Collection: 1998
While attending art school in 1998, my images are stretched like silly putty, and explore the golden mean sequence. I begin to manipulate and plan my compositions with a computer. I also discover I enjoy the challenge of referencing a black and white image as scene in "Face in the Crowd " and "Provincial Rooftops" Today I sometimes adjust images with the use of technology, and now bring movement to my images though calligraphic mark making, play, and experimenting with materials.