acceptance. Notification emails will come from:
[email protected], not SullivanMunce Cultural Center so please check your spam folder and/or email us if you have not received notification by Wednesday, August 21, 2024.

DELIVERY OF SELECTED WORK: All artists are asked to deliver their work Tuesday, September 3, 2024, through Friday, September 6, 2024, between the hours of 10 AM and 4 PM or Saturday, September 7, 2024, between the hours of 10 AM and 2 PM unless other arrangements are made with the SullivanMunce Cultural Center. All artists must sign a loan agreement upon the delivery of their work to the gallery.

Artists who ship their work must print a copy of the Loan Agreement (it will be emailed to the artists upon request), sign it and email it back or send it along with their shipped work.

It is the responsibility of the artist to transport and insure (if desired) works in transit to and from the Gallery. Shipped work must be packed in reusable containers to be returned by post, clear shipping instructions must be included, as well as shipping labels, FedEx, or UPS prepaid labels, or prepaid USPS postage. Artists must sign the Loan Agreement upon delivery of their work to the gallery.

PICK UP ART: Tuesday, October 29, 2024 - Friday, November 1, 2024 between the hours of 10 AM and 4 PM. or Saturday, November 2, 2024 between the hours of 10 AM and 2 PM unless other arrangements are made with the SullivanMunce Cultural Center.

Works not sold and retrieved by the artist or artist's proxy should be collected after the closing of the exhibition on the dates specified above.

SculptureCenter's annual open call for artists is open as of Jun 12, 2024. In Practice 2025 will generate a yearlong series of solo presentations.

We invite artists who have not yet had an institutional solo exhibition in New York City to submit proposals for solo exhibitions in designated gallery spaces at SculptureCenter. Artists are also invited to propose off-site projects, publishing initiatives, performances, and nontraditional formats, which will be considered based on feasibility. Up to seven artists will be selected to participate in the program from spring 2025 to winter 2026. Each exhibition will be on view for approximately four to six weeks.

SculptureCenter is a not-for-profit arts institution that takes the history and legacy of sculpture as a framework from which to consider the diverse activity taking place in the field of contemporary art. SculptureCenter's program encourages artists and audiences to explore the possibilities of sculpture and the multifarious ways in which sculpture is developing and connecting to other forms of expression, including installation, video, performance, architecture, and other media.

In Practice 2024 runs from May 2024 to Mar 2025 with exhibitions by Covey Gong, Phoebe Collings-James, Bastien Gachet, Tony Chrenka, Anita Esfandiari, and Zishi Han and Wei Yang.

The Dayton Society of Artists (DSA) is pleased to present MIDWEST AMERICANA, a regional call for lens-based artwork. All artists, 18 years or older and living or working in Ohio, Indiana, or Kentucky are eligible for entry. Each piece must be lens-based (including but not limited to photography, computer edited photos, video, etc.) but may have other mediums or techniques incorporated into the work. Traditional and non-traditional approaches are welcome, and the medium may be interpreted broadly. Art should fit into the theme, Midwest Americana. Francis Schanberger will jury the entries and $1,000 will be awarded in prizes. Support for this exhibition is provided by FotoFocus.

Submit At: daytondsa.org/calls by August 5, 2024

CALENDAR
Submissions Open: Sat, June 1, 2024
Submissions Due: Mon, August 5, 2024 by 11:59 PM Eastern Standard Time
Notification of Jury Results: Mon, August 12
Reception: Fri, September 13, 5-8 PM & Fri, October 4, 5-8 PM
Exhibition Dates: Fri, September 13 – Saturday, October 26

ABOUT

Dayton Society of Artists: The DSA is a non-profit, member-based organization. It was founded in 1938 and acquired a Victorian house in the 1960s, which was converted into a gallery. The DSA’s mission is to “connect, support, and educate artists and the community.” The DSA hosts various workshops and events throughout the year to fulfill its mission as well as hosts a variety of exhibitions. For more information, visit daytondsa.org.

Tripod Camera Club: Tripod Camera Club is a non-profit organization located in Dayton, Ohio. It is designed for any individual - amateur or professional - that has an interest in photography. Membership is intended for local residents of the greater Dayton and Cincinnati areas. The club was organized in the early 1940's as a successor to a local NCR camera club. Today, we have approximately 90 members and many of our members are among the finest photographers and print makers in the area.

FotoFocus Biennial: The 2024 FotoFocus Biennial, now in its seventh iteration, activates over 100 projects at museums, galleries, universities, and public spaces throughout Greater Cincinnati, Northern Kentucky, Dayton and Columbus, Ohio in October 2024. Each Biennial is structured around a unifying theme; for 2024 that theme, backstories, focuses on stories that are not evident at first glance. These stories offer context for what happened previously or out of view, providing narratives not yet told or presented from a new perspective.

FotoFocus welcomes global artists, curators, critics, educators, and regional visitors to Cincinnati with exhibitions, talks, performances, screenings, and panel discussions during an expanded week of programming September 26–28, 2024.

JUROR

Francis Schanberger received his Master of Fine Arts from the Ohio State University in 2002. He has been an artist in residence at the Headlands Center for the Arts (2005), Emmanuel College in Boston, Massachusetts (2011) and Vermont Studio Center in 2013. He has exhibited at Soho Photo in New York, the Houston Center for Photography, the Free University of Brussels, as well as COHJU Gallery in Kyoto, Japan.

Midwest Americana: The DSA, along with local photography club, Tripod Camera Club will be holding an open call for work with the theme Midwest Americana.

The American Midwest, a vast area ranging from Ohio to the Dakotas, is a region distinct from the rest of the United States. In a broad sense, the American Midwest is known for cornfields, state fairs, factory towns, and humble values. Too often, it is a region defined by what it lacks. Largely due to its geography—vast plains and lack of coastline and mountains—it is often dismissed as “flyover country.” However, the Midwest has a rich culture all its own. As a broad area of America, its large cities, small towns, and rural areas differ from the Southern states, the Eastern New England states, and the West in certain definable ways. It is an area with a distinctive culture, history, architecture, and industry. Beyond the stereotypical broad view, a closer look reveals that, though the Midwest has a certain cultural flavor, within that culture, much variety exists. This photographic exhibition seeks to explore the forgotten history of Midwest Americana. It includes, but goes beyond, a romantic view of rural farm life, small towns, and industry. It considers the realties of urban blight, poverty, and inequality while also celebrating the cultural and artistic diversity and accomplishments of this region through its cities, small towns, industry, rural areas, and people.

Support for this 2024 FotoFocus Biennial exhibition was provided by FotoFocus.

ENTRY FEES

• $20 for the first image and $5/each additional image for up to 5 images total. (1 image: $20, 2 images: $25, 3 images: 30, 4 images: $35, 5 images: $40)
• Pay online by card when you submit your work.

