About the Exhibition:

August 31 - September 28
The New England Regional Juried Exhibition is a juried show featuring the best of representational painting, drawing, and sculpture by regional artists who work in the realist tradition.

The exhibition will be on view in the historic President's Gallery at the Guild's Newbury Street location, which features a skylight to allow viewing of artworks in natural light.

Selected artists will have the opportunity to exhibit where the great artists of the Boston School showed their work. Please review the following information and if you have any questions, please call the gallery at 617.536.7660 or e-mail us at [email protected]

Submission Guidelines:

Artists must complete and submit the entry form by July 20, 2024

Work must be representational with a strong academic background.

Accepted painting and drawing media include oil, acrylic, watercolor, gouache, pastel, graphite, charcoal, scratchboard, pen and ink, and pencil. Please check if using any other medium.

Prints (including giclées), kits, and AI generated art are ineligible. Using a print as an underpainting is also prohibited. The Guild has a preference for work done from life rather than photographs. Although works done from photography are not excluded, preference is given to work done from life, especially when the jurors are making the awards.

The submission fee is a flat fee of $50.00 for non-members. Associate Artists are exempt from the fee. The fee is one amount whether one, two, or three images are submitted. We accept high resolution (at least 300 ppi) digital jpeg images only! No slides or photographs, please. Artists retain all copyrights to submitted images and represented artwork. By entering the competition, artists selected to exhibit grant The Guild of Boston Artists the rights to use the selected image(s) on social media, the website, and printed materials for promotional purposes as well as the online show posted on The Guild of Boston Artists website.

All submissions should be clearly labeled with the artist's name, title of the work, size, medium, and retail price. Prices of the work must be established at the time of submission; no changes are allowed after a work is accepted. All works must be for sale with a retail price included. If a painting is sold, artists receive 55% of the sale price.

(The director retains the right to exclude work that significantly differs from submitted images or is not appropriately framed. Metal frames and unframed works are not permitted.)

Awards:

First Place: Gold Medal & $750.00
Second Place: Silver Medal & $500.00
Third Place: Bronze Medal & $350.00

Glenn G. MacNutt Award for Boston School Painting & $250.00
New England Watercolor Society Award & $150.00
Robert Douglas Hunter Award & $100.00
Award(s) of Merit & $50.00

Jurors:

William Bartlett
T.M. Nicholas
Sam Vokey

Jurors select paintings for the show from the images submitted, but awards are determined after the paintings have been delivered to the Guild.

Welcome to the 2024 Summer Workshops

This year, we have lined up 65 extraordinary workshops in visual arts and creative writing over the course of nine weeks. We’ve brought together an outstanding group of instructors that includes many esteemed faculty members, along with many faces who are new to FAWC. We are confident that this dynamic combination of new and familiar faces will help create an inspiring atmosphere at FAWC that will invite students to take creative leaps.

Register for a Workshop

Here are some of this summer’s highlights that we are most excited about:

A new tiered tuition system. In a continuation of our effort to make the Summer Workshops more welcoming and accessible to artists and writers who have been historically underserved by FAWC, we are introducing a tiered tuition system that will make workshops more affordable for those who need it. There is also a special discounted rate for teachers and students. Click here to learn more about it.
Online Catalog Only. This year, we will only offer an online catalog, supplemented by timely promotional announcements. We believe this is a more environmentally sustainable approach aligned with our values and furthers our commitment to mindfully steward our natural resources.
New and familiar faces. Many of you will notice that a few beloved, long-time instructors aren’t teaching this year. Don’t worry—they’ll be back! Our faculty recruitment strategy stresses having a fresh mix of faculty every year. Periodically, we will give all instructors a break for a year or two. This will allow us to invite new faculty consistently every year and keep our catalog vibrant and interesting for our students.
Queer Week is back! Andrea Lawlor is our returning curator for Queer Week II, and they have recruited an amazing group of instructors, including printmaker Miriam Klein Stahl, painter Ilana Savdie, writer and performer Celeste Lescene (along with his colleagues at Future Perfect Project), poet Cameron Awkward-Rich, writer Melissa Febos, and writer Carmen Maria Machado.
Commitment to DEIA. Check out the DEIA Resources link to learn more about everything we are doing to center our commitment to diversity, equity, and inclusion. You’ll also find a variety of articles, videos, and websites where you can learn more about DEIA issues.
Scholarships. We are continuing our commitment to making the Summer Workshops more welcoming and inclusive by offering robust scholarship opportunities. Last year, 20% of our students attended a workshop without having to pay tuition, thanks to the generosity of our community. We aim to match or exceed that this summer. Click here to learn more about our scholarship program and apply for a scholarship. Please click here if you would like to make a tax-deductible donation to our Access Fund to support our scholarship program.
Our Partners. We are grateful to our many partners that help make the Summer Workshops so transformative for everyone who attends: the generous foundations and individuals that support the program; the academic institutions, nonprofits, and businesses who partner with us to provide scholarships; the hotels, inns, and B&Bs who make housing affordable for students; and the local businesses that donate goods and services.

