Yingge, situated southwest of the Taipei Basin, began its ceramic industry in 1804, leveraging its abundant clay and minerals. Over two centuries, it has grown into Taiwan's foremost ceramic city, boasting a rich heritage of ceramic culture and technology. Since 2010, the Yingge Ceramics Museum has spearheaded the Taiwan Ceramics Residency Program to preserve Yingge's cultural legacy and inject fresh energy into the city. Providing artists with space, equipment, and technical support, the program encourages both local and international creators to deeply engage with Yingge, fostering community exchanges and positioning Yingge as a hub for global ceramic art practice.

The Exploration Residences are part of a professional program that assists residents with the research resources and local contacts necessary for their specific projects. Participants receive reviews of their projects by specialized professionals and enrich themselves with the vision of the ´ace team, as well as colleagues-in-residence, during our frequent “Brainstorming” meetings. For their part, SUB30 residents also receive academic tutoring and critiques.

These residencies are aimed to professional and emerging artists/performers, that come from any discipline within the Visual Arts, who can work independently in a visual, sound or performance research. Curators or art historians who want to have a space for reflection and take advantage of our expertises and library (specialized in photography, print and digital media) to research, study or write, while being immersed in an extraordinary and challenging cultural environment.

The Exploration Residences provides 4 weeks artistic “time out” emphasizing the process over the presentation of the results. This format encourages residents to get inspiration from the new experiences achieved through the interaction with other residents and the rich cultural environment that the city of Buenos Aires provides.

Film & Video

Filmmakers

Submit both a preview work sample and a full-length sample of the same work. For the preview, offer a two-minute continuous excerpt of your work. The longer sample includes a video or film segment, no more than 10 minutes total. Optional: Brief description of the samples. Work sample requirements are available here.

Screenwriters

Submit two writing samples of your screenplay. One longer sample of no more than 10,000 words or 30 pages and a second two-page excerpt of the same work. Optional: May include a brief synopsis if necessary.

The August 1 deadline is for residencies starting November of the same year through June of the following year. Applicants receive results by email in early October.

Please see website for further application details.

Penland’s Winter Residency program is a short-term residency opportunity for artists seeking to work independently in one of our 16 media specific studios during Penland’s quiet season. Practicing artists of all backgrounds and at any stage of their career are encouraged to apply for a 2-week or 4-week session. Shared studio access is provided to a small number of artists each session; we invite enough people to encourage conversation and creative camaraderie, but not so many that focused time in the studio is compromised. Residents’ time is their own; there are no workshops, critiques, or required activities. Our goal is to support creative experimentation by offering artists the time, space, and equipment they need to advance professional development.

Penland Winter Residencies are for:

Artists needing access to facilities for research and development that can be supported by Penland’s well-equipped studios
Art educators and administrators who are seeking focused studio time during a winter break or sabbatical
Collaborating artists who want to work on a specific project or simply alongside one another in order to share technical expertise and/or creative inspiration
Art professionals who need time away from daily responsibilities and distractions to focus on a creative project

Submit both a preview work sample and a full-length work sample. For the preview, submit a two-minute continuous excerpt of one of your performance works. For the longer excerpt, include video documentation of up to three excerpts, totaling no more than 10 minutes in length. Include title, year, performers, any major collaborators, performance space/ location, and a brief description.

The August 1 deadline is for residencies starting November of the same year through June of the following year. Applicants receive results by email in early October.

We offer residencies to professional creative artists from all nations and backgrounds working in one or more of the following disciplines: choreography, film, literature, musical composition, painting, performance, photography, printmaking, sculpture, and video. Artists apply individually. Peer review is the keystone of our selection process, with different panelists each season. Residencies last from two weeks to two months and include room, board and a studio. There is no fee to come to Yaddo, and we have modest access grants to help offset the costs of attending a residency.

All artists whose work falls within the five disciplines we serve are encouraged to apply. Generally, those who qualify for Yaddo residencies are either working at the professional level in their fields or are emerging artists whose work shows great professional promise. An abiding principle at Yaddo is that applications for residency are judged solely on the quality of the work. Yaddo places no publication, exhibition or performance requirements on artists in residence.

Not only is Yaddo an equal opportunity employer—we will not discriminate against any individual, employee, or application for residency based on race, color, marital status, religion, age, sex, sexual orientation, gender, national origin, disability, or any other legally protected status recognized by federal, state, or local law—we strongly encourage applicants from backgrounds underrepresented in arts and culture to apply.

Submit seven digital images of visual artwork. Note: The Admissions Committee views images on personal computer screens and a large screen via projection. Optional: Documentary or elemental video of an installation.

For artists whose finished works are predominantly visual images - including, but not limited to painting, drawing, sculpture, printmaking, photography, mixed media and installation art.

The August 1 deadline is for residencies starting November of the same year through June of the following year. Applicants receive results by email in early October.

