Daniela Schweinsberg
Frankfurt, Hesse
Daniela is a German abstract painter represented by galleries in Germany, Denmark, and the US. Her works are held in collections across 27 countries.
Message
Daniela Schweinsberg is a German abstract painter represented by galleries across Germany, Denmark, and the US. Her works are held in private and public collections across 27 countries, including the collection of Stefan Simchowitz.
Originally backgrounded in business administration and HR management, Schweinsberg pursued her artistic practice through years of dedicated study, culminating in a masterclass with Prof. Adam Jankowski at the Reichenhall Art Academy (2015/2016). Shortly after, she transitioned fully into her career as a full-time artist.
Known for her raw, gestural abstraction, her work is regularly showcased in international exhibitions and art fairs and has been nominated for several art prizes.
A member of the Federal Association of Visual Artists (BBK Germany), Schweinsberg teaches at the Eigenart Art Academy and previously served as a lecturer at the Art College of Rhineland-Palatinate.
Statement
At the core of my practice are large-scale abstract paintings that convey a raw, visceral aesthetic. They oscillate between beauty and abrasion, which prevents them from becoming purely decorative. Powerful gestures meet vulnerable, unresolved passages that remain visible as traces of the painting process. Seductive softness contrasts with harsh marks, scratches, and drips. Fragments of drawing—objects or text—emerge briefly, yet never fully resolve into representation. Empty areas are active spaces, allowing the composition to breathe while preserving a sense of risk.
My materials include raw canvas or linen—sometimes stitched together—as well as paper. Acrylic paint forms the foundation, which I expand with a wide range of other media, including ink, spray paint, charcoal, soft and oil pastels, and colored pencils.
My approach is process-driven, fueled by curiosity and a willingness to experiment. These qualities continually lead me to explore new fabrics, elements, and materials, often resulting in distinct bodies of work that, despite their diversity, retain a consistent and recognizable visual language.
Overall, my work can be situated within the tradition of Abstract Expressionism and Gestural Abstraction. Its tension arises from the contrast between a minimalist underlying structure and an execution that is simultaneously rich and expansive.
Daniela Schweinsberg, Frankfurt, Germany