The sculpture assembles domestic materials—pipe insulation, flashing, nylons, high heels, tampon, saw blade, and crime tape—into a stark commentary on gendered violence. The pedestal, wrapped in wallpaper, mimics domestic decor yet is pierced by evidence markers of assault. A black stiletto clings to the form while its pair is discarded nearby, evoking struggle or disappearance. The “DO NOT CROSS” tape transforms the intimate, everyday setting into a site of trauma, implicating societal complicity in overlooking violence against women within spaces presumed safe.