These works have a watercolour created first and then the encaustic over top. The majority of Linnea’s art is in the ancient and re-emerging medium of Encaustic; beeswax, resin and oil paint pigment worked in a molten state. The flow and substance of encaustics, the glow and translucence of suspended pigment continue to intrigue her. The physical process that is required from encaustic is much a part of Linnea’s work as the end result. Linnea’s work is in the form of contemporary landscapes and snapshots of details in nature. Carefully building layers of depth with slight sodalities, this work will transform and change each time it's viewed.