The Department of Art at Pittsburg State University welcomes Solo and Group Exhibition Proposals for the 2024-2025 academic year. Pittsburg State University Department of Art, located in Porter Hall has two galleries, University Gallery and Harry Krug Gallery.

INTRODUCTION
Benesch and Landworks Studio, on behalf of the City of Wichita, invite professional artists and artist teams with a demonstrated history of completing durable, permanent public art projects to submit their qualifications.

PERCENT FOR ART & CAPITAL IMPROVEMENT PLAN
This project’s artistic elements are funded through the Percent for Art Ordinance and the City of Wichita’s Capital Improvement Plan. In 2019, the Wichita City Council approved an ordinance that allotted 2% of capital improvement funds to a pool of funding allocated for the commissioning of on-site artworks that then become part of the citywide art collection. The administration of the Percent for Art Program is overseen by the Design Council, an 11-member advisory board.

PROJECT BACKGROUND AND CONTEXT
Opportunities have been identified for art to be integrated or installed as part of the next 3.5 miles of Redbud Trail improvements to be completed by the end of 2026. Redbud Trail is a 15-mile multi-modal trail, in various stages of development, located on an abandoned BNSF railway extending from Wichita through Andover and terminating in Augusta, KS. The trail has three public art installations completed in Wichita. These are located at 9th and Hillside, 13th and Roosevelt, and 17th and Oliver on paved portions of the trail. These installations showcase people who live(d) in nearby neighborhoods with interesting stories to share. It is not the intention of this call to continue highlighting individuals or accomplishments, but there is an opportunity for consideration of continuity in elements like colors, materials, shapes, or styles.

Andover, Kansas has also completed some customization along its trail segment with unique fence panels. This is currently being considered by the design team and not necessarily in the scope of art.

See Site Details Exhibit “A” for a site map and existing conditions.

PROJECT AREA AND CHARACTER
The portion of the trail for consideration starts at Woodlawn Avenue just north of Wichita Firehouse 14 and extends east across Rock Road and ends just east of K-96, where it connects to the K-96 path. Adjacent properties include residential lots within planned subdivisions, HOA-maintained green spaces, a middle school, undeveloped commercial, and commercial/retail stores near the intersections of Rock Rd. and Webb. Rd.

The trail is fairly wooded in some places and the goal will be to keep a similar appearance. Some tree trimming and minimal tree removal are necessary to complete the grading required for the trail pavement.

An elevated bicycle/pedestrian bridge is being designed for the trail over Rock Road as part of this project.

See Site Details Exhibit “B” for preliminary bridge elevation.

SELECTION PROCESS
The project Selection Committee will select a shortlist for artists’ interviews based on eligibility, submitted qualifications, the demonstrated ability to produce quality art in public spaces, and the criteria included in this RFQ.

Interviews for the short-listed artists will provide an opportunity for the Selection Committee to meet the artists, discuss the project’s potential, and ask and answer questions. After the interviews, the Selection Committee will determine the final approval of an artist.

The successful artist or artist team will work with the city’s design team, including engineers and landscape architects, before and during the development of the artist’s proposal. This collaborative process will allow for input and refinement throughout design development and will allow the design team to provide creative site solutions within their scope of work that is influenced by the selected artist’s proposal. There will be an in-person design charrette with the selected artist and the artist will be expected to provide regular updates on their progress through the fabrication and installation process.

Benesch (Civil Engineering) is the prime consultant leading the design process in collaboration with the City of Wichita. Landworks Studio (Landscape Architecture) is part of the design team and is facilitating the selection process on behalf of the City of Wichita. The artist or artist team will contract with Benesch for design and general contracting for fabrication and installation.

CRITERIA FOR REVIEW OF QUALIFICATIONS
Artistic excellence: What is the quality of the artist’s work and their compatibility with the project?

Goals: Does the artist’s body of work demonstrate an ability to create an artwork that responds to the project’s goals?

Approach: How well does the artist communicate their understanding of the project? Does the artist demonstrate experience working collaboratively with a larger design team?

Capabilities: Does the artist have sufficient experience to be able to design, fabricate, and install the artwork on time and budget?

CRITERIA FOR REVIEW OF INTERVIEWS
Artistic excellence: Does the artist communicate artistic excellence, high quality, innovation, creativity, and clarity of vision?

Goals: Does the artist demonstrate an understanding of the opportunities as presented in this Call to Artists?

Approach: Does the artist have an approach that provides exploration within a larger design team to maximize a project’s opportunities in all scopes of work?

