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Elizabeth Casqueiro

Washington, DC

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  • Portfolio
  • Collections
Supreme Court by Elizabeth Casqueiro
  • Supreme Court
Fabric paint, painted fabric collage, ink, and handsewing on loose cotton duck cloth
72 x 36 x 0 in
Pentagon by Elizabeth Casqueiro
  • Pentagon
Fabric paint, printed fabric collage, ink, and handsewing on loose cotton duck cloth
60 x 48 x 0 in
National Shrine by Elizabeth Casqueiro
  • National Shrine
Fabric paint, painted fabric collage, ink, and handsewing on loose cotton duck cloth
72 x 36 x 0 in
Library of Congress/The Mirror by Elizabeth Casqueiro
  • Library of Congress/The Mirror
Fabric paint, printed fabric collage, handsewing and ink on loose cotton duck cloth
72 x 36 x 0 in
Dulles Airport/Between Worlds by Elizabeth Casqueiro
  • Dulles Airport/Between Worlds
Fabric paint, drawn fabric collage, ink, and handsewing on loose cotton duck cloth
72 x 48 x 0 in
Dreamscapes by Elizabeth Casqueiro
  • Dreamscapes
40 x 30 x 2 in
African-American Museum by Elizabeth Casqueiro
  • African-American Museum
72 x 48 x 0 in
Absent Presence by Elizabeth Casqueiro
  • Absent Presence
acrylic and ink on canvas
48 x 36 x 2 in
Abeona by Elizabeth Casqueiro
  • Abeona
oil on canvas
36 x 36 x 2 in
Yellow Belt and Time, and Regeneration by Elizabeth Casqueiro
  • Yellow Belt and Time, and Regeneration
acrylic, ink, glitter, canvas collage, paper on canvas
60 x 48 x 2 in
When You Live Near a Circle by Elizabeth Casqueiro
  • When You Live Near a Circle
40 x 30 x 2 in
Time and Time Again by Elizabeth Casqueiro
  • Time and Time Again
acrylic and ink on canvas
40 x 30 x 2 in
Ode to Costanza by Elizabeth Casqueiro
  • Ode to Costanza
acrylic and glitter on canvas
40 x 30 x 2 in
Meeting Place by Elizabeth Casqueiro
  • Meeting Place
acrylic and ink on canvas
40 x 30 x 2 in
Maybe Next Summer by Elizabeth Casqueiro
  • Maybe Next Summer
acrylic and ink on canvas
40 x 30 x 2 in
Here At Last by Elizabeth Casqueiro
  • Here At Last
acryic and ink on canvas
48 x 60 x 2 in
From Where I Sit by Elizabeth Casqueiro
  • From Where I Sit
acrylic on canvas
24 x 18 x 2 in
Diversions 10 by Elizabeth Casqueiro
  • Diversions 10
acrylic and ink on canvas, framed
10 x 10 x 2 in
Diversions 10 by Elizabeth Casqueiro
  • Diversions 10
acrylic and ink on canvas
10 x 10 x 2 in
Contemplation by Elizabeth Casqueiro
  • Contemplation
oil on canvas
40 x 30 x 2 in
With a Pinch of Salt by Elizabeth Casqueiro
  • With a Pinch of Salt
acrylic, ink, and glitter on canvas, framed
30 x 24 x 1 in
Unfolding by Elizabeth Casqueiro
  • Unfolding
gouache and ink on archival handmade paper, framed
24 x 18 in
Svoboda/Freedom by Elizabeth Casqueiro
  • Svoboda/Freedom
acryic and ink on canvas
40 x 30 x 2 in
Spilled Milk by Elizabeth Casqueiro
  • Spilled Milk
acryic and ink on canvas
40 x 30 x 2 in
Rip What You Sew by Elizabeth Casqueiro
  • Rip What You Sew
gouache and ink on archival handmade paper, framed
34 x 27 x 1 in
  • 1
  • 2
 

Elizabeth Casqueiro is a multidisciplinary artist who explores the transformational place at the intersection of built environment and nature.

Casqueiro’s vivid and playful palette is inspired by the sunny geography of her native Portugal. Her architectural training is evident in the geometry, scale and proportion of her compositions. She gravitates to materials that stem from nature - clay, water, wood, linen, and cotton; and she works in repeated layers of precision and loose gesture, reflecting the underlying poetry of place.

Elizabeth has shown her work in solo and group shows across the United States and Europe, including New York, Washington DC, Maryland, Virginia, Georgia, UK, Portugal, and Italy. She is a recipient of multiple art awards from, among others, the London Art Biennale, DC Arts and Humanities, and the Maryland State Arts Council.  

Elizabeth has degrees in architecture and design, and has pursued art studies at Central Saint Martin’s College of Art, the Corcoran College of Art and Design, and the Washington Studio School. Her artwork is in private and corporate collections, including the World Bank Group. 

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