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Adrienne T. Boggs

Albuquerque, NM

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Cretonne by E. F. Bodley & Son
Cretonne by E. F. Bodley & Son
Cretonne by E. F. Bodley & Son
Cretonne by E. F. Bodley & Son
Cretonne by E. F. Bodley & Son
Cretonne by E. F. Bodley & Son
Cretonne by E. F. Bodley & Son
Cretonne by E. F. Bodley & Son
Cretonne by E. F. Bodley & Son
  • E. F. Bodley & Son
  • Cretonne, c. 1880-1890
  • Earthenware
  • Not For Sale
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Dish and underplate, 9x5 inches and 8.5x6 inches. Green transfer with polychrome clobbering. Printed mark with pattern name CRETONNE, and initials E. F. B. & S. for the maker E. F. Bodley & Son, Impressed "E.F. BODLEY & SON" and the word "IVORY." Painted pattern number 3/4601. This bold floral pattern consists of an all-over sheet of bright red and blue six-lobed flowers with six finely-striped leaves surrounding each flower. The handles are painted in dark green with gilded details. Unlike a lot of transferware patterns, the pattern name here actually bears a relationship to the image. Cretonne is a heavy cotton fabric, typically with a floral pattern printed on one or both sides, used for upholstery. The word is sometimes said to be derived from Creton, a village in Normandy where the manufacture of linen was carried on.

The Scotia Works was originally the parish workhouse of Burslem and was calculated to accommodate three hundred inmates On the establishment of unions under the Poor Law Act when the new union workhouse was erected this building was occupied as barracks and so continued for some years. It was then converted into a manufactory by Mr. James Vernon in 1857 and he in 1862 was succeeded by the firm of Edward F. Bodley & Co. At these works the usual descriptions of earthenware, printed, enameled, and gilt and ironstone china for steamship and hotel use were made. Between 1863 and 1865, the pottery was operated by the Bodley & Harrold partnership. In 1880 the company changed to Edward F. Bodley & Sons, who in 1881 removed to the New Bridge Pottery, Longport.

The Hill Pottery China Works in 1867 were carried on by Messrs. Alcock, Diggory & Co. In 1870 the firm was altered into that of Bodley and Diggory, but in the following year Mr. Diggory, having retired, the manufactory was continued by Mr. Edward F. Bodley. In 1874 the style was again changed to Bodley and Son and in 1875 to Edwin J. D. Bodley. The productions formerly embraced china earthenware and Parian but were later entirely confined to china. A specialty of Mr. Bodley's productions was that of pans and vases for chandeliers and lamps. These were made of various forms, and more or less highly decorated; they formed an important branch of manufacture. Services of all the usual kinds, more or less elaborately decorated, were also made. The markets supplied were the home and the South Australian, New Zealand, and Colonial.

  • Subject Matter: Aesthetic (Floral & Botanical)
  • Collections: Aesthetic Transferware, E. F. Bodley & Son

Other Work From Adrienne T. Boggs

Cyprus by H. & Co.
Cotton Plant by E. S.
Cotton Plant by Jacob Furnival & Co.
Corea by F. J. Emery
Crusoe by James Gildea
Crusoe by James Gildea
Country Pursuits by Mintons China Works
Corea by Anthony Shaw
Coral by Copeland & Garrett
Cora by Grove & Stark
See all artwork from Adrienne T. Boggs
 

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