REQUIREMENTS

• Artists must be 18 years of age or older and live and/or work in Ohio, Indiana, or Kentucky.
• Art must be professionally presented and ready to hang with wiring on the back, be displayed on a pedestal (maximum footprint of 15” x 20”) or sit on the floor. High Street Gallery uses a hook and rod system due to their plaster and lathe walls. For details visit: daytondsa.org/exhibitors. DSA is open to innovative installation solutions, but they must be pre-approved.
• 2D Art must not be larger than 48” wide x 60” tall or more than 30 pounds.
• DSA has two flat screen TVs and one projector for use. Any digital submissions must provide all additional hardware and software.
• Artwork must not have been exhibited before at the Dayton Society of Artists.
• Artwork may not be picked up before the close of the show.
• Submit up to five (5) lens-based works. Due to the nature of the theme, there is no restriction as to when the work was created but must be the original work of the submitting artist and professionally presented. Work that does not meet these two requirements is subject to disqualification.
• Object details are required for each work submitted: Title, Date, Medium, Dimensions, Sale price (or insurance price if “Not For Sales”), as well as a brief description of the work. How a work pertains to the theme, location within the Midwest, technique, time period, etc. are some examples of what could be written about in the description of a work.
• All applications submitted will be considered final and treated as such. Applicants will not be permitted to add to or edit an application once it has been submitted. All incomplete or duplicate applications will be immediately disqualified.

ART DELIVERY / RETURN

• Artists must cover the cost to transport artwork to and from the gallery. All work selected for the exhibition must arrive ready to install. Works not gallery-ready, or not exhibiting good craftsmanship, may be omitted from the exhibit. Accepted work that differs significantly from the submitted images, or suffers from poor presentation, will be disqualified. Works must be hand delivered or shipped. Shipped works must be sent in reusable packaging. Works will be returned in the same manner as received or via FEDEX/UPS/USPS. Exhibited work will remain on display for the duration of the exhibition. Works not claimed within 30 days of the end of the exhibit will become the property of the DSA.

LIABILITY & SALES

• All work labeled for sale will be displayed and sold in the gallery and on the DSA’s online store.
• Artists maintain responsibility for insuring fine artwork during shipment and/or travel (including U.S. mail delivery) to the DSA. The DSA will acknowledge receipt of work when physically received by appropriate DSA personnel.
• The DSA maintains fine art insurance for work located physically in the DSA gallery.
• Insurance claims where fine artwork has been valued in excess of $500 must be accompanied by documentation of comparable sales price for fine artwork claiming artists and/or a professional third-party appraisal.
• The DSA does not have climate control in the galleries.
• DSA takes NO COMMISSION on sales. Do not include shipping in the price of the piece. After sales are completed, artist is responsible for coordinating with purchaser to deliver/ship work. Artists may use the High Street Gallery as a meeting point. Donations are always appreciated and help support future programming.

AGREEMENT TO PARTICIPATE

• Submitting the entry form indicates that you agree with the conditions of entry and exhibit as outlined in these guidelines,
and that you agree to make your work available and will ship/deliver it to the gallery should it be selected for exhibit. The
DSA may use submitted images and artwork in print and/or digital marketing materials.

The City of Santa Clarita (City) is inviting artists to submit artwork for consideration for our upcoming “Autumn Expressions” juried exhibition, which will be on view at the Newhall Community Center. We are seeking original artwork in any medium that captures the essence of the season’s transient beauty. Artwork should explore autumn’s unique influence on landscapes, cultures, and personal reflections.

The Untitled Space is pleased to announce a partnership with non-profit SaveArtSpace for an empowering public art series of billboards curated by Indira Cesarine throughout the United States launching this October 2024, along with an exhibition of the artwork to be presented at The Untitled Space gallery this fall. Revolving around the theme of “FUTURE VISION” the public art series and exhibition is now open for artist submissions via an open call through August 5, 2024.

In today's rapidly changing world, the importance of envisioning a hopeful and equitable future cannot be overstated. The "Future Vision" public art billboard exhibition presented by The Untitled Space in collaboration with non-profit SaveArtSpace invites artists to dream big and create compelling visual narratives that imagine a better tomorrow. Running from October - November in time for the run up to the U.S. presidential election in major cities throughout The United States including New York City, Los Angeles, Miami, Las Vegas, Detroit, Nashville, Phoenix and more, this exhibition curated by The Untitled Space founder Indira Cesarine is not just about idealism, it's about providing a roadmap for the future we want to build. By focusing on ideals such as justice, peace, equality, diversity, and sustainability, this theme encourages artists to create works that inspire, motivate, and guide collective action toward a more just and harmonious world. Activism has always been a driving force for progress. The "Future Vision" public art billboard exhibition aims to amplify the voices of those who are fighting for social justice and systemic change, and who envision a promising future. Art has the power to provoke thought, spark conversation, inspire and elevate. By turning billboards into canvases for art, we can reach a broad audience and demonstrate how creativity can be a powerful tool for advocating for a brighter tomorrow.

In a time when social justice movements are gaining momentum worldwide, it is crucial to envision a future where justice is not just an ideal but a reality for all. This includes racial justice, gender equality, reproductive rights, LGBTQ+ rights, economic fairness, sustainability, and global peace. With increasing political polarization and global conflicts, the need for peace is more urgent than ever. Peace is not merely the absence of war but the presence of conditions that foster harmony, understanding, and cooperation. A sustainable future is essential for the well-being of all living beings and the health of our ecosystems.

Through powerful imagery and innovative practices, artists can inspire a vision of a world that motivates viewers. "Future Vision" serves as a catalyst for change. Art has the unique ability to transcend cultural and linguistic barriers, reaching a diverse audience and evoking emotional responses that drive action. When people see a vivid portrayal of what a better future could look like, they are more likely to be inspired to take steps toward making that vision a reality.

The "Future Vision" theme is a call to artists to use their creativity to paint a picture of what a hopeful and equitable future looks like. Turning billboards into canvases for activist art not only amplifies important messages but also democratizes art, making it accessible to a wider audience. Through their art, artists can inspire, educate, and mobilize viewers, helping to turn aspirational visions into tangible realities, harnessing their creativity for social change.

"I am thrilled to curate this public art series that transforms billboards into canvases for social change across the nation. The 'Future Vision' theme invites artists to imagine and depict a better tomorrow during a critical time leading up to the presidential election. Your artwork can inspire viewers, spark meaningful dialogue, and encourage a promising future - making it an essential part of this nationwide initiative. The billboard transformed into an art display is an innovative, and ultimately accessible way to transform spaces normally dedicated to advertising into public art that has power and impact.” – Curator Indira Cesarine

Artists are asked to be creative, with artwork inspired by your “Future Vision”

Each billboard will feature your artwork along with your name and the title of the artwork. The gallery exhibition will compliment the public art series with a presentation and celebration of the artwork. This open call is open to all artists, regardless of gender, age, ethnicity, or practice. All mediums are welcome.

TIMELINE (Subject to change)

June 26 – Open Call Begins

August 5, Midnight – Open Call Ends

September 9 – Selected Artists Announced

October 7 – Billboard Exhibition Installed

October TBC – Art & Exhibit Reception

ABOUT SAVEARTSPACE:

https://saveartspace.org

Founded in 2015, in Brooklyn, NY, SaveArtSpace is a non-profit organization that works to create an urban gallery experience, launching exhibitions that address intersectional themes and foster a progressive message of social change. By placing culture over commercialism, SaveArtSpace aims to empower artists from all walks of life and inspire a new generation of young creatives and activists.

