An ongoing collection encompassing wall based, free standing and hanging works inspired by the combination of 3 words - 'sea' (my coastal and marine base), 'seam' (my textile base), and 'mistress' (someone you love 'on the side' perhaps, but who loves you back, is maybe a little frivolous and over the top). Exploring the interplay between nature, connection, and the emotional resonance of living by the sea. These these sculptural forms evoke the intricate patterns found in natural marine environments—coral, seaweed, and tidal traces. The shimmering gilded surfaces reflect light like sunlight on water, while the delicate openwork structures suggest fragility and interconnection. These pieces speak to the ways in which we are tethered to each other and to our environment, mimicking the invisible threads of connection that bind us emotionally, socially, with resonances of fluidity, vulnerability, and wonder. The tactile act of shaping wire, layering latex, applying gilding and pearls echoes the slow, transformative processes of the natural world. As I work, I find myself immersed in memories of the sea, of walking along the shore and feeling its immense power and calmness simultaneously. These sculptures are both personal meditations and invitations for you to pause, look closer, and connect to inner worlds. 

Film and other digital works

Installations in the 'Fluid Becoming' Exhibition held at Silo6, Auckland in January 2024.13 - 29 JANUARY 2024 WATCH HERE Catalogue available $30.00 January 13-29, 2024, from 11 am to 9 pm daily ​ Silo6 in Silo Park Auckland was the centre of creative exploration and environmental reflection as it hosted the "Fluid Becoming" exhibition. Featuring the works of Alysn Midgelow-Marsden, Janet Mazenier, and Mette Hay, it engaged visitors in thought-provoking experiences, encouraging them to contemplate the present and future of our environment. The iconic Silo6 was transformed into a captivating canvas for creative exploration and environmental contemplation. This exceptional exhibition offered a unique opportunity to immerse yourself in a world of creativity and reflect on the present and future of our environment. It consisted of multiple ‘activations’ including hands-on activity workshops, sound-making experiments and experiential exhibits. Fluid becoming … 'Inertia' by Alysn presented visitors with reclaimed plastic, wire, and video forming a visual landscape, evoking emotions of emptiness, loss, and sadness, but also the potential for change. Fluid becoming … 'Choice' also by Alysn explored the concept of choice for our future. Geological style core samples hang from the silo, each section representing different stages in our relationship with the environment. The sounds and lighting changed as you moved through the installation, offering a sensory journey towards hope and consideration. Fluid becoming … 'Wonder' by Mette was an immersive exploration of the beauty and wonder found even in austere places. Using our natural soundscapes and projected cymatics, you discovered the voices of nature and individuals. The silo was transformed into a metaphor for the inside of a tree or the depth of a forest, inspiring you to seek the magic in the invisible element of sound. Fluid becoming … 'Place' by Janet presented large abstract works which rich in texture and inspired by the natural world. These pieces engage with place, space, time, colour, and materiality, offering you a sensory and visual journey. Hands-on Workshops and Interactive Activities: During the exhibition, there were various community-based, engaging events: "Marks of Time Workshop" exploring the history of the Silo site through art. "Wonder of Voice" allowing visitors to use their voices to create dynamic, moving visual images and become a part of the artwork. About the Artists: Alysn is an internationally recognized fine art textile artist known for her boundary-breaking work with metal, wire, fibre, textile, and stitch. She lives on the Tawharanui Peninsula Mette is a biophilic spatial designer and artist, focusing on the potential of sound as a portal to the unseen. She lives in Muriwai. Janet's abstract art practice explores place, space, time, and materiality, using a variety of techniques to create textured and unique artworks. Janet lives in Devonport. "Fluid Becoming" is a groundbreaking exhibition that offers a unique opportunity to explore the beauty of our world, even in the most unexpected places. It's a chance to reflect on our environment and consider the choices we make for the future. ​ About Silo6: Silo6 is a unique space that transforms the urban environment into a hub of creativity, providing a platform for artists to explore and share their visions with the community.

Rust and Stardust Collection Description ’… and the rest is rust and stardust …’. from Lolita by Vladimir Nabokov (Scientist and writer). We are transient; only briefly in existence; yet all encompassing in our consciousness. We are such a speck in the ‘rust and stardust’ of the universe, yet our experience insists that we are more than this. That we are part of an accidental evolution inextricably linked to a universe without meaning should drive us to make the most of our consciousness; this special, probably literally universally unique property of life on this planet and life as a human. ‘Existence’ consists of pressure points, balances and tensions which affect our understanding of an object, an image, a word, an interaction. It is this mutability and the now-ness and passing of ephemeral moments combined with the effects of interactions which are celebrated in this exhibition. The works cumulatively create a sense of support, connection and healing through a sense of internal strength and positive purpose.

Free standing works

The title ‘we live suspended by fine threads’ reflects the central metaphor for this body of work: the tenuous yet resilient threads that hold together ecosystems, relationships, and life itself. Shadow and light are integral, the interplay between presence and absence in both physical and emotional realms. The shadows cast by the works become part of the narrative, creating ephemeral layers that extend beyond the material forms. This reflects my fascination with the gaps and spaces—what is left unsaid, unseen, or incomplete—and how we, as humans, fill these voids with our imagination and understanding. The concept also draws on my interest in the unseen communication systems of plants, the chemical signals that plants exchange through hidden networks has shaped my perspective on interconnectedness. These natural processes parallel the way humans communicate emotionally and psychologically, often through subtle and unspoken cues. By integrating this theme, I aim to bridge the personal and universal, connecting my experiences to the broader systems that sustain life. The works vary in scale, incorporating materials chosen for their ability to convey both vulnerability and durability. This duality echoes my own inner experiences of navigating connection and disconnection. “We live suspended by fine threads” is deeply rooted in personal experiences and reflections on the fragile yet profound connections that shape our world. This body of work explores the delicate balance that sustains existence—a balance mirrored in our relationships with each other and with nature. I have always been drawn to exploring the unseen: the intangible threads that bind us, the emotional and psychological nuances of human connection, and the hidden networks within the natural world. I am compelled to translate these abstract ideas into visual forms, using materials like wire, metal, and metal fabrics to embody strength and fragility with moving image projections playing through the works when in a suitable environment. These works are an extension of my own introspection, inviting viewers to reflect on their place within these intricate systems of connection. 

Wire, gilding and patinas are utilized as line and textures drawn from patterns and traces of forms.