Capabilities: Does the artist communicate well with both creative and technical professionals? Does the artist demonstrate the ability to deliver a successful process and final product, including a sound work plan for the artwork, with appropriate and quality materials, on time and budget?

GOALS, CRITERIA AND CONSIDERATIONS
1. Commission an artist or collaborative to conceptualize, create, and implement artistic features to improve the experience for and engage the users of this segment of Redbud Trail.
2. The artwork should be appropriate for the character of the corridor with some consideration given to already existing art elements at trailheads and trails. Artist(s) should create relevant works that further the sense of place, inspire, create dialogue, and enhance the experience of this place.
3. Artwork should respond to site conditions and context: including scale of work, materiality, site lines, and adjacent residential and commercial functions.
4. Artwork shall be vandal-resistant and graffiti removal treatments/coatings, where appropriate.
5. Artwork incorporating steel material must comply with “Buy America and Build America” criteria. See https://www.transit.dot.gov/buyamerica for more information.
6. Celebrate the role that art and artists play in our community and in our economy.

THEMING OPTIONS
The design team has developed three themes for exploration for the development of art applications. These themes are relevant to the site context and to the scope of the project itself.
1) Redbud Tree
2) Process/Motion
3) Connectedness

See Site Details Exhibit “C” for additional information and images related to the concepts.

ARTWORK OPPORTUNITIES
While there are many applications for art integration, the design team has identified some possibilities. This list is not intended to be exclusive of other ideas but is a practical list of known infrastructure included in the scope of the project.
1. Custom Trail Amenities
a. Shade Structures
2. Rock Road Overpass
a. Ramp/Ped Bridge Handrail
b. MSE Wall form liner/mural
c. Trail Surface Applications
3. Monuments/Environmental Art
a. Along the trail segments
i. Open Spaces
ii. Small bridge structures/railings
b. At intersections
c. At pause points

BUDGET
Total Project: $300,000
The total artwork commissions will be $300,000, inclusive of all costs and fees for the artist to execute the project from design through structural engineering, fabrication, site preparation, transportation, delivery to the site, and installation. The artist will be required to provide all mounting hardware for integration into any footings/pedestals.

TIMELINE
RFQ open via CAFE̒ online application system: April 5, 2024
Artists Questions Due April 26, 2024, at 11:59 PM CDT
Submission Deadline: May 1, 2024
Notification of Finalists: May 10, 2024
Interviews for Finalists: May 13-17, 2024
Final Artist Selection: June 4, 2024
Contract: Approximately 6 weeks following selection
In-person Design Charrette: Week of July 8th. Selected date TBD.
Presentations to Design Council (minimum of 2 presentations)
Final Designs after approval of the Design Council: Summer 2025
Installation: Construction of the project is anticipated to begin in the Fall of 2025.
Completion: Approximately end of 2026.

HOW TO APPLY
Application is available via Cafe̒.

QUESTIONS
All questions should be emailed to Carisa McMullen ([email protected]) by APRIL 26, 2024, 11:59 PM CDT.

Application Requirements
Please submit the following information:
1. Artist name (or names of team members if applying as a team), phone number, and email address.
2. Website and/or applicable links.
3. Brief written description of your project approach and intention to create relevant work befitting the character of the site, with consideration given to relevant contextual factors (500 words or less).
4. Three references
5. Five to seven images of relevant examples of past work. Images should represent the artist’s style, medium, and breadth of work. Please include a brief description of the work, size, location (City/State), media, and budget.
6. Resume (maximum of 2 pages / per each team member)

Lillstreet Art Center offers year-long residencies in the departments of Ceramics and Metalsmithing, and 9-Month residencies in Textiles, Drawing & Painting, and Printmaking & Book Arts beginning in September every year.

As a collaborative, community-based art center, the residency is a place for artists to expand their personal practice and gain teaching experience ; while learning how to sustain a working artist’s lifestyle. The resident artist program enriches our community by bringing artists with unique and refined skills to our educational programming through classes, workshops, public demonstrations and studio hours.

As a resident artist, you will continue to develop professionally and intellectually through contact with other residents, department peers, art administrators and students. Lillstreet Art Center supplements the residency with resources and instruction in and outside the department of residency. Resident artists have the opportunity to work together, take part in community events and sales and to be creative leaders in Chicago’s vibrant Ravenswood neighborhood while being immersed in the community.

Our AiR specific programming is built for face-time with artists, students and vendors in the Ravenswood community; other opportunities include artist features in the gallery shop, professional development through dynamic exhibitions, one-on-one studio visits with peers and interdisciplinary artists, public programs, and community building to develop a sustainable creative practice. As a professional working and teaching artist, you are also welcome to brainstorm your ideas, share resources with our students and community and build relationships by resource sharing.