ABOUT THE UNTITLED SPACE

https://untitled-space.com/

The Untitled Space, established in 2015 by curator and artist Indira Cesarine, is an innovative contemporary art gallery located in Tribeca, New York. Renowned for its dedication to amplifying the voices of women and marginalized artists, The Untitled Space fosters a dynamic and inclusive environment that promotes cutting-edge and thought-provoking art. The gallery is celebrated for its unique curatorial vision, presenting exhibitions that address pressing social and political issues through a multidisciplinary approach. With a commitment to promoting art as activism, The Untitled Space has become a vital platform for artists who challenge conventions and inspire change.

Press on The Untitled Space includes Vogue (US), Vogue Italia, Forbes, Newsweek, W Magazine, Harper’s Bazaar, Teen Vogue, New York Magazine, i-D Magazine, Dazed, Artnet, Artsy, Hyperallergic, Marie Claire, CNN Style, Huffington Post and The New York Times among many others.

Read More about The Untitled Space exhibitions on Wikipedia.

About Curator Indira Cesarine

https://indiracesarine.com/curatorial-cv/

Indira Cesarine is a multifaceted curator, artist, and entrepreneur whose work bridges the worlds of art, fashion, and media. As the founder and director of The Untitled Space, Cesarine has curated numerous critically acclaimed exhibitions that explore themes of feminism, identity, and social justice. Her visionary approach to curation emphasizes the transformative power of art and its role in fostering dialogue and driving societal progress. Cesarine's diverse background informs her dynamic curatorial style, making her a leading figure in the contemporary art scene. Through her work at The Untitled Space, she continues to champion emerging and established artists, creating impactful exhibitions that resonate with global audiences.

Become A Future Star
Our Future Stars event is the perfect opportunity for you to showcase your art to the world. Our annual event offers discounted rates for artists to showcase their work in both our London & Athens galleries. This is a unique chance to have your art seen by people from around the world!

We welcome artwork submissions from all nations, in any creative medium - from traditional painting and sculpture to innovative video art, mixed media and even poetry and illustration. Our current OPEN theme provides endless possibilities to express yourself through your art. We look forward to exploring the diverse range of talent out there.

We encourage artists from any background to submit their work, free of charge. So if you have a piece to share, don't hesitate to send it our way.

Northern Rio Grande National Heritage Area was Congressionally delegated in 2006 to serve Rio Arriba, Taos, and Santa Fe counties by preserving, promoting, and protecting the cultures and traditions that the area values. Cultures and Creators was established in 2023 to highlight the importance of arts in our three counties and to bring opportunity to communities in more rural areas.

Application Requirements
Artist Requirements for the Show:

We invite artists residing within the vibrant cultural landscape of Taos, Rio Arriba, or Santa Fe County to showcase their original artwork in our upcoming exhibition, Cultures and Creators: Our Ancestors. Our Future. This call is a celebration of the rich artistic heritage and contemporary creativity that thrives within our region.

Eligibility Criteria:

Artists must be residents of Taos, Rio Arriba, or Santa Fe County to participate.
Only original artwork created solely by the submitting artist will be considered for inclusion.
Submission Guidelines:

Each artist may submit up to three pieces of artwork for consideration.
Submissions must be made digitally through our designated submission platform.
Please ensure that each artwork is accompanied by a title, dimensions, medium, and a brief artist statement reflecting your creative process and inspiration (max. 150 words).
Artwork Specifications:

We welcome artwork in any medium, including painting, drawing, sculpture, photography, printmaking, digital art, and mixed media.
The submitted artwork should reflect the unique perspective, culture, and spirit of our region.
Jury Process:

A panel of esteemed jurors, with a deep appreciation for the local arts scene, will carefully review all submissions.
Selections will be based on originality, artistic merit, technical skill, and relevance to the cultural landscape of Taos, Rio Arriba, and Santa Fe County.
Notification of Acceptance:

Artists whose work is selected for the exhibition will be notified via email by the designated date.
Please be prepared to provide high-resolution images of your artwork for promotional purposes upon acceptance.
Delivery and Return of Artwork:

Accepted artworks must be securely packed and delivered ready for installation.
Artists are responsible for both the delivery and pickup of their artwork to and from the exhibition venue.
Sales and Commission:

Artworks will be available for sale during the exhibition, a commission percentage may be retained by the exhibition organizers to support future artistic endeavors in our community.
Agreement to Terms:

Submission to this call for entry constitutes acceptance of all the artist requirements and terms outlined above.
We eagerly anticipate the opportunity to showcase the diverse talent and creative vision of artists within Taos, Rio Arriba, and Santa Fe County. Your participation will contribute to the vibrant tapestry of our local arts community.

Work that carries overtly political themes is not appropriate for this campaign. We are looking for work that celebrates the culture, diversity, and vibrancy of our communities within Northern New Mexico.

WomensWork.Art is pleased to announce that we will be hosting 'Vehement Visions: Female Rage and Empowerment', a group exhibition showcasing works by Women, Femme, Non-Binary Artists portraying the themes of Female Rage, its contemporary and historical context on society, and depictions the healing process from religious, political and societal subjugation of marginalized peoples.

*More information and additional programming will be announced at a later date*
Artwork Dimensions: Maximum size for all submitted artwork is 36 inches on the longest side, or 2 feet diameter for all 3-Dimensional artworks

All visual art files have to be formatted as a .jpg or .png (max file size 20 mb, or 2,000 pixels on the shortest side). All audio visual and music files have to be formatted as an .mp3 or .mp4.
This exhibition will be featured as an in person exhibition as well as online, via the Gallery's website (www.womenswork.art).

Sales: All artists will be keeping 70% of their total art sales through this exhibition to help support independent artists during these economically stressed times. Payments will be made out to the artists either by check or electronic payment (PayPal).

Sales/Shipping: Womenswork.Art will be handling the sales transactions and paying Sales Taxes for all artwork sold in the exhibition. All commissions for sold artwork will be paid either electronically (PayPal) or by check.

Shipping artwork will be the sole responsibility of the Participating Artists, and will have to handle shipping costs and arrangements via Mail Carriers (USPS, FedEx, UPS, etc.) Womenswork.Art will not be held responsible for shipped artwork(s) that are delayed or lost en route to the gallery's provided address.

Due to continuing logistical delays with mail carriers during the COVID-19 Pandemic, Womenswork.Art will not be accepting submissions from International Artists for this show. Please make sure to allow selected artworks ample time to get to the gallery's provided address in order to be installed in a timely manner. Artwork(s) that arrive late to the gallery will not be considered for installation within the exhibition.

Artist Statement: All artists have to submit an Artist Statement to accompany their work(s) submitted, reflecting on how the artwork fits into the theme and the background/inspiration behind the artwork. Artist Statements will be included in the online exhibition along with the Artists' info.

