They’re interested in the dialogues that emerge when images from different contexts begin to act like parts of a larger organism. In what they reveal when they find one another. They start from the broadest field of images and, by listening closely, arrive at another layer of meaning for the whole. This is why they don’t have a specific theme. Their collective books function more like artist books than curated magazine issues. Each edition differs in concept, size, materials, and approach, yet certain lines connect them all. In their first four books, they have published 498 artists from all around the world.