The work Contramarca y montaña/2014, is part of a series dedicated to landscape and open in time; Landscapes from my studio.
The series Landscapes from my studio presents a visual and pictorial key to the processes that organize the vision and contemplation of surrounding landscapes, both internal and external.
As I contemplate these landscapes, I trace maps, while I search for and build lines of composition, rhythm, and time. This process allows me to identify the form, its structure, and the relationship of both to the performing subject. I view the landscape as an exterior scenery that develops the mapping and settling of emotions. The measurement of the current world is closely linked to my pictorial work. Painting is my cartographic tool. I believe that the structure of landscapes is formed by modeling networks and connections, structures and sequences of time. When I die, landscapes disappear. The world disappears. All this brings so much information and uncertainty that it is necessary for the eyes to know how to touch and the fingers to know how to see.
The series Landscapes from my stdio is a series projected along an extensive timeline. The scenographies change, as do the workshops and workplaces, the countries and places of residence, and personal relationships. The different layers that shape identity, or the emergence of new identities, influence the composition and execution of the works. The voice and colors may also change.