Marketing/Online Promotion: Womenswork.Art will market the exhibition heavily through public relations and social media. Artist contacts are welcome and encouraged. The Gallery will provide you digital tools and material to self-promote. Artists are encouraged to contribute to bring traffic to the gallery and potential sales with Artists' Talks, workshops, etc.

Artists are invited to submit work for exhibition alongside members of the Society of Wildlife Artists at the SWLA 61st Annual Exhibition: The Natural Eye 2024

The Society is seeking works that depict wildlife subjects and evoke the spirit of the natural world.

The Selection Committee welcomes:

• All forms of two and three-dimensional artwork based on representing the world’s wildlife

• Artists with fresh visions that show imagination, artistic ability, originality and creativity

• Artworks that reveal a personal experience or true understanding of the subject

How to Submit
A single-stage online judging of all submitted works will take place, after which selected works should be delivered to Mall Galleries, London, for inclusion in the exhibition:

• Upload images of your work to our Open Exhibition Submission System (OESS) between Monday 10 June and Friday 23 August 2024

Images must be in JPEG or PNG format and under 5MB. Please ensure that photographs are accurate and show work at its best; please avoid reflections on glass, out of focus images or images that are badly angled. Sculptors especially should use plain backgrounds and the option to add multiple views per artwork.

• Log in to the OESS from 12 noon on Friday 6 September to see if your work has been selected

• If selected, deliver your work on Saturday 5 October, 10am to 5pm, to Mall Galleries, 17 Carlton House Terrace, London SW1Y 5BD

Works should be delivered unwrapped with the relevant form and labels, which are downloadable from the OESS upon notification of selection.
Subject matter:

Work should be based on representing the world's wildlife. Wildlife includes any non-domestic animal such as birds, mammals, reptiles, amphibians, fish, crustaceans and insects. Work will not be accepted if it is of botanical subjects, pets and domestic animals, or decorative wares (such as vessels or tiles).

Works depicting wildlife divorced from its environment or without place, setting or context are rejected in many cases. Biological or scientific illustrations are in most cases not permissible.

The Society receives many submissions that are obviously direct copies from photographs. Whilst some of the member artists use photographs for reference, the majority of artists create their work in response to their own experience of wildlife and spend many hours observing and sketching in the field. This knowledge of the subject is evident in the resulting work. Artists thinking of submitting should consider choosing a subject to which they can have access.

Care is an online exhibition opportunity.

The deadline for Care is August 15th, 2024 and the entry fee is $6 for 3 images. Accepted participants will be notified two weeks after the deadline. The exhibition will go live on September 1st, 2024. Find updates on our Instagram and by subscribing to our newsletter!

Juror: Artist & Founder: Katarina Bishop

Prompt

We invite artists to explore the theme of Care, in all its dimensions. Care is a fundamental aspect of the human experience that encompasses compassion, nurturing, protection, and concern. It can be expressed through personal relationships, societal structures, environmental stewardship, self-care, and beyond.

Open to artists 18+ working in all mediums, including but not limited to painting, sculpture, photography, digital art, mixed media and video. Applicants are not restricted on the number of entries but each entry is limited to 3 images.

Minimalism is a form of art that highlights simplicity, focusing on the basic features of our surroundings. By distilling scenes to their elements, we can explore the influence of negative space, lines, and subtle components on the beauty of the captured image. Through the lens of simplicity, Minimalism invites viewers to appreciate the power of less and the complexity of the understated.

Minimalism is an international open call for photographers ages 18 and older. ​​​​​​​All forms of two-dimensional images, traditional and non-conventional media, and conventional or alternative processes with a subjective analog or digital photographic base are welcome for submission.

Who's Afraid of Red, Yellow, and Blue?

Curated by Ellen Hackl Fagan, Founder and Director, ODETTA Gallery

Conversations between artists have always been a healthy antithesis to the pervasive myth that art is made in a solitary environment. In New York City, these conversations are promoted in robust arts communities that telegraph ultimately throughout a global art world.

In 1966 Barnett Newman began a series of monumental paintings titled “Who’s Afraid of Red, Yellow, and Blue?” In his response to Ab Ex painting, he chose to strip painting of any need for narrative, and instead, allowed color to be the sole subject of these works. The ginormous scale of this series drove the point home further, enveloping the viewer in Red, Yellow, and Blue, one by one. This step into Minimalist Abstraction was so radical that it caused several very public assaults against these works over the latter half of the 20th century. In addition to infuriating some, it inspired many other artists. His works propelled Conceptualism into becoming the next wave of contemporary art, lasting and influencing generations of artists. The most sublime response to the question “ Who’s Afraid of Red, Yellow, and Blue?,” for this curator, was Robert Irwin's piece, “Whose Afraid of Red, Yellow, and Blue?”, created in 2006, shown at Pace Gallery in Chelsea. Irwin surrounded us in ever larger panels of reflective red, yellow, and blue, and installed them on the floor and suspended them from the ceiling, offering the viewer an immersive experience in both primary colors and the full color spectrum due to the reflective nature of the panels.

The question is, are you afraid of Red, Yellow, and Blue? Whether you stay clear of these colors in your artwork or whether you embrace them, for this exhibition we'd love a variety of fearless approaches to this challenge, thus continuing the advancement of a new century of contemporary art.

About the Curator:

Ellen Hackl Fagan has been featured in over 30 solo, and numerous group, invitational, and juried exhibitions in the greater New York metropolitan area and Northeast. Fagan has works included in permanent public and private collections throughout the United States and Europe. Her work has recently been the full color feature in print in Post Road Vol. #37 Winter issue 2021. She has been the subject of multiple interviews both on the air and online including WBYX’s radio program out of Yale University, and the New York Public Library’s Artist Interview series. Known widely for her generosity in offering artists opportunities, Fagan is also a fluent and experienced curator; as creator and director of ODETTA, www.odettagallery.com, she has curated and produced over 80 exhibitions showcasing well over 250 artists. Recently the pandemic inspired her to pivot to a new exhibition paradigm of online curatorial practices as founder of ODETTA Digital on the Shim Art Network, and ODETTA Petite, offering services enabling artists to better navigate social media tools and to develop their own curatorial voices and gallery spaces, both virtually and in real life. Fagan maintains her studio and curatorial practice in New York City, Connecticut, and Indianapolis, Indiana.

www.ehfaganstudio.com.

@ehfaganstudio

@odettagallery

This form is for artists to submit images of their work for consideration to this curated exhibition. Accepted artworks must be available for display during the entire exhibition period. All accepted work must be hand delivered and picked up during the Delivery and Pick Up dates listed below. Work must be delivered fully prepared for installation. The gallery has installed a new hanging system and we would prefer D rings on your artwork if possible.

BoyntonArts, the City of Boynton Beach Public Art Program, seeks artists to apply to exhibit their indoor artwork for the 7th Biennial Kinetic in Boynton Beach, Florida. The exhibition provides the opportunity to present, sell and share explorations in kinetic art over a two-day weekend.

The Biennial seeks works of visual, conceptual, participatory or experiential art where real motion, the illusion of motion or the feeling of motion are an essential attribute of the aesthetic content of the artwork. Artworks are for sale if requested by the artist. The dialogue among attending artists and designers and with the public has proven to be valuable to many.

