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Adrienne T. Boggs

Albuquerque, NM

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Sado by William Brownfield & Son(s)
Sado by William Brownfield & Son(s)
Sado by William Brownfield & Son(s)
Sado by William Brownfield & Son(s)
Sado by William Brownfield & Son(s)
Sado by William Brownfield & Son(s)
Sado by William Brownfield & Son(s)
  • William Brownfield & Son(s)
  • Sado, c. 1871-1890
  • Earthenware
  • 6.25 in (15.88 cm)
  • Not For Sale
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Jug, 6.25 inches tall. Black transfer with polychrome clobbering. Printed maker's mark for William Brownfield & Sons. This jug has been identified as the "Sado" or "Yesso" shape. The "Sado" shape was registered in 1879, as was the "Yesso" shape. The central pattern here is composed of cartouches alternating with peony flowers, connected by a curved framing band filled with a geometric and stylized-floral design. The two small circular cartouches feature a pair of butterflies in flight and the larger irregular dodecagon cartouches feature a scene of four Asian children playing on the grass. The wide border around the neck is composed of pairs of birds in flight against Asian cloud forms.

The Brownfields were potters in Cobridge, North Staffordshire from about 1837 to the 1890s. William Brownfield began as a junior partner in the firm of Robinson, Wood & Brownfield, at a pottery formerly owned by Ralph & James Clews. Eventually William Brownfield appears to be the sole owner, the first reference appearing in White’s 1851 directory where we find under china and earthenware manufacturers, Brownfield Wm. Cobridge. The factory produced a range of earthenware, stone china and added stoneware and parian to their productions. In the International Exhibition of 1862 they were awarded a medal for “printed earthenware” but no details are given of the patterns. Entries at other International exhibitions followed. In 1871 William Etches Brownfield entered the business and it became William Brownfield & Son. William Sr. died in 1873 and William Jr. continued and his brother Edward Arthur Brownfield joined the firm. They continued to make a wide range of ceramics with occasional tour de force pieces for national and international exhibition, becoming one of the top ten Staffordshire factories. The company’s last swansong was an unusual venture fostered by Arthur Edward Brownfield, who in 1892 created a Potter’s Guild based on John Ruskin’s principles. But this “cooperative” was unfortunately destined to failure and the company was wound up in 1900.

  • Subject Matter: Aesthetic (Japonesque)
  • Collections: Aesthetic Transferware, William Brownfield & Son(s)

Other Work From Adrienne T. Boggs

Sandon by F. J. Emery
Saigon by James Beech
Saigon by James Beech
Rustic by Goode & Kenworthy
Rustic by Burgess & Leigh
Rustic by Burgess & Leigh
Ruby by Grimwade Bros.
Royal Jubilee by Unknown Maker
Rowan by Furnivals Ltd.
Rosslyn by Pitcairns Ltd.
See all artwork from Adrienne T. Boggs
 

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