Proficiency within your field of art, along with teaching experience are the most important factors we consider for the Artist-in-Residence Program. BFA or MFA encouraged. Equivalent experience (residencies, workshops, apprenticeships, internships, or other non-traditional education experiences) are also considered.

Lillstreet Art Center residencies are granted based on quality of work, programming within the departments, your desire to teach, how you fit into the community art education world, and experience.

International artists may apply but you must already have a visa that allows you to work. Artists-in-Residence are employees of Lillstreet Art Center  and must be able to receive pay for their stipends and teaching compensation. We unable to sponsor visa applications.

Cleveland Arts Prize promotes creativity in Northeast Ohio by honoring artists for artistic excellence and recognizes community leaders who help regional arts flourish. Cleveland Arts Prize (CAP) was established by the Women’s City Club in 1960, and continues today as the nation’s oldest municipal arts award and an ongoing platform for celebrating Northeast Ohio’s exceptional arts community. In its earliest years, the group commissioned the Arts Prize medal, launched a scholarship program and established an endowment that secured the annual awarding of prizes.
Discipline Awards

Applications are accepted March 1 - May 1.

Discipline awards are application based only. If you would like to nominate an artist please complete this form. Your nominee will be notified and sent the link to complete the application. Nominations do not have an effect on their application and are not seen by the jurors. Nominations must be submitted by April 1st in order to give the nominee adequate time to complete the application.

Discipline Prize Criteria:

A body of original work that consistently exemplifies the highest level of artistic excellence as shown by but not limited to:

Mastery of traditional skill and willingness to challenge status quo
Awareness and/or acknowledgment of contemporary and/or changing schools of thought respective to discipline
High level of continuity between artist statement and work
Regional, national and/or international recognition*
Contributions to the canon of knowledge that will endure beyond the artist's life*
*These criteria will be assessed relative to career level.

Applicants will be placed into career levels based on the following requirements:

Emerging Artist Award: Candidate is currently living in Northeast Ohio and has created significant work or projects and shows remarkable promise for further development of their artistic careers.

Mid-Career Artist Award: Candidate is currently residing or has previously resided in Northeast Ohio and whose work has received both regional and national recognition.

Lifetime Achievement Award: Candidate has worked in Northeast Ohio over a period of decades and whose artistic achievements have brought distinction to the artist individually and to the region as a whole.

Past Arts Prize winners are not eligible to win a prize in the same category more than once.

Special Service Area 61 Hyde Park (SSA 61) welcomes artists to submit their artworks for consideration to revitalize the 53rd & 55th St. viaducts in Hyde Park. SSA 61 represents the welfare of the businesses in the Hyde Park district and understands the important role the viaducts play in welcoming visitors to explore those businesses. Each selected artist will be provided a set stipend of $3,000 per panel for the use of their artwork. Selected artworks will be reproduced on vinyl on the existing panels by third party printing and installation company, Moss Inc (Moss).

About SSA 61 and the South East Chicago Commission
The South East Chicago Commission is a 501c3 nonprofit organization that works to facilitate and support economic development within the Southeast lakefront communities of Hyde Park, Kenwood, Oakland, Washington Park and Woodlawn and to foster collaboration and coordination among businesses, organizations and institutions to promote the creation of jobs, investment and economic vitality. The SECC serves as the official Service Provider for Special Service Area #61 aka Downtown Hyde Park, which comprises the 53rd and 55th Street corridors connected by Lake Park Avenue. Special Service Areas, known as Business Improvement Districts or BIDs in other cities, are local tax districts that fund expanded services and programs through a localized property tax levy within contiguous areas.

A curatorial team of three representatives from the South Side will be responsible for the artwork selection and sequence. The jurors include Monique Brinkman-Hill, Executive Director of South Side Community Art Center, Mariela Acuña, Exhibitions and Residency Manager at Hyde Park Art Center, and Ciera McKissick, Public Programs Manager at Hyde Park Art Center. Chicago Public Art Group (CPAG) will not be selecting the artists.

Project Objective:
Successful submissions will approach the site with a bold and creative vision that reflects the community's best qualities - its connectedness, diversity, culture, entertainment, and residents. The viaducts connect the east and west side of the business districts allowing the art to seamlessly encourage movement throughout. Submissions should create an attraction that acts as an entry point for visitors to experience the viaducts as a "must see" amenity. This revitalization serves to improve the safety and well-being of pedestrians, bikers, and vehicular traffic by creating a sense of place for surprising, delightful interactions, welcoming visitors and residents alike to venture through Hyde Park.

