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sonia e barrett

London

My artwork is a rollercoaster of the materials that have shaped my life as a black woman.

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Chair nr. 52 by sonia e barrett
  • sonia e barrett
  • Chair nr. 52, 2023
  • Part of wooden chair, trouser hanger.
  • 54 x 29 x 7 cm
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What if systematic oppression were a dress we could peel off and slip out of?

The back of a reproduction Hogarth Chair. Mahogany is a tropical hardwood whose use in European furniture is tied to the expansion of colonial empires. I have been locating eliasons of black bodies, tropical trees and animals in the drawing rooms of multigenerational colonial wealth for over a decade. Isolating the brown female form in the back of these chairs is a short meditation on how it is "a nonsense" to see the black woman in the chairs that held the wealthy in the 18th century.

Other Work From sonia e barrett

Chairs number 46, 47, 48, 49 and 50. by sonia e barrett
Chairs nr 40, 41 and 42 by sonia e barrett
Dreading the Map, created as a map-lective. The Royal Geographical Society London. March 2021 by sonia e barrett
Dreading the Map, nr 1, Jan, 2021. by sonia e barrett
Desk number 7, 2021 by sonia e barrett
Desk number 6, 2021 by sonia e barrett
Sky, Feb 2020 (Villa Romana) by Sonia e Barrett
Sky nr 3 by sonia e barrett
Stay 1, 2019 by sonia e barrett
Telling Time, 2019 by sonia e barrett
See all artwork from sonia e barrett