"Figure 3" sets raw stone against precise intervention, its surface left rough and unworked in places while sharp, angular cuts carve through it like folds preā¦"Figure 3" sets raw stone against precise intervention, its surface left rough and unworked in places while sharp, angular cuts carve through it like folds pressed into dough. The contrast is the point: nature's texture left intact beside the deliberate geometry of the artist's hand, the soft illusion of give and fold built from the hardest, most resistant of materials. It is a study in opposites held together - rough and sharp, raw and shaped, soft suggestion and hard fact.
- Subject Matter: abstract
- Collections: Expressions / Figures