NOTE: Artists may apply for multiple opportunities including Indoor and/or Outdoor exhibitions or installations and community engagement.

Kinetic Art

The Kinetic Biennial maintains a very broad perspective on kinetic art, or rather kinetic energy in the art. Real motion, the illusion of motion, and the feeling of motion must be an essential attribute of the aesthetic content of the artwork.

The Kinetic Biennial, 2025

The 7th Kinetic Biennial is a free art exhibit and symposium of artists, designers and performers to engage the Boynton community and all of south Florida visitors in contemporary kinetic art. The 7th Biennial demonstrates the interconnectedness of art and technology, and leverages human fascination with movement.

During the first weekend in February the Biennial festivities begin in the heart of tourist season with the 6 million south Florida residents. From February 1-2, 2025 the indoor event opening weekend will include indoor art exhibitions, artist and designer talks, student displays, turbine demonstrations, light projections and choregraphed motion performances with community volunteers. Live music, food trucks, artist booths and other activities will add to the festive atmosphere. Outdoor kinetic artworks and turbines will be installed for a 18 month display in downtown Boynton Beach.

In exciting event is centrally located within the 1.5 million residents of Palm Beach County, BoyntonArts anticipates a larger weekend audience compared to the 6,000 at the 2023 Kinetic event.

See the appendix at the end for more information.

Indoor Exhibition

The exhibition is held on the second floor of the historic Boynton Beach Arts & Cultural Center. The multipurpose room (former gymnasium / theater) is the primary space with temporary dividing walls. Hallway galleries and dance studios provide additional space and possible installations.

In general, each artist can display between one and eight artworks. The maximum wall space per artist is 15 linear feet and 64 square feet of floor space. Electric is provided to artworks requiring power. For hanging artworks, the artist should provide cables that loop over the exposed steel joists about 20 feet above the floor

A brochure listing all artists with website is provided to all visitors and available online. For interested buyers, a handout will be available with prices and artist phone number. If the artists do not wish to process payments for sales, BoyntonArts will provide credit card payments for a fee of 5%.

Primary publicity occurs through the Boynton Beach marketing office press contacts and a comprehensive social media campaign. We recommend that all artists have a website and a Facebook / Instagram handle.

Artwork is insured by the City of Boynton Beach for artist’s sale price or cost of restoration of the artwork for damage or theft while in the Boynton Beach facilities.

Selection Process

Via coordination by Craig Clark, Director of Recreation & Cultural Services, a selection panel will select the artists and artworks. The artists will be presented to the Boynton Beach Art Advisory Committee for approval.

Compensation

Each artist will be paid $100 honorarium. The full value of all sales are kept by the artist. No fee or percentage will be taken by BoyntonArts, except for credit card processing if requested on sales.

On-Site

In general, BoyntonArts prefers that the artists attend the exhibition and participate in the dialogue. However, this is not mandatory.

Copyright

The artist grants the City rights to reproduce the images or recordings of the artworks or presentations for non-commercial and publicity purposes including posting on City websites and social media.

Summary of Plan for Kinetic Biennial

1. Every two years, produce the Kinetic Biennial that discovers and presents the new directions in kinetic art during a festival weekend in downtown Boynton Beach.

2. Remain an international resource of the continuing legacy of 20th century kinetic sculpture powered by the wind, motors, gravity or humans, op art, abstract animation, or other artworks with the reality or illusion of motion.

3. Engage the Boynton adult and student community in interconnectedness of art and technology through kinetic art, industrial design and science.

4. Expand the amount of permanent outdoor kinetic art as a unique, year-round arts attraction in Boynton Beach for the cultural tourist and regional art enthusiast.

5. Build additional cash and in-kind funding sources from local, national and international institutions, foundations, corporations, governments and individual donors.

History of Kinetic Biennial

Kinetic Biennials held in 2013, 15, 17, 19, 21and 23

Between 2013 – 19, the event was known as the “International Kinetic Art Exhibit and Symposium” and organized in conjunction with the Kinetic Art Organization (KAO)

49 Artists have presented Outdoor Work since 2013

39 Artists have presented Indoor Work since 2017

Past Donors and Sponsors

Boynton Beach CRA, KAO, Boca Bearing, Cultural Council of Palm Beach County, Richard Beau Lieu & Assoc., Sculpture Magazine, Coastal Star, Graphics Plus, Solartree, Winn Dixie, Marriott, FPL, Cornermark, Wind Capital Group, David Bermant Foundation, Discover The Palm Beaches, Activista Artista, arts radio network, Five Chefs, Equity One, Juried Art Services, Buffalo Wild Wings, Boca Bearing, Hacklab, AW Architects, Secret Garden Craft, High Ridge Landing, Compson Assoc, CodaWorx, Art Hive Magazine, Around Town, Ocean One Boynton, Art Palm Beach, Cultural Owl, Palm Beach Post

Attendance

10,000 people counted entering the indoor exhibit in 2021 & 2023.

Application Requirements
1. Submit PDF of Cover Letter with brief artist statement, artist contact information, artist website and one social media address

2. Submit PDF of Resume

3. Submit up to 10 artworks that the artist has available for loan

Optional: Submit links to 3 Videos of 3 artworks

The Arts of the Terrace Juried Art Show returns this fall, and it’s time for artists to apply.

This is the 44th year for the Mountlake Terrace tradition, which is sponsored by the city’s Arts Advisory Commission and Mountlake Terrace Friends of the Arts. The show will run Sept. 21-28.

Entries must be suitably finished and wired for hanging; no exposed glass or sawtooth hangers.

Paintings, Prints, Drawings, and Photography:
Framed work must not exceed 44 inches in height and 54 inches in width.
Gallery-wrap canvas must have edges finished (painted).
Wet paintings or damaged frames will not be accepted.
3-Dimensional & Artisan Works:
Hand carrying size.
Items deemed too fragile will not be accepted.
No on-site assembly is allowed.
Copies of other works, class work and commercially prepared kits will not be accepted.
Miniatures and Small Paintings:
Your frame and artwork may be any proportion that meets the following requirements: Artwork can be any size up to 5” x 5” (25 sq. in.). This includes unframed gallery wrapped canvases with finished sides.
Framed artwork must not exceed 8” x 6” (48 sq. in.). Unframed image size must not exceed 25 square inches. All artwork, framed and unframed, must be wired and ready for hanging.
Image must not appear to be part of a larger painting.
Miniatures and Small Paintings may be hand delivered or mailed by the delivery dates as noted in important dates section.
Mailing address is:
ATTN: Marla French
Friends of the Arts
900 213th Pl SW.
Lynnwood, WA 98036-8608
Shipped artwork must include a pre-paid return label

Art Fluent invites artists worldwide to submit artwork to our online exhibit, minimal.

THEME
Minimalism is all about keeping things simple on purpose. The art is stripped of anything extra and presented in a straightforward manner...no frills or fancy add-ons here. Instead, it's all about a bare-bones vibe focusing on the basics. Minimalism enables artists to capture the beauty of simplicity, making a big impact with just a little. Show us minimal from your perspective.