Located in the historic Old Market, Omaha’s arts and culture district, Bemis Center's 110,000 square foot facility accommodates a broad range of artistic activity. Selected artists-in-residence enjoy generous sized, private live/work studios complete with kitchen and bathroom, a $1,250 USD monthly stipend and $750 travel stipend. Due to the limitations of B2 visas (touring/visiting), international artists-in-residence are eligible to receive reimbursement of qualified expenses, such as airfare, ground transportation, and meals. Selected artists are responsible for organizing travel to Omaha to attend the residency. Artists-in-residence have 24-hour access to extensive installation and production spaces and the Okada Sculpture & Ceramics Facility, a 9,000 square foot industrial space used for large-scale sculpture fabrication; and a Sound Studio for rehearsing and recording. This is an independently-driven, process-based residency in a communal environment, fostering creative growth, experimentation, and supportive exchange. There are no expectations placed on residents to create or promise of an exhibition in our first-floor galleries. Artists who are interested in applying to any 2025 open call opportunity (Jan–April, May–August, or September–November) will be required to submit a separate application and application fee for each designated session. In the event an artist is selected for more than one session, the artist will select one session to attend. Deadline: August 1, 2024 by 11:59 PM CST. Complete details can be found at bemiscenter.org/apply.

RESIDENCY DESCRIPTION

The Museum of Chinese in America’s Performing-Artist-in-Residence Program will invite a cohort of 5 performing artists to individually generate ONE theme-based new project, by utilizing the resources and collections at MOCA. Throughout the residency, artists will be invited to participate in artist-led workshops and will be required to give 2 work-in-progress presentations to the public, one in December 2024, and the other in February 2025.

PERFORMING-ARTIST-IN-RESIDENCE PROGRAM OBJECTIVES

Provide space and support for performing artists to generate a new work
Create space for organic artistic sharing and collaboration
Incubate discourse and community engagement around new ideas and artistic expression
Encourage artists to take creative risks, while nurturing a safe space for constructive feedback
Celebrate diversity in artistic expression

THEME

Heteroglossia 眾聲喧嘩

Since the 1980s, publications like A. Magazine, Giant Robot, Yolk and Hyphen have attempted to (re)define Asian American identity and to capture diverse lifestyles shared by Asian American communities. What is the narrative that you’ll build if given the editorial power of a publication (think beyond print and more performing arts)? What lifestyle or culture would you try to capture? In the age of digital, tribalized society, what is it about you that you’d want to represent/create?

RESIDENCY DATES

October 1st, 2024 – February 28th, 2025

AWARD

Each selected artist will receive $3,000 honorarium
Access to available rehearsal spaces at MOCA
Access to MOCA’s archive and collection
Consultation with MOCA’s staff
Additional financial support to the work-in-progress presentations

ELIGIBILITY

Open to all Performing Artists
Disciplines include but not limited to dance, music, theatre, performance art, spoken words and film
Artists self-identify as Asian/Chinese American or Asian/Chinese immigrant with a goal of continuing their career in the United States
Artists must be a resident in New York City metropolitan area
Artists must be 25 or over and cannot enroll in any degree program of any kind
Both traditional and contemporary performing arts are welcome
Artists must be available for all the required dates to apply (see program requirements)

TIMELINE

Submissions are due by August 1st, 2024 at 11:59 P.M. EST. All applicants will be notified by mid-September. Residencies will begin in October, 2024.

PROGRAM REQUIREMENTS

Selected artists are required to create a new project at MOCA during the agreed upon residency timeframe. The new project does not have to be fully developed at the end of the residency.
Selected artists are required to participate in the workshops and to lead a workshop session on the subject of their choice. Workshop dates are Friday, November 15th, 2024 & Friday, January 17th, 2025.
Selected artists are required to meet at least once per month for a check-in session with the director of performance, storytelling & community during residency.
Selected artists are required to present their work-in-progress project to public twice during residency, one in December 2024 (week of December 9th) and the other in February 2025 (week of February 17th). A talkback session will be scheduled following the presentation.

The Art on the Block NYC is a short-term residency (3 weeks) that will take place in a NYC storefront. The artist-in-residence will have the opportunity to transform the space into both a studio and a public gallery. The artist-in-residence will be expected to be present 5 of 7 days of each week (hours TBA). During that time they will not only have general visitors coming in to see their artwork and engage but will also facilitate scheduled programming for youth, families, and adults. These programs include art-making workshops, artist interviews, and more and will be co-developed by the artist and Art on the Block NYC staff. If artwork is available for sale during the residency, there will be a separate sales contract in place.

Our Mission
Art on the Block NYC fosters a vibrant community by offering a dynamic platform where artists and the public unite. We are dedicated to cultivating an environment where art creation and interactive experiences thrive, enabling hands-on engagement and accessible programming for all. Our mission is to empower artists, inspire community collaboration, and enrich lives through the transformative power of art.

Foundation House, located in back country Greenwich, CT, will open its doors for 10 days to six residents, allowing residents the time and space for concentrated creation in beautiful and inspiring surroundings. Foundation House’s mission as a non profit center for learning is to focus on health, wellness, the environment, and social justice. To that end, we host residencies, workshops, lectures and other meaningful gatherings on these topics. At Foundation House, we believe that conversations about these critical topics are not complete without the input of artists and designers, and it is our privilege to be able to offer the space for creative people of all disciplines to work and therefore be a part of those conversations.
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Each resident will be given a stipend, private bedroom and private or semi-private bathroom, all meals plus full kitchen access, and access to studio space, a wide variety of common areas, and 75 acres of land to explore and enjoy. Residents will eat dinner together every evening to ensure that they are building relationships and are familiarizing themselves with each other's work, facilitating feedback and collaboration. Our residency is a working residency.
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Foundation House is committed to diversity and inclusion, and we prohibit discrimination and harassment of any kind.

