The third work expands the spatial field, allowing the composition to open and disperse. The jellyfish form shifts laterally, suspended within a broader, less contained environment.

Horizontal bands of color and texture suggest movement across rather than upward, introducing a sense of drift. The surrounding surface remains active—marked, layered, and partially obscured—while areas of light create moments of release within the composition.

Here, the image is less about emergence and more about presence within space, where the form exists in equilibrium with its environment rather than moving through it.

Mixed media on Rives BFK paper, 22 × 30 inches.