Since its founding in 1907, MacDowell has imbued its spaces with a deep and abiding respect for artists and their creative work. In the 21st century, this fundamental kindness is sustained by the curiosity, generosity, and goodwill circulating within the resident community.
While MacDowell may be thought of as a place apart from the world, the resident population will always be comprised of individuals who are of the world. MacDowell strives to offer ideal working conditions for artists within a joyful and mutually supportive environment. Consistent with that mission, all Fellows are obliged to adopt the community agreement as a condition of accepting a Fellowship. Doing so will help ensure that all Fellows may participate in the enriching exchange that has given rise to countless friendships and collaborations.
Artists interested in applying for a MacDowell Fellowship will complete an online application found via MacDowell’s website. The application includes informational forms as well as a place to upload work samples. All details and requirements are found within the application.
Duration of residency: up to six weeks; the average stay is 30 days

The Artadia Awards provide financial support, exposure and recognition to artists. The awards are unrestricted, allowing artists to use the funds in any way they choose.

Each year, an open-call application is made available in each of the seven active partner cities. Supporting artists equitably is a critical part of the Artadia Award process: we consider the unique populations of each community and are proud to reflect our country’s diversity with an Awardee pool that is over 50 percent female and over 40 percent persons of color.

In addition to financial support, Awardees can participate in the Artadia Network to receive structured opportunities for valuable new connections and resource sharing as well as receive a dedicated webpage on Artadia’s online Artist Registry. Connections fostered by Artadia have facilitated major steps in Awardees’ careers, such as inclusion in prominent exhibitions (e.g. five Awardees were featured in the 2017 Whitney Biennial, and six in 2019).

The Artadia Awards provide financial support, exposure and recognition to artists. The awards are unrestricted, allowing artists to use the funds in any way they choose.

Each year, an open-call application is made available in each of the seven active partner cities. Supporting artists equitably is a critical part of the Artadia Award process: we consider the unique populations of each community and are proud to reflect our country’s diversity with an Awardee pool that is over 50 percent female and over 40 percent persons of color.

In addition to financial support, Awardees can participate in the Artadia Network to receive structured opportunities for valuable new connections and resource sharing as well as receive a dedicated webpage on Artadia’s online Artist Registry. Connections fostered by Artadia have facilitated major steps in Awardees’ careers, such as inclusion in prominent exhibitions (e.g. five Awardees were featured in the 2017 Whitney Biennial, and six in 2019).

One of our most vital services, the SubletSeries@HERE supports 150 guest independent artists and groups—such as Colt Coeur, Ma-Yi, and New Georges each season. As Ben Brantley of The New York Times states, “HERE’s Sublet Series allows artists to develop and perform work, at a discount.”

This creative curated rental program has allowed many upstart companies and emerging artists to realize their full artistic vision on a small budget. The program provides subsidized performance and rehearsal space, a technical liaison, and administrative support, including a fully staffed box office. SubletSeries@HERE artists can also access equipment that is not typically available in venues our size such as video projectors, wireless microphones, LEDs—all for free or at subsidized rates. We accept applications from artists all over the world for the opportunity to show work.

Open to Performance Artists, Film, theater, Music and Dance.

Solas Studio is a fast-growing artist-run event space and gallery in Manhattan’s Flatiron District. (117 E 24th St. #2D) Join for as little as $5 a month! Never pay to show your work with Solas. All money paid into your membership is redeemable for print materials and services offered by Solas!

Solas Studio Artist Membership functions like a savings account that can be used to pay for professional services and products. Members at $25 and above receive a featured artist page where you can sell on-demand prints of your work or any originals you have in our storage facility.

All members enjoy perks like:

- Quarterly group exhibitions with guaranteed participation.

- Opportunities for solo exhibitions and curatorial projects.

- Supportive and collaborative community of artists and photographers.

- Regular developmental workshops and social gatherings.

As a member of Solas Studio, in Manhattan's Flatiron District, you have access to a fully equipped A/V media studio, fine art printer, and event space. Use your paid dues for:

Museum-quality Prints
Business cards
Flyers + promotional materials
T-Shirts, enamel pins and other merchandise
Help with your Website
Professional bios and artist statements
Podcast & Photo Studio Time
Promotional Video

You can get all the membership details here - https://solas.studio/membership

You can also visit our social media accounts on:

Instagram @solasstudionyc

FaceBook/solasstudionyc

Twitter @solasstudionyc

TikTok @solasstudionyc

The Craft Emergency Relief Fund (CERF+) emergency relief grant focuses on artists working in craft or materials-based folk/traditional disciplines that are 18 years or older and have resided and worked in the U.S. or U.S. territories for the past 2 years. These artists must have experienced a recent, unforeseen, career threatening emergency. Emergency Relief is available year-round.
The Get Ready Grant program provides individual craft artists grants up to $500 to conduct activities that will help safeguard their studios, protect their careers and prepare for emergencies. Artists are encouraged to use the Risk Assessment activity to generate ideas. Priority will be given to applications from people who identify in the global majority or as Black, Indigenous, People of Color (BIPOC)* and folk and traditional artists. Get Ready Grants are available multiple times a year. Check the website for deadlines.