Boise City Department of Arts & History invites emerging and mid-career artists in any creative field to apply for a 10-day residency at the James Castle House in Boise, Idaho. The historic home site, where American artist James Castle lived and worked for over four decades, stands today as a testament to the artist's unique talent, lifelong practice, and artistic legacy.

This residency invites artists to immerse themselves in the site, explore the house, its history, and the surrounding landscape, and respond to their experience through the creation of new works. Residents will share their creative practice and process with our community through several public in-person and hybrid events throughout their stay, including, but not limited to, workshops, open studios, and presentations. Through this program, the James Castle House keeps the legacy of daily creativity and experimentation alive on-site, cultivating a growing local and national community and providing a deeper understanding of James Castle and the place he called home.

Located in the vibrant and dynamic Collister neighborhood, it has easy access to Boise’s downtown and the nearby foothills, allowing residents to experience the beauty and culture of Idaho’s capital city while ensuring a quiet and private workspace. Each residency cycle provides one participant with private furnished living quarters, 24-hour studio access, and a $500.00 stipend to assist with living expenses and supplies necessary to create work. The resident is responsible for travel and shipping expenses.

The Studio’s Artist-in-Residence program brings artists from around the world to Corning, New York. Artists spend focused time at The Studio exploring new directions in glassmaking or expanding on their current bodies of work while using the immense resources of the world’s leading glass museum.

Artists will benefit from the recently completed Wendell Weeks & Kim Frock Residency Center, which features seven studios surrounding a light-filled lounge that will be a hub for creative exchange and connection among residents.

The Studio facility is equipped for furnace working, flameworking, kiln working, and cold working processes, and can support other glassworking and fabrication methods upon request. Transportation, as well as room and board, is provided to those awarded residencies. A generous supply budget and studio space are provided to each artist. Residents have access to the Rakow Research Library, the extensive collection of The Corning Museum of Glass, and expert Museum staff. A residency manager serves as a liaison to additional services in Corning and at the Museum.

New Residency Times and Durations
As The Studio expands, so do opportunities for artists. The Studio is pleased to announce an extended residency period of up to eight weeks and year-round scheduling options for the Artist-in-Residence program. This longer residency has been designed to give artists the opportunity to spend more time working at The Studio, exploring the collection, and researching at The Rakow Research Library to accelerate their practice. During the residency, artists will make their own work and are invited to give a presentation about their artistic practice or process during a free public event at The Studio.

Application Information
To be considered as an Artist-in-Residence, please submit your application for the five-week, six-to-eight-week, or both residency periods along with:

10 digital images of your work
two letters of recommendation
a written proposal (including detailed information on your residency plans, necessary supplies, equipment, and assistants)
the best time frames for you to participate
a résumé
Please note, we endeavor to have two resident artists working at the same time and may request flexibility when scheduling.

Applications and all supporting materials must be received at The Studio by August 31, 2024, for residencies for the following year. Late submissions will not be considered. Selected applicants are notified in November, and the complete list of residents is announced annually in January.

The focus of Bryn Du’s Artist in Residence program is to enhance local awareness and engagement in the arts by introducing new and varied artists to the Granville community throughout the calendar year. Equally important, the Bryn Du Artist in Residence program will provide an inspirational setting for the creation of artistic works by one artist at a time, of any discipline, over an 8 or 12 week time frame. While in residence, the chosen artist will reside in the Cramer House, the renovated laundry building designed for Artists in Residence, behind the Bryn Du Mansion. Artists may be in any stage of their career to apply and participate in a Bryn Du residency.

Residencies at Bryn Du are open nationwide for artists of all disciplines to apply including but not limited to those in the fields of visual arts, literature, music, theatre, fashion, dance, storytelling and audiovisual studies. Residencies are available in the Winter (January-March), Summer (June-August) and Fall (September-November). Upon applying, artists will specify which seasons they may be interested in and if they prefer an 8 or 12 week residency. The application window is open from June 1 through August 31 for residencies in the following calendar year. There is a $15 non-refundable application fee.

All Artists in Residence are expected to provide a minimum of 2 community engagement activities per month which will be agreed upon by Bryn Du and the artist prior to the residency. Examples might include a community poetry reading, performance on the outdoor stage, artist talk or gallery show. Bryn Du is open to lots of ideas and will happily work with accepted artists to determine engagement activities that are enjoyable to the artist, may advance his or her journey, and engage the community.

Willapa Bay AiR, situated on 20 acres in coastal southwest Washington state, launched its residency program in March 2014. The Residency has been specifically designed, from the site selection to the architecturally specific building concepts, layouts, and materials, to combine the opportunity for solitude with the opportunity for daily community that fosters creative endeavor.

We offer month-long, self-directed residencies to emerging and established artists, filmmakers, writers, playwrights, scholars, singer/songwriters, and musical composers. The Residency provides lodging, meals, and work space, at no cost, to six residents each month from April 1 through October 28 of the year. Applications are evaluated by selection committees comprised of working artists and professionals in the applicants' respective fields of discipline.

Located in the heart of Barcelona, ​​Printmaking Barcelona has been, since 1986, an artistic studio for artists to develop their works in the field of chalcographic engraving. Using essential techniques such as monotypes, etching, aquatint, mezzotint, carbourundum among others. In recent years, we have introduced other printing or developing techniques such as screen printing, cyanotype, photoetching, linocut...

We offer the artist the possibility of working in a space dedicated to printmaking and arts in general, ​​surrounded by emblematic places of the city.