CALENDAR
JPEGs due by Friday, August 16, 2024 at midnight MST.
Notification of acceptance and online gallery opening by Friday, September 13, 2024.

AWARDS
All accepted pieces will be displayed in our online gallery at www.art-fluent.com
Best of Show: $750
Two Director’s Choice awards: $250 each

ENTRY FEE
$25 for first entry/$10 for each additional entry. You may enter up to 20 total. Payment is non-refundable and does not guarantee acceptance. For 3D work, there is no need to pay for additional entries for detail shots. Once your first entry is made, you may send additional views by email to [email protected].

RULES
Work that is copied or done under the guidance of an instructor is not eligible. Open to ALL fine art mediums (oil, acrylic, watermedia, pastel, drawing, printmaking, mixed media, photography, sculpture, fiber, wood, ceramics, film/video, digital art). AI will not be accepted. Diptychs and triptychs should be uploaded as a single image.

SELECTION PROCESS
Director’s choice. Each show is curated and juried by Creative Director, Amy Matteson Neill along with an anonymous committee of jurors. Please note, there is no personal feedback given by jurors.

MEDIA PREPARATION
Please only submit properly cropped images of your work that are in focus. We have a free resource for artists for tips on how to get high quality images of your work. Visit www.art-fluent.com/resources for a free download. CaFÉ also offers tips on their blog which you can find here www.callforentry.org/photographing-artwork/.
All images must be in JPEG/JPG format using CaFÉ guidelines. The image size must be 1,200 pixels or greater on the longest side. Maximum file size is 5 mb.
Accepted video formats include MOV, MP4, WMV. Aspect ratio 4:3 or 16:9, resolution minimum 640x480, maximum 1920 x1080, bit rate recommended above 240 kbps, recommended frame rate 30 fps. File size must be under 100 MB. If your video work has been selected for the exhibit, we kindly request that you provide us with the file link via Vimeo. Please ensure the linked video is set to be shared publicly. Your video will not play if it is set to private.

SALES
All sales inquiries will be directed to the artist’s website and/or contact information. For any artwork that is sold, the artists receive 100% of the sale.

GIVING BACK
A portion of the proceeds from the entry fees is donated to organizations committed to the arts and supporting artists.

Warimono invites artists to submit their works for our inaugural exhibition, Passing Glows. This exhibition celebrates the transient moments that illuminate our lives. The exhibition will run on our website from September 1 to 30, 2024.

We seek artworks that explore fleeting moments, capturing the essence of brief, illuminating experiences or the temporary yet impactful moments that shape our existence. This theme is open to various interpretations, and we encourage artists to reflect on how this theme aligns with their ongoing practice. Passing Glows aims to highlight those ephemeral flashes of creativity and inspiration that define the artistic journey. Whether it's the brief spark of an idea, a moment of clarity, or a transient experience that leaves a lasting impact, we want to see how artists translate these moments into their work.

It's up to the individual submitting to decide if and how the title aligns with their ongoing practice. We welcome diverse perspectives and encourage artists from all backgrounds and stages of their careers to participate. No fee to apply. Artists retain 100% of sales.

Are you a photographer looking to share your work with new audiences? We’re inviting artists who have a series of work (by which we mean 10 or more images) which engages with issues of disability and representation to share your work with us.

Autograph is committed to sharing the work of creatives who use their practice to address issues of race, representation, identity, human rights and social justice. We select and publish content based on relevance and quality and we’re keen to share the work of individuals with lived experience of marginalisation, misrepresentation and/or inequality.

The successful applicant's work will be featured in an online gallery, on Autograph's website, and will receive a £312 fee as well as editorial support from Autograph's experienced staff.

The call for photographs is free to enter, and the deadline for submissions is 10am on Monday 19 August 2024.

artists from all countries are welcome to submit their works for consideration. You are welcome to submit works in any medium. (painting, photography, printmaking, video art, installation, films, sculpting, mixed media, poems, illustration, etc). The theme of the exhibition is OPEN.

Any artist from any background can submit any of their work. There is no charge to submit your application, please feel free to share your work with us. From £120

NCECA 2025 Gallery Expo will occur in conjunction with the 59th Annual NCECA Conference on March 26–29, 2025, in Salt Lake City, Utah. The Gallery Expo will open with a preview reception on Tuesday evening, March 25, 2025, and continue through Friday afternoon, March 28th, 2025. The Gallery Expo is CLOSED on Saturday.

NCECA is dedicated to promoting inclusion, equity, accessibility, and diversity within the ceramic arts. Applicants for the Gallery Expo are strongly encouraged to submit a diverse list of artists representing historically marginalized communities and a variety of experiences, backgrounds, voices, and identities. This includes, but is not limited to, diversity in race, ethnicity, gender, gender identity, sexuality, disability, class, and age.

Representatives and artists from participating galleries will be scheduled to make brief presentations illuminating the creation process and the joy of collecting and using contemporary ceramic works by contemporary makers. The galleries involved create a unique opportunity to experience and purchase works that might not be available in the conference region.

Gallery Expo features displays of unique works in clay presented by galleries from across the United States and abroad. Works in this showcase may be functional, decorative, or sculptural and should be available for purchase by collectors. A committee will select the galleries to participate based on the quality of submissions and alignment with programmatic goals and objectives.

The goals of the Gallery Expo are to:

- Make contemporary ceramic art available for purchase at the heart of NCECA’s Annual Conference.

- Provide a point of intersection, exchange, and learning between artists attending the annual conference and galleries.

- Provide a space to appreciate and purchase contemporary ceramic art in the convention center hosting the annual NCECA conference.

PRICING AND PAYMENT

- NCECA Gallery Members receive discounted booth rates. If your gallery is not currently a member, please consider joining or renewing your membership. GALLERY MEMBERSHIP

-An NCECA Gallery Expo booth costs $3,790 for Gallery Members and $4,657 for Non-Members.

- Once accepted, NCECA requires a 50% deposit by Wednesday, September 25, 2024. The balance is due Wednesday, November 13, 2024.

- A Gallery Expo booth includes conference passes for FIVE gallery representatives. Representative names are due no later than Thursday, February 20, 2025,and must register themselves with the provided discount code no later than March 14, 2025. NCECA does not provide a reduced rate for additional representatives. Note: previously Booths came with three reps and the option to purchase two more. Now all five are included in the booth fee.

Welcome to the 6th Annual Northeast Fine Arts Exhibition. We welcome artwork in Traditional Realism in the following 7 categories:
Oil Painting, Watercolor, Sculpture, Drawing/ Graphics, Acrylic (includes casein & egg tempera, Pastel, and Mixed Media.

Todd Casey will be the juror for the 6th Annual NEFAE.

ENTRY INSTRUCTIONS
1. Each artist may submit up to three pieces for this show.
2. All work must be originally conceived. Work created in an instructional setting is not considered original art.
3. Maximum H x W (including frame): 40 inches. Must be WIRED for hanging. NO SAW TOOTH HANGERS ARE ALLOWED.
4. Sculptural work must fit through a standard height, 36 inch wide door, weigh no more than 100 lbs, and if over 30 inches wide, must come provided with suitable display stands.
5. Artwork will be blind-juried for acceptance based on the criteria for this show using the image submitted with registration.
6. All Accepted work must be framed, wired, and ready to hang.
7. Accepted work can be hand delivered or shipped.