The project goals are to connect with two groups:

(1) Hyde Parkers, those who live east of the viaducts and need to walk through them to get to the restaurants and shops. The viaducts should be a joyful compliment to the local businesses and attractions that Hyde Park offers. This project is not intended to be a didactic display of South Side history.

(2) Non-South Siders, fellow Chicagoans we want to pull in to Hyde Park for entertainment, shopping and eating. The goal is to make the viaducts welcoming and inviting for everyone.

There are a total of 19 stainless steel panels: 13 on the Southside of 53rd St with most a variably standard size (8' x 12'), and one is longer (8' x 16'). The remaining 6 panels are on the Southside of 55th St: four are standard (8' x 12'), two are larger (8' x 16'). In submitting your artwork, please indicate on your annotated image list whether your artwork best fits on an 8' x 12' or an 8' x 16' panel. Due to the slight variations of each panel size, minimal cropping or image adjustments may occur at the discretion of Moss and CPAG.

Each pre-existing panel will receive a large format, high quality digital print on 3M vinyl with self adhesive backing. The prints will be produced with a matte finish, professionally applied to the panels, and covered with a graffiti resistant coating. Moss will print and install each artwork.

30 finalists will be notified and selected for their artwork submission to undergo review and approval by Moss. 19 or fewer artists will be awarded with a panel.

Timeline
The application is open from 4/5/24 - 5/5/24. Jury deliberation & Moss review will occur in May. Artist contracts will be awarded in June and artists payments will occur once artwork is print ready. Printing and installation will take place Summer 2024. The anticipated lifespan for the artwork is approximately 3 or more years.

Application Requirements
Artists should submit 3-5 artworks. These can be pre-existing or newly developed artworks. At least one submission must be convertible to all size and electronic formatting requirements described in Moss' Color Management & Art Submission Guidelines included below. In addition to the jurors' selection, artworks submitted for reproduction will be pre-approved by Moss to guarantee they meet all requirements. Artists with a connection to Hyde Park are encouraged to apply.

The artworks submitted for reproduction should provide an eclectic and pleasing aesthetic experience for passersby. Light, vibrant and bold colors are encouraged, but not required. Submissions can be digitally developed, or for existing work, can be photographed and processed digitally. Each panel will have a 10.5" explanatory text and credits on the bottom of the printed images in the same pre-existing brown color. Images of the viaducts can be found on CPAG's website project page linked above or the viaducts can be visited in person.

Phase I & II
This is a two-phase submission process. Phase I includes everything on CaFE in the "What to Submit" section below. Due 5/5/24.

(CaFE does not have the ability to accept submissions that will immediately meet Moss' Art Submission Guidelines)

In Phase II, the jurors will narrow the CaFE submissions down to 30 artworks. CPAG will ask artists to upload the selected artwork on Dropbox so it meets Moss' Art Submission Guidelines below. Artworks submitted that do not meet these guidelines cannot be considered for reproduction. Moss will conduct a review of each submission to ensure it is high resolution, reproducible and print ready. The jurors will make their decision on the final 19 artworks based on Moss' report.

What to Submit
3-5 images of your artwork. At least one of the images should be able to meet the guidelines below in Phase II. The additional artworks submitted should showcase previous experience.
Annotated Image List that clearly states which artwork is intended for this project's vinyl reproduction and what size panel it fits best: 8' x 12' or 8' x 16'. The Annotated Image List should also include the title, year, medium, size and location.
Artist Statement that describes your experience in Chicago as an artist and why you are interested in this project.
Responses to the two questions included in this call.

Info Session
We strongly encourage applicants to attend the Zoom info session

Wednesday, April 24 from 5:30 - 6:30pm CT

Please register by April 21 by emailing [email protected] with your name and "INFO SESSION" in the subject line so we can send a Zoom link.

ART SUBMISSION GUIDELINES
COLOR, SPACE AND PROFILE
• Build exclusively as CMYK color space, Coated GRACol 2006 Profile.
• Ensure that PMS colors are designated in the art files supplied.
• RBG/HEX are not acceptable for print.

COLOR MATCH OPTIONS
We match color on the physical print material. Color match options are as follows:
• Ship or pick up one 1x1' physical hard copy for an additional fee.
• Pantone SPOT colors.
• Order physical proof(s) to approve color.
• Waive color approval/Print as is.

FILE FORMATTING
• Preferred file format is AI, but high res PDFs, EPS, PSD, PSB, and INDD files are also acceptable.
• Package files to ensure links are included.
• Preferred scale is 1:10 (10%).
• Bleed standard is 3% of overall file size; minimum ¼” - maximum of 4”.
• Large scale graphics, with critical art alignment, should be supplied as a single file.