The main objective of the Printmaking Barcelona Resident Program is for artists (whether new or experts) to feel in a place that inspires them to carry out their work. Surrounded by a unique environment and with professionals with extensive experience who will guide them to achieve the best possible results in their works of art.

In addition to a space equipped with everything you need, we also offer training in the different techniques that we carry out when we opened the studio. It doesn't matter that you don't have experience, the important thing is that you want to learn.
At the end of the residency, we offer the possibility of selling the works through our virtual gallery, as well as publishing the work on our social networks.

The studio has all the necessary machinery and tools to work on engraving and printing techniques.

BIPOC (Black, Indigenous, & People of Color) Residency is an extension of The Studio's Artist-in-Residence program. Through this dedicated residency, the Museum aims to assist underrepresented artists while actively fostering a culture and community of inclusion that promotes, respects, and celebrates diversity.

Artists spend five weeks at The Studio exploring new directions in glassmaking or expanding on their current bodies of work while using the immense resources of the world’s leading glass museum. Applicants who identify as BIPOC artists are welcome to apply for this residency and for our other residencies.

Artists will benefit from the just-completed Wendell Weeks & Kim Frock Residency Center, which features seven studios surrounding a light-filled lounge that will be a hub for creative exchange and connection among residents.

The Studio facility is equipped for furnace working, flameworking, kiln working, and cold working processes, and can support other glassworking and fabrication methods upon request. Transportation, as well as room and board, is provided to those awarded residencies. A generous supply budget and studio space are provided to each resident. Residents have access to the Rakow Research Library, the extensive collection of The Corning Museum of Glass, and expert Museum staff. A residency manager serves as a liaison to additional services in Corning and at the Museum.

Selected applicants are invited for a five-week-long residency during the year. During the residency, artists will make their own work and are invited to give a presentation about their artistic practice or process during a free public event in The Studio.

Our mission is two-fold: to offer artists the kind of professional support you deserve and to provide the public with interesting, accessible, inclusive, and professional art experiences, including performances, readings, exhibits, and workshops.

OUR COMMUNITY
Surel’s Place believes that artists should be supported at a level commensurate to the value you add to our individual and collective lives. We aim to give you the time, shelter, and professional support your work deserves. In exchange, we ask you to offer art experiences to our community. Garden City values artists and their work, and as a resident, you will be valued and appreciated for the energy, ideas, and dedication that you bring to our city.

OUR PROGRAM
The program is open to professional visual, literary, and performance artists: painters, writers, musicians, architects, filmmakers, and choreographers… any artist who needs a place to focus. However, because of the property’s limitations and proximity to neighbors, this is not a place that can accommodate loud or terribly messy processes, such as welding or blacksmithing.

We favor artists whose work is technically advanced, unique, attractive (need not be pretty!), and conceptually valuable. Work that is predominantly conceptual, that must be explained in order to attract a viewer, may not be met with as much enthusiasm by our jurists. In addition, because we ask our residents to interact with the public through one workshop and one final event, we welcome artists who desire to connect with an audience in these ways.

Additionally, each cycle, one of our five residencies includes outreach to local schools through our PARTNER Schools Program — another way we do our part to serve our community.

Surel’s Place offers month-long residencies in our one-bedroom home with a spacious studio for artists aged 25 and older to focus on their work and their creative processes. free rent free utilities free wi-fi modest living stipend of $100 per week $300 travel stipend use of well-maintained bicycles for transportation free or discounted tickets to art events and movies free marketing via our website, Facebook, targeted emails, online public calendars, and press releases free professional event hosting including catering, curating, and logistics.

Established in 2001, the Kimmel Harding Nelson Center for the Arts (KHN) is a renowned Artist Residency program that supports established and emerging visual artists, writers, composers, and interdisciplinary artists worldwide. Uniquely housed in a residential prairie-style complex in Nebraska City, Nebraska, KHN awards up to seventy residency awards per year and hosts 5 residents at any time. Residency awards are 2-8 weeks in length and include a weekly $175 stipend. In addition, residents receive their own private bedroom, bathroom, and studio.

The mission of the Creative Residency program at Bloedel Reserve is to foster creative thinking that is inspired by nature and that explores the connection between humans and the environment.

Selected artists and innovative thinkers are provided a three-week stay on the Bloedel grounds, with unlimited access to the Reserve’s 150 acres of sculpted gardens, forests, meadows, and wildlife habitats.

Established in 2015, the program has welcomed Creative Residents from a wide variety of disciplines, giving them the time to nurture their passions and deepen the connection between creativity, nature, and humanity.

100 West - Corsicana Artist and Writer Residency advances the production and presentation of new work and ideas by an international community of artists and writers by providing an arena of generous support and historic space.

This residency takes place fifty miles south of Dallas, Texas in the historic downtown of Corsicana. Two oil booms in the 1890s and 1920s produced an exuberant setting which declined in care and use by the late-20th century, alongside the general compromise of small-town America. Since 2012 alongside downtown rejuvenation, founders of this project have established a collection of sites – 100 West, Storefront, Anteroom, Writers House – and the Corsicana Artist & Writer Residency supports international creative work inside this architecture and narrative bridging the cultural and geographic American South and West. The Residency shares this work in programs for education, exhibition and publication to develop transformative dialogue with audiences near and far.

100 WEST is a former Odd Fellows lodge virtually unaltered since its 1890s construction, preserved and minimally furnished for intensely focused studio and living space, with pieces designed and built by founding artists in the first-floor wood shop. Across the street is ANTEROOM for window-front exhibitions, and two-blocks south is the Residency’s STOREFRONT for books and art. The WRITERS HOUSE accommodates alumni ten-blocks west of downtown.

