El Suni Futusa appears like a fragmentary page from an interstellar diary – a visual construction plan not written for our world. Within the Cosmic Diary series, in which each work appears like a coded entry from an unknown civilization, this piece takes on the role of a topographical sketch: a cartographic map that is simultaneously landscape, movement pattern, and energetic field.
Its structure unfolds in layers of color reminiscent of atmospheric currents, intersected by fine lines that suggest tectonic or orbital markings. These lines are not explanatory in a technical sense but rather function as a kind of visual grammar of a language to which we have only fragmentary access. The palette of blue, turquoise, ochre, and white opens a space into a dimension where geological processes and cosmic movements intersect.
Thus, El Suni Futusa stands within the Cosmic Diary as a scanned memory – a blueprint from a world whose physical laws we do not know, yet can intuitively sense. It is an image that feels like a message from another reality, at once precise and enigmatic, inviting the viewer to find their own translation.