This work operates as an intimate harmonic study within a constrained square field. Neon tones are distributed as intervals rather than highlights, creating a quiet but insistent rhythm across the surface. The gestures do not resolve into a single focal point; instead, they circulate, asking the eye to move in loops and returns. That circulation embodies the Life’s Harmonics concern with balance after rupture - how a composition can hold agitation and still arrive at coherence. As part of the Mythohuman mid-analog chapter, this piece functions like a small-scale lab: testing how color, line, and density can be tuned into a stable, felt frequency.