Funding is extended to all accepted applicants and satisfies all studio and housing accommodations, following the paid $200 Administration Fee. Residents do not receive funding in the form of direct payment. Instead, funding is absorbed by the residency, and granted to residents by providing generous accommodations for studio and domestic space and residency programming. The value of funding per resident per two-month term is estimated between $4,000 and $6,000, depending on writer or artist studio accommodations and programing.
Accepted applicants who commit to a residency term are responsible for a one-time, non-refundable $200 Administration Fee paid to the residency before November 1, 2022. Residents incur no additional costs to attend.

Travel, meal and research expenses are not covered.

This is a call for visual artists to apply for a five week virtual artist residency, resulting in solo installations which will transform unconventional film venues throughout the town of Columbia, MO, USA in a celebration of artists, films, music for the True/False Film Fest 2025.

We are looking for emerging and mid-career artists and encourage applications from artists who may identify as underrepresented in the traditional art world (BIPOC, LGBTQIA+, disabled, and parents/caregivers).

The virtual residency will provide our visual artists a platform for cultural exchange, networking, and creative exploration, allowing artists to connect and collaborate regardless of geographical constraints, culminating in an in-person exhibition of their art installations during the 2025 T/F Film Fest.

The goals of the residency:

Community and connection with the other residents, True/False Art Curation Team, and professional guest artists.
Providing information and opportunities to meet Curators and other professional Artists during the weekly meetings.
Final Exhibition of completed proposed Art Installations at the Fest.
What we offer our residents:

Weekly online sessions which include an artist speaker, professional practice tips, information specifically about T/F Film Fest, and additional individual meetings as part of the virtual Artist Residency.
Exhibition/Art Installation for the duration of the Fest (Feb. 27- March 2)
$1000 Artist Stipend for each Art Installation.
Additional shipping/travel and/or material costs up to $500. Costs beyond $500 will be covered by the artist.
Artist Pass to the Festival if you are attending (in person attendance during the Fest is not mandatory for the installation or residency).
Local Press and spotlight on our website and social media.
Expectation of our residents:

Attendance is required at each weekly virtual group meeting and one to two additional independent meetings with the Curation and Production Team (you must have access to a computer and ability to take part in weekly zoom meetings).
Active participation during group discussions and individual meetings.
Completion of Art Installation (ready for install and delivered) by February 21, 2025; installation will occur no later than Thursday, February 27, 2025 (install dates will depend on location) and deinstall will occur on March 3, 2025.

In 2025, the art & design theme for True/False is ALL THE TIME

We measure our lives in duration – seconds, minutes, hours – and whether we like it or not, the hands of the clock keep marching forwards. This year’s theme reflects our fascination with the framework of our existence – time. Time can feel circular, following motions and rhythms to remind us of the eternal recurrence – what has come before will come again. From ecological imprints to the inheritance of habits, we are constantly reminded that although we are in the present, the past is always with us. The Fest itself is a fleeting moment in the calendar and encourages us to embrace the ephemeral experience of coming together and make the most of every passing second.

Prompts

Remembrance of Things Past
Climate change countdown
Cyclical nature of time – night and day, seasons changing, routines
“four minutes and 33 seconds”
The Earth as an archive
Duration / Endurance
The Picture of Dorian Gray
Chronos or Kairos
Rituals to mark the passing of time
Inheritance / Intergenerational
Ephemerality, temporary, fleeting
How to live in the moment
Theory of relativity – a unified entity of space and time
History repeats itself
Shadows (for example, sundials)
Pivotal moments
A daily record – diaries, journals, calendars.

Since its founding in 1907, MacDowell has imbued its spaces with a deep and abiding respect for artists and their creative work. In the 21st century, this fundamental kindness is sustained by the curiosity, generosity, and goodwill circulating within the resident community.
While MacDowell may be thought of as a place apart from the world, the resident population will always be comprised of individuals who are of the world. MacDowell strives to offer ideal working conditions for artists within a joyful and mutually supportive environment. Consistent with that mission, all Fellows are obliged to adopt the community agreement as a condition of accepting a Fellowship. Doing so will help ensure that all Fellows may participate in the enriching exchange that has given rise to countless friendships and collaborations.
Artists interested in applying for a MacDowell Fellowship will complete an online application found via MacDowell’s website. The application includes informational forms as well as a place to upload work samples. All details and requirements are found within the application.
Duration of residency: up to six weeks; the average stay is 30 days

VCCA Fellows are selected by peer review on the basis of professional achievement or promise of achievement in their respective fields. Separate review panels are created for each category (poetry, fiction, nonfiction, playwriting/screenwriting, children’s literature, performance, film/video, book arts, drawing, painting, sculpture, photography, installation art, music composition, etc.). Panelists undergo periodic review and rotate regularly to ensure VCCA admission decisions are guided by high caliber artists who represent a diversity of styles and tastes.

Center for Book Arts awards 4 to 6 residencies to early and mid-career artists. We welcome applications from those with little to no background in book arts as well as those who have demonstrated a commitment to book arts as a key component of their artistic practice. Successful applications should show a developed body of work and describe what the artist hopes to gain from access to the Center’s facilities. This residency is intended for the exploration of artist books and book arts to expand one’s artistic practice, rather than for finishing a preconceived project.