TERMS OF ENTRY
WorkShop13 will receive a 30% commission on all work sold. Art need not be for sale, but is encouraged.

Artists retain all copyrights to submitted images and represented artwork. By entering the competition, artists selected to exhibit grant WorkShop13 the rights to use the selected image(s) on social media, the web site, and printed materials for promotional purposes as well as the online show posted on the WorkShop13 website.

WorkShop13 will not be held responsible for the loss or damage of any artwork, and recommends all artists carry insurance sufficient to cover the full replacement value of their artwork. By submitting to this exhibition, each artist will be deemed to have concurred with this agreement.

Artists from all countries are welcome to submit their works for consideration. You are welcome to submit works in any medium. (painting, photography, printmaking, installation, sculpting, mixed media, poems, illustration, etc). The theme of the exhibition is OPEN.

The participation fee is £250 incl. VAT for 1 artwork (any size will be considered)

We also accept payments with Klarna, Afterpay/Clearpay and Revolut Pay, providing our artists with a range of payment options for their convenience.

The exhibition will be held in Le Marais, one of the most prestigious areas in Paris known for its concentration of galleries.

Event Schedule:

- Opening Night: September 13, 2024

- Public Exhibition: September 14 - 17, 2024

Address: 46/48 Rue Notre Dame de Nazareth, 75003, Le Marais, Paris, FR

The show is 5 day long with a private viewing hosted on Friday ,13th September from 19.30 - 22.00.

You should expect an open bar (wine) & professional photography & videography.

Edward Mitchell Bannister (1828-1901) was a prominent Black artist who was born in New Brunswick, Canada, and lived in Providence in the last decades of his life. He was the first artist of color to win a national art award when he received First Prize at the Centennial Exposition of 1876 in Philadelphia, and he went on to help build Providence into a New England cultural center, becoming a driving force in establishing the Providence Art Club in 1880.

The Bannister Community Art Project and Bannister Gallery at Rhode Island College are seeking professional artists to participate in and create new artwork for an exhibition that responds to Edward Bannister’s life and artwork. We welcome broad interpretations of the theme and a variety of artistic media.

An exhibition in the fall of 2025 will take place in Bannister Gallery and feature existing artworks and at least one new artwork from each participating artist. Artists that are selected will receive an honorarium of $1,000. Finalists will be selected by jurors and members of the Bannister Community Art Project Exhibition Committee.

The Opulent Mobility 2024 call for art is now open! Please share your art that re-imagines disability as opulent and powerful.
Opulent Mobility challenges you to imagine a world where disability, mobility, and access are not merely functional, but opulent. In a time where COVID protections are being lifted but the dangers are still very real, what does opulent mobility mean? Share your art that re-imagines disability and true freedom of movement!

Opulent, adjective
1. Characterized by extravagant, ostentatious magnificence: lavish, lush, luxurious, palatial, plush, rich, sumptuous
2. Given to or marked by unrestrained abundance: Extravagant, exuberant, luxuriant, prodigal, profuse, riotous, superabundant
Collins Thesaurus of the English Language – Complete and Unabridged 2nd Edition. 2002 © HarperCollins Publishers 1995, 2002

Opulent Mobility is co-curated by A. Laura Brody and Anthony Tusler.
Deadline for submissions is August 31st.
Opulent Mobility 2024 will be at the Los Angeles Makery December 5-29, 2024.
We look forward to sharing your work with the world!

Accessibility features: art descriptions in text and in audio files, ASL interpreters at the opening and online artist talk, artists may submit digital files instead of shipping artworks, and submissions may be sent either through the online form or directly to the founder. Use the contact page on the website for more assistance.

Opulent, adjective

1. Characterized by extravagant, ostentatious magnificence: lavish, lush, luxurious, palatial, plush, rich, sumptuous

2. Given to or marked by unrestrained abundance: Extravagant, exuberant, luxuriant, prodigal, profuse, riotous, superabundant

Collins Thesaurus of the English Language Complete and Unabridged 2nd Edition. 2002 HarperCollins Publishers 1995, 2002

“Terra Earth” - A Virtual Exhibition

Welcome to "Terra Earth" a global gathering named after the Latin term for "Earth".

Photographers from around the World are invited to share their passion for both nature and photography by participating in this virtual exhibition.

This exhibition is dedicated to illuminating and celebrating the remarkable grace of our planet.

Photographers are encouraged to showcase their creative interpretations of Earth's stunning beauty through various forms of photography. Whether depicting landscapes that reveal the vastness of our planet, intimate portraits of wildlife that highlight the intricacies of nature, detailed macro shots, breathtaking aerial views, serene underwater scenes, or any other captivating form of photography celebrating Earth's wonders, all are welcomed.

SELECTED PARTICIPANTS WILL RECEIVE:

- A Feature in an exclusive Online Virtual Exhibition launching in 2024.
- A complimentary PDF copy of the exhibition catalogue.
- A free Certificate of Participation
- Your photography will be shared on Instagram and permanently posted on @carlottaphotographygallery.

FEE:

A nominal fee of £15 will be applicable for 1 showcased artwork in the Virtual Exhibition.
Refund Policy: Please note that refund requests will not be accommodated. *I greatly appreciate your understanding, as these fees contribute to the logistical and operational aspects of organising a successful online exhibition.

How to Apply:

Submission is free!
Submit your application to [email protected]

Please include the following details in your submission:

- The name of the exhibition: “Terra Earth”
- Your full name.
- Your Instagram handle (so that I can follow you and share your photography!)
- A brief biography + Artist statement (up to 200 words).
- Artwork details: Title, size, year, and price (if applicable).

You can submit a maximum of 3 images for consideration.
Kindly submit your files in JPG format.

Contact Information:

For any questions, please contact me by email at [email protected] or find me on Instagram @carlottaphotographyuk
@carlottaphotographygallery

Thank you.

Kind regards,

Carlotta Olympia Pompei

Omi Art Gallery is excited to announce a new open call for our upcoming virtual exhibition, “Inside Out.” We invite artists from around the world to submit their works that explore the theme of “Inside Out,” delving into the depths of inner experiences and outward expressions.

Theme: Inside Out

The “Inside Out” exhibition seeks to uncover the intricate relationship between our internal worlds and how we express them externally. We are looking for artworks that capture the essence of introspection, personal identity, emotional landscapes, and the ways these internal states manifest in the physical world.

​

Who Can Submit:

• Emerging and established artists from all over the world.

• All visual art media are welcome, including painting, sculpture, photography, digital art, and mixed media.

