Returning to the square format, this work reads as a rhythmic construction: a set of marks, colors, and densities assembled into a deliberate yet open structure. The neon palette introduces volatility, but the overall composition feels tested and resolved. The square acts almost like an architectural frame—supporting the gestures as they move, repeat, or shift. Within Life’s Harmonics, this painting explores the notion of rhythm as a built environment: not just a pattern over time, but a structure we inhabit. In the Mythohuman continuum, it can be viewed as an analog floor plan for emotional coherence, drafted through line and chroma.