The purpose of this residency is to support both early and mid-career artists by providing workspace, access to new techniques and equipment, and to diversify the community of artists working within the book arts in the New York area. This year-long residency includes a cash stipend of $1500, tuition waiver for up to $6000 in courses offered at CBA during the residency period, and 24-hour access to CBA's printing and binding studios in Manhattan. Artists-in-Residence are expected to actively utilize the studios, regularly attend public programs at the Center, participate in quarterly BookTalks, and participate in a group exhibition following the residency. Residents are provided with opportunities to speak publicly about their work, to collaborate with artists and poets, and to hold studio visits with visiting curators and artists.

Because this residency is focused on artists living and working in the 5 boroughs of New York, housing is not provided. On average, Workspace Artists-in-Residence spend 20-40 hours per week in the studios. The residency is not able to support collectives or collaborations at this time. The residency will run from early January until the end of the 2025 year.

Please submit:

Artist statement
CV (3 pages max)
10 images of work samples
Image List

The Hambidge Center is situated on 600 forested acres in the mountains of north Georgia and offers miles of nature trails, meadows, waterfalls, a swimming hole and an abundance of wildflowers.

The oldest residency program in the Southeast, Hambidge provides a self-directed program that honors the creative process and trusts individuals to know what they need to cultivate their talent, whether it’s to work and produce, to think, to experiment or to rejuvenate. Residents’ time is their own; there are no workshops, critiques, nor required activities.

Each resident is given their own private studio which provides work and living space with a bathroom and full kitchen. The studios are designed to protect residents’ time, space and solitude.

Resident groups are intentionally kept small enough (8-10 people) to gather around the dinner table each evening, Tuesday through Friday, for delicious vegetarian meals prepared by our chef. These communal meals are an essential part of the Hambidge residency experience. Serious topics are discussed (and light-hearted ones, too), experiences are shared, and encouragement is given. Many a collaboration and life-long friendship have begun at the Hambidge dinner table.

Members of each resident group come from different walks of life and work in different creative disciplines; from musicians, culinary artisans and scientists, to visual artists, writers, dancers and arts & culture administrators. Each year, residents of all ages come to Hambidge from over 30 states across the U.S., as well as internationally.

Specialized equipment and facilities include the Antinori Pottery Studio, and a beautifully rebuilt turn-of-the-century Steinway grand piano housed in Garden Studio.

Accessibility - Hambidge offers two ADA-compliant studios: Brena Studio and Cove Studio. Our dining and common areas can be navigated, but are not yet fully compliant. There are no sidewalks or paved areas; the connecting driveways are gravel and uneven. If you come to Hambidge without a car, the on-campus studios will require a walk to get to Lucinda’s Rock House. On average, the studios are 0.3 miles from the Rock House with a 157-elevation gain, walking on a gravel road with uneven terrain. For more information, please contact our Office Manager at 706-746-7324.

WHAT TO KNOW BEFORE YOU APPLY

The studios are comfortable, but rustic and secluded. They are purposely simple, and most are out of sight of each other and somewhat isolated.

We are located in a forested environment. Residents should expect to occasionally encounter wildlife and insects – and sometimes the insects are inside the studios.

It is very dark at night. There are no street lights or ambient light, other than the moon and stars.

Due to our remote location, there is no cell service at Hambidge. Each studio has a phone for emergency, local and incoming calls.

To encourage focused creativity, there is no internet in the studios. WiFi is available 24 hours a day in the communal space of Lucinda's Rock House.

Please thoroughly read the Guidelines, Application Instructions, and our FAQs before submitting your application.

Apply from August 1 through September 15 for the SPRING SESSION of the following year (mid-February through May).

2025 Call for Partner Institutions
​In preparation for the 150th Anniversary of the historic Atelier 11 Cité Falguière, L’AiR Arts is inviting cultural, academic and arts institutions worldwide to become partners in this unique living heritage initiative by creating art residency opportunities for their candidates in Paris.

Established in 1875, Atelier 11 stands as the last surviving studio of the world’s longest-running international artists’ residency still in operation. Once a thriving L'École de Paris hub boasting home-ateliers of Gauguin, Foujita, Modigliani, Brancusi and Soutine, it hosted hundreds of French and international artists throughout the 19th and 20th centuries. Recently recognized as a heritage site, Atelier 11 is scheduled to undergo rehabilitation to continue welcoming artists and cultural professionals as an International Arts Research Residency.

To celebrate the inclusive history of the École de Paris and to foster intercultural exchange, L’AiR Arts launches a global call for partner institutions interested in offering art residency opportunities for their candidates at Atelier 11 in Paris. Residents must receive support from one or more cultural partners who assume responsibility for covering the costs associated with the residency. ​

RESIDENT PROFILE
Atelier 11 residency program is designed for artists and cultural professionals of all ages, from all countries and all creative disciplines who wish to develop their artistic research and/or project in Paris.

RESIDENCY DURATION
Two weeks to two months

TERMS OF RESIDENCE
Partner institution(s) help to offset the costs of upkeep and preservation of the historic Atelier 11 residency, while also creating a nurturing and productive environment for the residents. Atelier 11 residency offers two individual furnished living studios, communal work and exhibition space, research library and a meeting room with a fully equipped kitchen. The residency also provides programming, communications and event support based on individual project needs. In addition to contributing towards the residency program, partner institution(s) cover the cost of return travel and provide the resident with a living allowance; they also ensure that the resident has a visa and insurance covering medical expenses and civil liability for the duration of the residency.