THE POP CULTURE COLLABORATIVE’S VISION AND PURPOSE
Throughout America’s history, the most transformative cultural shifts—from slavery abolition to Reconstruction, “I Have A Dream” to “Yes We Can,” #BlackLivesMatter, the DREAM-ers, and Love Is Love—have been achieved by movements and leaders who have awakened people’s deep yearning to belong in a pluralist America. In each case, the tug-of-war between belonging and exclusion sparked a portal moment—a cracking open of the public imagination about what this nation is capable of becoming.

We believe our nation is on the precipice of another historic breakthrough: a once-in-a-generation opportunity for the American people to decisively choose to move in the direction of pluralism and justice. How will we respond to this call for transformation? Will we submit to authoritarian narratives that entice us to retreat back into the systems of exclusion and violence that stain our past, or will we step boldly through the portal and onto the path towards our pluralist future?

Americans have the opportunity to ask: What society do we yearn to create and who can we empower to lead the way? If, as civil rights scholar Vincent Harding once said, America is “a country that has yet to be born,” the pop culture for social change field can help prepare and guide millions of people through this process of becoming something new by clearing away the detritus of our nation’s past, replacing fetid, crumbling ideas and norms with ones rooted in justice, care, and connection.

Together, artists, organizers, strategists, and researchers can create the stories that help the American public understand and interpret the choices we face through the lens of our shared commitment to becoming a pluralist nation.

Over the long-term, the Collaborative is working to support the growth of a pop culture for social change field capable of building the yearning in most Americans (more than 150 million people) to actively co-create a just and pluralist society in which everyone is perceived to belong, inherently, and is treated as such. The Pop Culture Collaborative defines a pluralist society as a culture in which the majority of people in a community and nation are engaged in the hard and delicate work of belonging together in a just and equitable society.

GRANT ELIGIBILITY
Individuals/organizations with fiscal sponsorships as well as nonprofits and for-profits in the United States are eligible for Pop Culture Collaborative grants.

To be considered, proposals must engage, affect, center, and/or support at least one or all of our multi-community focus areas: people of color, immigrants, refugees, Indigenous peoples, and/or Muslims, particularly those who are women, queer, transgender, and/or disabled. Initiatives with an intersectional and intentional focus on gender justice, LGBTQIA rights, disability, democratic fairness, pluralist values, and economic justice are highly prioritized. The Collaborative seeks grantee partners working at the intersection of pop culture and social change who:

Are artists, activists, organizations, strategists, researchers, and/or others who identify culture change as a clear outcome of their work and pop culture strategies as a critical aspect of their culture change efforts.
The Pop Culture Collaborative provides grants to artists and organizations or companies that support artist cohorts, from various disciplines, locations, and industries to bring their artistic vision to mass audiences, while also contributing to field-wide efforts to build public yearning for a pluralist America.

We seek to create a large, networked community of artists who believe that their creative work and leadership have the power to inspire millions of Americans to actively co-create a pluralist society.

Areas of interest include:

Supporting artists and cultural organizations to conceptualize, develop, and produce creative works that can help build public yearning for pluralist culture in America.
Supporting artists to gather for shared learning, networking, community-knitting, and power-building, especially spaces that bring artists into direct and meaningful connection with frontline activists and culture change strategists.
Helping artists and organizations develop the methodology, networks, infrastructure, pipelines, and leadership skills needed to redistribute access and power in their respective industries to historically excluded communities.

The Pop Culture Collaborative accepts proposals by invitation only. However, we have created a simple process for potential grantees to self-evaluate whether they are a match with the Collaborative’s goals and guidelines, and if so, to submit an idea for our consideration. It is important to note that an idea submission is not a proposal. The Collaborative will respond only to idea submissions that the staff team has reviewed and deem a potential match.

We are currently welcoming membership applications from area artists. Submissions are reviewed each month. New members are voted into the gallery by a majority vote of the existing artist membership after an evaluation of work examined via the applicant’s website and actual examples of art submitted for review to the gallery membership. Member artists are expected to participate in the operation of the gallery, which includes working at the gallery one or two days a month, installing, or taking down shows, helping with our newsletter or numerous other tasks and responsibilities.

Current artist members work in a variety of media including painting, sculpture, collage/assemblage, printmaking, and photography. Many members have shown in a wide variety of venues throughout the United States and Europe.

Upstream Gallery is artist-owned and operated, with particular emphasis on quality and community. The gallery embraces all fine arts media and styles. We are located just half an hour north of midtown Manhattan, in a large well lighted storefront space in Hastings on Hudson, NY.