Deena S. Ball

Maine

Maine  landscapes and seascapes are paintings created  both in the studio and plein air. Whether working in the studio or outdoors, all my paintings stem from direct visual observation. I work with traditional watercolors on cotton rag paper, as well as on watercolor on wood, aluminum, and clay board. In some pieces, watercolor grounds or textured materials create textural under paintings. Many of my watercolor landscapes are mounted and sealed with fixative and wax, allowing them to be framed without glass. Maine landscape paintings are also created with Cobra water-mixable oils on clay board, copper panels, and oil paper—these oils are particularly well-suited for outdoor painting during Maine winters. To get a sense of each piece's size and framing options, please click through the  individual images.

Maine Landscapes

Maine landscapes paintings created both in the studio and plein air. Whether working in the studio or outdoors, all my paintings stem from direct visual observation. I work with traditional watercolors on cotton rag paper, as well as on watercolor on wood, aluminum, and clay board. In some pieces, watercolor grounds or textured materials create textural under paintings. Many of my watercolor landscapes are mounted and sealed with fixative and wax, allowing them to be framed without glass. Maine landscape paintings are also created with Cobra water-mixable oils on clay board, copper panels, and oil paper—these oils are particularly well-suited for outdoor painting during Maine winters. To get a sense of each piece's size and framing options, please click through the individual images.

Maine Seascapes

Maine Seascapes are inspired by the ocean. Whether working in the studio or outdoors, all my Maine Seascapes stem from direct visual observation. These original paintings use traditional watercolors on cotton rag paper, as well as on wood, aluminum, and clay board. Watercolor grounds or other materials are sometimes used to create textural under paintings. Many of my watercolors are mounted and sealed with fixative and wax, allowing them to be framed without glass. Included in this collection are Cobra water-mixable oil seascapes on clay board, copper panels, and oil paper—these oils are particularly well-suited for outdoor painting during Maine winters. To get a sense of each piece's size and framing options, please click through the individual images.

Other

Whether working in the studio or outdoors, all my landscape and seascape paintings stem from direct visual observation. I work with traditional watercolors on cotton rag paper, as well as on wood, aluminum, and clay board. Watercolor grounds or other materials are sometimes used to create textural under paintings. Many of my watercolors are mounted and sealed with fixative and wax, allowing them to be framed without glass. Oil paintings are created using Cobra water-mixable oils on clay board, copper panels, and oil paper.

Portfolio

My portfolio showcases the diverse techniques and materials I use in my artwork. Whether working in the studio or outdoors, all my paintings stem from direct visual observation. I work with traditional watercolors on cotton rag paper, as well as on wood, aluminum, and clayboard. For some pieces, I incorporate watercolor grounds or textured materials to create underpaintings. Many of my watercolors are mounted and sealed with fixative and wax, allowing them to be framed without glass. I also work with Cobra water-mixable oils on clayboard, copper panels, and oil paper—these oils are particularly well-suited for outdoor painting during Maine winters.

Small Works

Small works are pieces under 8" x 10" in size, with the smallest measuring 2.5" x 3.5". Whether working in the studio or outdoors, all my paintings stem from direct visual observation. I work with traditional watercolors on cotton rag paper, as well as on wood, aluminum, and clayboard. For some pieces, I incorporate watercolor grounds or textured materials to create underpaintings. Many of my watercolors are mounted and sealed with fixative and wax, allowing them to be framed without glass. I also work with Cobra water-mixable oils on clayboard, copper panels, and oil paper—these oils are particularly well-suited for outdoor painting during Maine winters. To get a sense of each piece's size and framing options, please click through the individual images.

“Natural Forces” by Deena S. Ball a Solo Exhibition of Paintings.

Richard Boyd Art Gallery
15 Epps Street
Peaks Island, Portland , Maine 04108

August 1- 29  Open daily 11-4 pm