2025 Site-Specific Art Galleries - City of Auburn, WA

The City of Auburn is seeking artists and artist teams from the Pacific Northwest (Washington, Oregon, Idaho) who:

Can develop a site-responsive public art display for either the Art on Main Gallery or Vault Gallery exhibition spaces that will be on display for three-month periods over the 2025 year.
Can successfully and fully activate a window-front space that is visible to the public 24/7 or a small indoor visitor-accessible gallery space
Is an experienced artist seeking a unique location to exhibit artwork.
Can create innovative artwork to engage the community and activate downtown Auburn.
DESCRIPTION
The City of Auburn, Washington, seeks applications from regional artists to install 3-dimensional or multi-media art installations in two site-specific gallery spaces in downtown Auburn: the Art on Main Gallery and the Vault Gallery. Both spaces provide a $1,000 artist stipend to support the creation of new work and site-specific projects, or the installation of existing work.

The deadline for this call is: September 5, 2024 at 10:59 PM (Pacific Time)

ELIGIBILITY

Any individual artist or collaborative artist team in the Pacific Northwest (Washington, Oregon, Idaho) may apply.
Past participants of Art on Main are welcome to reapply.
TIMELINE

Application deadline: September 5, 2024
Notification of accepted artists: October 2024
Four time slots for the 2025 year:
January – March
April – June
July – September
October – December

SELECTION CRITERIA
The review process is competitive and the review panel will be looking for a diversity of offerings. All applicants will be selected based on the following criteria:

Artistic excellence as submitted in work samples.
Strength, creativity and originality in concept, material implementation, and engagement with the site as described in proposal.
Ability to create innovative and dynamic work that would engage passers-by.
Be comfortable exhibiting work in a space that is locked and secure but is not humidity or temperature controlled and may encounter direct sunlight.
PROCESS

Phase One

Submit application by 10:59 PM Pacific Time on September 5th, 2024
Applications are reviewed annually by a rotating jury consisting of: artists, arts professionals, employees of the City of Auburn Parks, Arts & Recreation department, City of Auburn Arts Commission members, or representatives of neighborhood art groups
Applicants notified of results in October 2024. Selected artists move on to phase two.
Phase Two

City of Auburn art staff works with selected artists to discuss proposal and schedule their installation.
Artists submit a more detailed proposal for the specific project at least one month before installation. The proposal will then be reviewed and approved by City of Auburn art staff.
Phase Three

Artist receives contract, and begins installation on assigned date.
Artist provides ongoing maintenance as needed during the duration of the display.
Artist completes de-installation on assigned date.
SELECTED PARTICIPANTS MUST AGREE TO

Sign agreement/contract with the City of Auburn about installation plans and procedures.
Understand that the artwork displayed must be appropriate for the public realm.
Install and de-install their own work, understanding that they may have limited access to their space, as required for installation and de-installations.
Partner with the City of Auburn to market and promote the exhibition. Exhibitions are publicized through city-generated press releases, gallery brochure, and the City’s web site at www.auburnwa.gov/arts.
Comply with all federal, state, and local laws.
Leave the space in the same or better condition when they move out.
Understand that initial stipend payment is made within 30 days after installation upon receipt of an invoice, and that payments cannot be made until contracts have been fully processed. A portion of payment is retained until deinstallation is complete.
Artists are encouraged to offer their works for sale, but are not required to do so. All sales are handled privately between the artist and the buyer. The City of Auburn does not take a commission on any works sold through the galleries.
STIPEND AWARD

Selected artists will receive a $1,000 award. The City of Auburn intends that this award will help fund the creation of the project or act as an honorarium for displaying works already created. Artists are responsible for all transportation, installation and de-installation of their work and might also be asked to do a short artist talk during the selected installation dates.

APPLICATION CHECKLIST

1) WORK SAMPLES

3-10 digital images that demonstrate the artist’s past work (required)
Images can, but are not required to, include drawings or mock-ups of the proposed installation idea (this can help the selection panel visualize your piece more effectively)
Artists applying as a team who have no examples of joint work in the past should submit 3-5 images of each artist’s work. Individual artists are recommended to submit 10 images.
File Format: Submit only “High” quality JPG files (do not use GIF, TIFF, or other formats.) Do not embed the images into PowerPoint or submit moving image or audio files.
Image Size: Images must meet the CAFE website standards
File Labeling: Files must be titled with the applicant’s last name followed by a number indicating the viewing order. Use a “0” in front of single digit numbers and use only letters, numbers, and underscores. For example: Smith_01.jpg; Smith_02.jpg. If using Mac OS 8 or later, be sure to include a “.jpg” extension at the end of each image title.
File Upload: In the online application, please upload your images in the order to be viewed.
3 online videos that demonstrate the artist’s past work (optional)
Please provide the exact web address(es) where the online videos can be viewed. The panel will view a minimum of 1 minute and a maximum of 3 minutes of each video.

2) WORK SAMPLE DESCRIPTIONS
Provide the following information for each image:

Title of each work represented in the image.
Media & dimensions (H x W x D”), if applicable, or description of activity.
Long description if needed. If work is presented as part of a collaboration, explain your role in the larger project (100 words/500 characters or less).
For videos longer than 3 minutes, note which 1-3 minute segment you want the panel to review.

3) ARTIST STATEMENT
Provide us with a brief artist statement to give us a sense of your work. Feel free to describe your work overall, or describe a past project or body of work. Please be as concise as possible.
(500 words/3000 characters or less).

4) PROPOSAL
Please write a brief statement outlining the work you would like to create or display if selected for the site specific gallery exhibition opportunity, either in the Art on Main Gallery or the Vault Gallery. We encourage proposals of sculptural or installation work that is dynamic, innovative and would show well in the space both day and night. The proposal should briefly outline the materials, concept, any necessary technical installation details or needs in terms of electrical, mounts, and plans of how to hang/display your work. (500 words/3000 characters or less).

5) RESUME (3 pages or less)

If submitting as a team/group, a current resume should be submitted for the contact person and all relevant team/group members.
Save as pdf and upload to CAFE in application form.
Name your resume file with your last name like this: “Smith_ Resume.pdf”

6) WHICH MEDIUM
Please identify which medium you could work in for a potential exhibition. Choose from the following list, you may choose more than one.

3-D
Video
Multimedia
Installation
7) WHICH GALLERY SPACE
Please identify which of the two site-specific exhibition spaces you prefer to be considered for, or both. The Art on Main Gallery exhibition space is viewable through glass windows on Main Street in Downtown Auburn and is visible 24 hours a day. The Vault Gallery is within a larger art center building, which allows visitors to enter the space and is visible during building open hours (dimensions are 9'W x 6'D x 7'2"H).

LEGAL WAIVER

Artists are required to sign an “Agreement to Exhibit” liability waver. The artist/artist groups agrees to allow the City of Auburn to reproduce and use submitted images and other submitted materials for the purpose of education, promotion and publicity of the 2024 exhibition programs and the 2024 schedule of events and programs. Submission of your application constitutes agreement to use the artists' materials in this way. Artwork displayed is at the sole discretion of City of Auburn Staff and content deemed not appropriate for public audiences will not be displayed.

In its 64th season, Bucks County's longest continually running art gallery will hold its 10th Juried Art Exhibition during four weekends beginning October 12th with a gala opening on Sunday, October 13th - 1:00 to 5:00pm.