Created with a sense of freedom and experimentation, this Tetra print features scratch marks and cross-hatching etched into the plate using a steel carving chisel. Without focusing on the final result, I carved circular shapes and left intentional white spaces, cutting away from the plate's edges to introduce more fluid, curved forms. For the inking process, I used the tip of a cork to push the ink into the grooves and selectively wiped away sections to achieve a range of gray tones.