Lifelines” anchors the Life’s Harmonics chapter as a key mid-analog work where gesture first coheres into a rhythmic language. Delicate yet assertive marks intersect like mapped pathways, holding tension between spontaneity and restraint. Neon-inflected color moves in pulses rather than blocks, suggesting emotional frequency rather than narrative. The square format reinforces a sense of containment, as if the composition is calibrating itself—testing how much movement a field can hold before it breaks. Within the Mythohuman archive, this work reads as an early articulation of coherence: a human, tactile attempt to translate lived experience into harmonic structure.