This work focuses on the aftermath of the fires, where the damage extends beyond the landscape into human infrastructure. Fragmented, skeletal forms suggest the remains of built structures, partially collapsed and embedded within ash and debris. The surface is heavily worked, evoking erosion, residue, and the slow breakdown of materials once designed for permanence. Rather than depicting a specific site, the painting holds a broader sense of displacement, where the boundary between natural destruction and human-made environments has been unsettled.