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South Arts

South Arts

Atlanta, GA

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(Be)Longing by Beizar Aradini
  • Beizar Aradini
  • (Be)Longing
embroidery thread, tulle
-35372- by Kelly Bryant
  • Kelly Bryant
  • -35372-
Found ephemera collage
9.25 x 6.25 in
20 Feet Tall by Chris Friday
  • Chris Friday
  • 20 Feet Tall
Chalk on Black paper
54 x 240 in
1994 by Beizar Aradini
  • Beizar Aradini
  • 1994
embroidery thread, tulle
202001 by Kelly Bryant
  • Kelly Bryant
  • 202001
Found ephemera collage
10.5 x 8 in
A Journey into the Shadows by Nelson Gutierrez
  • Nelson Gutierrez
  • A Journey into the Shadows
MDF, enamel, projectors and shadows
A Ride in the Magdalena River by Nelson Gutierrez
  • Nelson Gutierrez
  • A Ride in the Magdalena River
36 x 38 in
A Walk into the Shadows by Nelson Gutierrez
  • Nelson Gutierrez
  • A Walk into the Shadows
MDF, enamel and motor
18 x 24 x 24 in
Abre Camino by Elliot and Erick Jimenez
  • Elliot and Erick Jimenez
  • Abre Camino
Adrift by Carlie Trosclair
  • Carlie Trosclair
  • Adrift
Latex and pier remnants
108 x 60 x 18 in
American Dreamin' by Beizar Aradini
  • Beizar Aradini
  • American Dreamin'
embroidery thread, tulle
Ancestral Light Capture #1 by Tony Bingham
  • Tony Bingham
  • Ancestral Light Capture #1
Ancestral Light Capture Series #2 by Tony Bingham
  • Tony Bingham
  • Ancestral Light Capture Series #2
And He Appeared Just Before My Eyes by Alexis McGrigg
  • Alexis McGrigg
  • And He Appeared Just Before My Eyes
Procion dye, charcoal, & gold mica powder on paper
60 x 51 in
As Above, So Below by Macon Reed
  • Macon Reed
  • As Above, So Below
Wood, steel, aluminum mesh, hemp fiber, LED lights, white glue, recycled plastic barrels, latex paint, firewood
Bearing Witness: Praise House - Sun Shadows 10-2022 by Tony Bingham
  • Tony Bingham
  • Bearing Witness: Praise House - Sun Shadows 10-...
Being in the Land (Coming into this World) by Robyn Moore
  • Robyn Moore
  • Being in the Land (Coming into this World)
Photopolymer Gravure on Hahnemuhle Copperplate
16 x 12 in
Being in the Land (Deep Ecology) by Robyn Moore
  • Robyn Moore
  • Being in the Land (Deep Ecology)
Photopolymer Gravure on Hahnemuhle Copperplate
12 x 16 in
Being in the Land (Lamentation) by Robyn Moore
  • Robyn Moore
  • Being in the Land (Lamentation)
Photopolymer Gravure on Hahnemuhle Copperplate
16 x 12 in
Being in the Land (Rappahannock Memory) by Robyn Moore
  • Robyn Moore
  • Being in the Land (Rappahannock Memory)
Photopolymer Gravure on Hahnemuhle Copperplate
12 x 16 in
Being in the Land (The Cut) by Robyn Moore
  • Robyn Moore
  • Being in the Land (The Cut)
Photopolymer Gravure on Hahnemuhle Copperplate
12 x 16 in
Being in the Land (Timefield) by Robyn Moore
  • Robyn Moore
  • Being in the Land (Timefield)
Photopolymer Gravure on Hahnemuhle Copperplate
16 x 12 in
Being in the Land (Winter Light) by Robyn Moore
  • Robyn Moore
  • Being in the Land (Winter Light)
Photopolymer Gravure on Hahnemuhle Copperplate
12 x 16 in
Being in the Land (Winter River) by Robyn Moore
  • Robyn Moore
  • Being in the Land (Winter River)
Photopolymer Gravure on Hahnemuhle Copperplate
12 x 16 in
Best Wishes by Victoria Dugger
  • Victoria Dugger
  • Best Wishes
gouache, glitter, and synthetic hair on panel
16 x 9 x 1 in
Between the Curling Flower Spaces by Brooke Alexander
  • Brooke Alexander
  • Between the Curling Flower Spaces
Big Bang by Isys Hennigar
  • Isys Hennigar
  • Big Bang
glazed porcelain, overglaze, digital decals, copper, bronze
8 x 4 x 8 in
Blue Chapel: Rejection, Acceptance, Advocacy, Interdependence by Elliot and Erick Jimenez
  • Elliot and Erick Jimenez
  • Blue Chapel: Rejection, Acceptance, Advocacy, I...
blue magic, 2022 by Zipporah Camille Thompson
  • Zipporah Camille Thompson
  • blue magic, 2022
carolina gold, 2022 by Zipporah Camille Thompson
  • Zipporah Camille Thompson
  • carolina gold, 2022
Chickenhead by Victoria Dugger
  • Victoria Dugger
  • Chickenhead
gouache, pearls, and velvet on panel
36 x 24 x 2 in
Chrysalis: Reflections on the Interstitial by Carlie Trosclair
  • Carlie Trosclair
  • Chrysalis: Reflections on the Interstitial
latex and salvaged wood
114 x 204 x 300 in
Chrysalis: Wading|Waiting by Carlie Trosclair
  • Carlie Trosclair
  • Chrysalis: Wading|Waiting
Latex with seaweed
9 x 5.25 x 4 in
Clang 14 by Kelly Bryant
  • Kelly Bryant
  • Clang 14
Found ephemera collage
9 x 8 in
Communion Vessels for Africatown by Tony Bingham
  • Tony Bingham
  • Communion Vessels for Africatown
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
CPLS 2022 - Chapel Hill
  • CPLS 2022 - Chapel Hill
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