Still They Move is part of my ongoing Sitting Bull Series, which explores endurance, presence, and the ways Indigenous identity continues forward despite erasure, distortion, and time.

The repeated figures suggest movement rather than portrait—bodies advancing through layered histories, fragmented landscapes, and interrupted narratives. Patterns echo beadwork, trail markings, and modern symbols, collapsing past and present into a single visual field. Faces are partially obscured, not as absence, but as resistance to being fully defined or consumed.

This work is not about nostalgia or monument—it is about continuation. About people who were never meant to disappear, and never did. The land, the marks, and the figures move together, carrying memory forward without asking permission.