FONTS, STYLE, AND LINKS
• Flatten all transparencies.
• Outline fonts.
• Images should be between 72-150 ppi at 100% of final size depending on process. At 1:10 (10%)
scale, resolution should read 750- 1500 ppi.
• Link/embed any illustrations or graphics in the art.

STANDARD MOSS COLOR MATCHING
Color Target for Pantone Colors
Pantone colors requested are compared and matched to the 2022 Pantone Color Bridge Coated book.

Art Requirements to Ensure Accurate Color Matching
• Apply Pantone colors to the corresponding art objects before submitting art files.
• Flatten any effects or transparencies present in the art.
• Use the Coated GRACol 2006 profile.

What is D50 lighting and why is it important?
D50 lighting was established as the standard for lighting utilized to view color and prints by the International Standards Organization (ISO 3664).
Color appearance can change in different lighting. It is important to use the D50 lighting standard to minimize color variations when viewing prints.

Call to Artists
Celebrate spring with Play Frisco Cultural Affairs as we seek out two-dimensional and three-dimensional artwork that reflects the natural world! All forms of fiber art and nature-themed art in other mediums such as landscape or wildlife-based paintings, printmaking, photography and sculpture will be considered. The exhibition will run June 5 - August 3, 2024.

Two-dimensional artworks must be framed, wired, and ready to hang. Artworks may not be larger than 72” in any direction. The Frisco Discovery Center is a place for all ages and artworks must be unifying, community-centric and family-friendly.

Notification of acceptance: Tuesday, 5/21/24 or earlier

Load-In: Sunday, 6/2/24 between 2PM-4PM at Frisco Discovery Center, 8004 N. Dallas Pkwy, Frisco, TX 75034 in the Grand Gallery

Public Reception: Friday, 6/14/24 from 6PM-8PM with awards announced at 7:15PM. Light refreshments served.

Load-Out: Sunday, 8/4/24 from 12PM-2PM

Questions? Call 972-292-6532 or email Stephen at [email protected]

Application Requirements
It is free for eligible artists to submit images of up to five (5) artworks.

If selected for the exhibition, a $30 entry fee is due by check or credit card prior to load-in, along with a signed gallery guidelines document and artwork loan agreement available upon acceptance.

Submit jpg images of your work by 5/6/24 and include your name and email address, along with the title, medium, and dimensions of each piece being submitted.

Radiance is a new, summer exhibition hosted by ADC Fine Art featuring artwork that evokes happiness and warmth. ADC's mission is to create beautiful corporate, healthcare, and residential environments using artwork from contemporary, living artists. The selected artists will have their work shown in our 13,000 sq. ft. mega gallery located in Cincinnati, Ohio. All mediums and styles will be exhibited including painting, sculpture, photography, glass, ceramics, mixed media, installations, and conceptual works!

Oil Painters of America’s 2024 Salon Show of Traditional Representational Oils, July 25 - August 16, 2024, at James R. Ross Fine Art, Indianapolis, IN. Awards approximately $12,000 in cash & merchandise, including a $4,000 cash best-in-show award. The juror will be Robert Johnson OPAM. Artists eligible to compete are citizens - both natural born or otherwise - of the continent of North America who are 2024 OPA members. Submissions are accepted through 5/10/2024. The entry fee is $35 for one, $50 for two & $60 for three; only one may be accepted. Maximum size limitation 432 sq in. The acceptance list will be announced on 5/31/2024.

Artists are invited to submit original artwork for the Sculpture at the Kavanagh exhibit. The show is open to any 3-D work in any sculpture or craft medium. No paintings, photographs, or other 2-D work will be accepted.

The McKnight Artist Fellowship for Ceramic Artists supports outstanding Minnesota ceramic artists who identify with any methodology—whether it be functional, sculptural, or relational—all techniques are welcome. The intent of this program is to recognize and support mid-career artists living and working in Minnesota who demonstrate a sustained level of accomplishment, commitment, and artistic excellence.

Fellowship support may be pursued for, but not limited to: experimenting with new techniques and materials; purchasing materials and equipment; collaborating with other artists; or pursuing education, exhibition, or travel opportunities. The 2024 Fellowship recipients will deliver a workshop and at the culmination of the grant period, will be featured in a catalogue and group exhibition at Northern Clay Center that will also travel to 3 – 5 sites around the state of Minnesota and western Wisconsin. This program is made possible by the generous support of the McKnight Foundation, Minneapolis, Minnesota.