This living heritage project has been initiated by the L'AiR Arts and Cité Falguière Associations with the vision of establishing an International Arts Research Residency dedicated to the intercultural artistic exchange as the legacy of the École de Paris.

Built by artists for artists in the 1860s, Atelier 11 is the last preserved atelier of the historical artists community of Cité Falguière in Paris. During its 150+ years of artistic history, the Cité Falguière served as a working and living place to more than a hundred French and international artists. Once home to Amedeo Modigliani, Tsuguharu Foujita, Constantin Brancusi, Chaïm Soutine, and Paul Gauguin, it was built with connecting staircases and footbridges to foster connections among artists. Artists of Cité Falguière from different cultural and social backgrounds, such as Chaïm Soutine and Amedeo Modigliani, often shared the same atelier space that brought them closer together and provided the opportunity for exchange, encouragement and inspirations.

Tsung-Yeh Arts and Cultural Center is located in the Madou district, on the northern outskirts of Tainan City. Madou is a tranquil and leisurely small town with a laid-back lifestyle, located approximately 50 minutes drive from downtown Tainan. The cultural center as the factory and headquarter of the Japanese Meiji Sugar Manufacturing Corporation, Tsung-Yeh began operation in January 1912.

The four existing buildings have been declared by Tainan City Government as monuments for preservation, including the Red-Brick Office, the Guest House, the Red Brick Craft Hall, and the Factory Manager's Dormitory. Currently, the Red Brick Office and the Red Brick Craft Hall are provided as two exhibition halls for the resident artists to create and exhibit their works.

In 1624, the Dutch East India Company built the first city of Fort Zeelandia on the island in Anping District and established the first ruling regime in Taiwan. Through the development of Anping by the Ming Dynasty, the concentration of trade and economic bases during the Qing Dynasty, and the construction of urban planning and water conservation facilities during the Japanese Dynasty, the foundation of Tainan's urban development was laid. 2024 coincides with the 400th year of Tainan. We hope that through artistic intervention, we can record the present-day appearance of Tainan and move towards a richer and more diversified cultural city.

The F Project welcomes artists from all over the world to stay in the picturesque and historical south west corner of Victoria, Australia. We live and work on the traditional lands of the Peek Whurrong people of the Gunditjmara and Maar nations.
The F Project Residency Program provides a space for artists to further their art practice in a stimulating, comfortable, creative and supportive environment. We offer residencies of 2 weeks or more at our centrally located residence. This opportunity is open to individuals as well as teams, and we encourage cooperatives to apply – it’s an ideal place for a group residency!
For rates, further information and to apply to the F Project Residency, please visit our website.
Join us and immerse yourself in a vibrant and creative community!

The Theatre in Palm partner countries will organise 12 local residencies for emerging artists in 2024. Each of the 12 partner countries will host five emerging artists for two weeks in their local venues.

Theatre in Palm’s residencies give the artists an opportunity for professional development and to build their networks in Europe. The main goal of the residencies is to foster collaboration, inspire and share insights and experiences while creating new relationships.

Each residency will work on a co-production that can take many different forms. It can be artworks, plays, scripts, performance works, recorded performances, videos, text, paintings and more. The only requirement is that it must be able to be displayed digitally in the project’s digital library – Theatre Repository.

Residency theme will be one of these, or a combination of these: Social impact, General equality, and/or Environmental sustainability.

The residencies will take place in 12 different countries at different times in 2024. Please note that different dates, deadlines and conditions apply to each country.

Portugal (Lisbon), September 2024
Cyprus (Nicosia), 7 – 20 October 2024
Ireland (Dublin), 7 – 20 October 2024
Spain (Barcelona), October 2024
Italy (Reggio Emilia), 4 – 16 November 2024
Belgium (Brussels), November 2024

OVERVIEW

The Regional Artist-in-Residence program at Contemporary Craft will allow artists at any stage of their career and living within a 100 mile radius of Pittsburgh, PA, free access to fully equipped studios, CC staff support, and the opportunity to interface with the public while creating a body of work. The regional residencies are 3 months long. In exchange for the free usage of Contemporary Craft’s state of the art studio space as well as a monthly materials stipend, the artist in residence will be asked to engage with the public while working in the studio.

ELIGIBILITY

The ideal candidate will work in a craft medium that our studios can support, such as metalsmithing, jewelry, fibers, encaustics, paper and book arts, or small ceramics. They would have experience in a studio setting with knowledge of safety procedures and best practices.

BENEFITS

Full access to studio space, equipment, and tools during all public hours
Private storage for personal tools and equipment in a "high school" style locker
A $100 monthly materials stipend
Opportunity to enter into a relationship with CC’s retail Store to sell work
Free tuition for 1 Studio workshop
Opportunity to be a paid instructor in the Studio
RESPONSIBILITIES

The Artist-in-Residence is expected to:

Be present in the Studio at least 1-2 days each week for the duration of the residency, during public hours
Volunteer for public events and be available to visitors as possible
Give an artist talk/presentation at culmination of the residency
Maintain overall Studio cleanliness
APPLICATION REQUIREMENTS

Letter of intent- Please provide a description of your current practice, the body of work you intend to complete while in residence, and why you would be a good fit for this opportunity at Contemporary Craft.
Resume
Artist Statement
Desired residency session and choice of Studio (Metals, Fibers, or Mixed Media)
Five images of your work
Three references - Please provide their contact information and their relation to you
SESSIONS

There are 4 residency sessions in each Studio throughout the year. Please submit a new application for each session you are interested in. Sessions are as follows:

January 1 - March 30
April 1 - June 30
July 1 - September 30
October 1 - December 31
APPLICATION

Applications are accepted on a rolling basis and will be reviewed and notifications sent approximately 2 months prior to the start of each session.

