In "at 24," I pay homage to iconic rapper Notorious B.I.G., aka Biggie, exploring the crossover of his Jamaican heritage and American upbringing. Just 16 days after his tragic death at 24, his album, "Life After Death," was released, solidifying his place in Hip-Hop history.
Like Biggie, I navigated the dualities of two cultures, engaging the perpetual dance between the norms and expectations—a struggle shared by many immigrant and migrant families. I showcase vibrancy through banana leaves, representing Jamaica against the Brooklyn Bridge, symbolizing where Biggie embraced possibilities and made the impossible possible. Biggie is seen in rich soil with roots around him.
My creative process involved meticulous planning and examining photos of banana trees, leaves, soil, the artist, and the Brooklyn Bridge. After ideas simmered, I crafted a preliminary pencil sketch and refined it with a colored pencil draft before engaging the canvas.
This piece marks my first 100% colored pencil artwork on canvas. In addition to pencil, gesso was applied, and odorless mineral spirit was used for blending. The canvas has been sealed with varnish to ensure its longevity.
I want the viewer to see and recognize the lasting connections, like Biggie, of existing in two worlds. To the immigrants, the displaced, and the diaspora, go off, find yourself, and plant roots.