This painting is part of an ongoing series exploring the repeated image of the American bison as a contemporary symbol of memory, resilience, and place. Rather than presenting the animal as a singular monument, the bison appears again and again—flattened into shape, softened by color, and embedded within layered fields of paint.

Repetition becomes a language. It echoes the vastness of the plains, the movement of herds, and the cyclical nature of history in the American West—marked by both disappearance and return. Each bison is familiar yet distinct, suggesting individuality within the collective and presence within pattern.

The abstracted surfaces and translucent layers blur time and landscape, allowing the bison to exist somewhere between past and present, image and imprint. This series reimagines Western iconography through a contemporary lens, inviting viewers to engage with the land not as a fixed narrative, but as a living, evolving memory.