Art Omi: Artists invites artists from around the world, representing a wide diversity of artistic styles and practices, to gather in rural New York to experiment, collaborate and share ideas. Concentrated time for creative work is balanced with the stimulation of cultural exchange and critical appraisal.
Art Omi: Artists nurtures deep creative and professional connections in a vibrant, social residency. Artists are provided with a private studio, shared living quarters, and meals at no cost, but are responsible for their travel and material expenses, unless they are eligible for travel grants as specified in our fellowships guidelines. Each session, two critics/curators are invited to participate as Critics-in-Residence. They both lead discussions, help shape the Visitors program and make individual studio visits throughout the duration of the residency session.
Critics for the 2024 residency sessions are Monika Fabijanska and Xin Wang. You can read about them here:

In 1997, Nancy B. Negley purchased the former residence of Dora Maar. In a five-year effort, she rehabilitated and updated this spacious eighteenth-century, four-story stone residence in the village of Ménerbes. Her goal was to make it a retreat for scholars, artists, and writers, where they could work undisturbed on their research, art, or writing, for one to two months.

Here outstanding mid-career professionals are offered fellowships that enable them to reside in the Dora Maar House and focus on the creative aspects of their work.

We are sorry to say the house is not completely adapted to persons with limited mobility access. It is on top of a hill in a medieval village. Getting to the house or to any of the stores in the village would be difficult. The rooms and studios are up two flights of stairs, though there is an elevator. The elevator cannot accommodate most wheelchairs. It is a very old house (15th century) and the floors are not even, there are small steps up and down between rooms.

A person with mobility issues can discuss with the staff their specific needs and level of mobility to see if it would be possible. Persons with some but limited mobility have been able to enjoy a month-long residency with some restrictions. Caregiver or companion is allowed in this context, but they must be a partner and willing to share the same bedroom with the fellow.

Studio Kura’s Artist in Residence Program is a chance for domestic and international artists to experience and draw inspiration from Japan’s rural environment, as well as for Studio Kura’s thriving local community to meet different artists and their works.

Staying period are usually four, eight or twelve weeks long, and the participating artists are required to present an exhibition in the end of their stay at Studio Kura. Artists who are interested in having a workshop to children and the Studio Kura’s community, we are welcome to help and organize.

Accommodation consists on three traditional Japanese rural houses, each house can be shared by up to three to four artists. Each artist is provided a private single room. Common room, bathroom, toilet and kitchen facilities are shared with other residence artists and there is internet WiFi connection in each house. One partitioned studio space is offered to the artists as working space as well as exhibition space. There are enough restaurants and stores for daily needs at bicycle distance. A 25 minutes walk to the nearest train station, Ikisan. Artists are welcome to visit our office to work and ask any needs, located in 3-10 minutes distance from the residence house 1 and 2, and 20 minutes distance from the residence house 3. They will be able to meet a number of people during the period.

Buenos Aires is one of the busiest cities on the planet, and its artists are some of the busiest people in the world. That is why we understand that not everyone has the time to carry out a one-month residency. However, this does not change the importance of time and space for our artistic practices.The Micro-Residences are mainly aimed at completing or deepening ongoing projects / ideas / works or starting a new project. Each Micro-Residence intends to be different (as the artists are diverse) and each resident can help develop new aspects of the residence.

Take advantage of your stay in Buenos Aires to get in touch with its rich artistic community, producing art in an inspiring environment. ‘Ace gives you space and professional assistance to create new works in a short, but very intense, period of time. This format is ideal for those artists who belong to academic institutions and who do not have long periods of time to complete a full residency, since this option allows them to venture into the world of residences according to more limited time possibilities.

Because we firmly believe that diversity enriches us, the artists selected in our Micro Residencies are not discriminated against by race, skin color, gender, national origin, age, religion, creed, sexual orientation, gender identity, or gender expression.

Within the broad spectrum of artistic residencies, this 5-days Micro Residence is a new concept of work that seeks significant results in a stimulating environment. This short space of time fosters informal knowledge and exchange, both for the resident and the host organization and, to some extent, between the resident and the local art scene.

Local studio artist residencies are open to local artists who wish to rent either live/work or day studios at the center for terms of 1-2 years with a possibility for renewal. We have artist studios on two campuses – on our 18th Street campus at 1639 18th Street, and the Airport campus at 3026 Airport Ave at the Santa Monica airport. On our 18th Street campus, these studios are subsidized in part by 18th Street Arts Center at far below market rate in an effort to provide local artists with affordable rental properties within Santa Monica. Our Airport campus is a city-owned building and artists lease directly with the City of Santa Monica, who set the terms for the leases on that site, with 18th Street Arts Center acting as facility and program managers. The local studio program is open to artists of all disciplines, as well as small, artist-run initiatives. When a space becomes available, applications are reviewed by an impartial jury and artists are selected at that time. Applicants should indicate their space and affordability requirements, as well as which campus they prefer.

Duration: 1-2 years

DEADLINE IS ONGOING