In Many Times Standing, the image of Sitting Bull appears again and again—not to duplicate, but to endure. Each repeated face becomes a marker of persistence, echoing how history remembers some figures not once, but endlessly. The repetition speaks to inheritance: how strength, resistance, and dignity are carried across generations, reprinted through memory rather than ink.

Layered washes, worn textures, and softened edges evoke land that has been crossed, contested, and remembered. The image fractures and reforms, suggesting that legacy is never singular—it survives through repetition, reinterpretation, and refusal to disappear. This work stands at the intersection of contemporary abstraction and Western iconography, honoring Sitting Bull not as a fixed monument, but as a living presence that continues to stand, again and again.