Early Works

  1. Susan, Antiga, West Indies by Susan Moldenhauer, Image 1.

    Susan, Antiga, West Indies, 1987

    archival pigment print

    26 x 26 x 1 in (framed)

    $600

  2. Harriet, Edgemont Farm, VA by Susan Moldenhauer, Image 1.

    Harriet, Edgemont Farm, VA, 1988

    archival pigment print

    20 x 20 x 1 in (framed)

    $600

  3. Susan, Ivy, VA by Susan Moldenhauer, Image 2.

    Susan, Ivy, VA, 1998

    archival pigment print

    20 x 20 x 1 in (framed)

    $600

  4. Deadhorse Canyon Overlook, Utah 1989 by Susan Moldenhauer, Image 1.

    Deadhorse Canyon Overlook, Utah 1989, 1989

    archival pigment print

    26 x 24 x 1 in (framed)

    $600

  5. Mono Lake, California 1989 by Susan Moldenhauer, Image 1.

    Mono Lake, California 1989, 1989

    Cibachrome

    26 x 24 x 1 in (framed)

    $600

  6. Mesa, Island in the Sky, Utah 1990 by Susan Moldenhauer, Image 1.

    Mesa, Island in the Sky, Utah 1990, 1990

    Cibachrome

    26 x 24 x 1 in (framed)

    $600

  7. Deadhorse Canyon Overlook, Utah 1990 by Susan Moldenhauer, Image 1.

    Deadhorse Canyon Overlook, Utah 1990, 1990

    Cibachrome

    26 x 24 x 1 in (framed)

    $600

  8. G, Kane Creek, Utah 1993 by Susan Moldenhauer, Image 1.

    G, Kane Creek, Utah 1993, 1993

    Cibachrome

    26 x 24 x 1 in (framed)

    $600

  9. NIGER, Moonflower Canyon, Utah 1994 by Susan Moldenhauer, Image 1.

    NIGER, Moonflower Canyon, Utah 1994, 1994

    Cibachrome

    26 x 24 x 1 in (framed)

    $600

  10. Shirley Basin, Wyoming 1999 by Susan Moldenhauer, Image 1.

    Shirley Basin, Wyoming 1999, 1999

    Cibachrome

    28 x 26 x 1 in (framed)

    $600

  11. Vapor (Wyoming) 2006, Image 1.

    Vapor (Wyoming) 2006, 2006

    archival pigment print

    14 x 11 x 1 in (framed)

    $300

  12. Vapor (Wyoming) 2006, Image 1.

    Vapor (Wyoming) 2006, 2006

    archival pigment print

    14 x 11 x 1 in (framed)

    $300

  13. Vapor (Wyoming) 2006, Image 1.

    Vapor (Wyoming) 2006, 2006

    archival pigment print

    14 x 11 x 1 in (framed)

    $300

  14. Vapor (Wyoming) 2006, Image 1.

    Vapor (Wyoming) 2006, 2006

    archival pigment print

    14 x 11 x 1 in (framed)

    $300

  15. Vapor (Wyoming) 2006, Image 1.

    Vapor (Wyoming) 2006, 2006

    archival pigment print

    14 x 11 x 1 in (framed)

    $300

  16. Wendy, Margaret, Ucross 2009, Image 1.

    Wendy, Margaret, Ucross 2009, 2009

    archival pigment print

    20 x 36 x 1 in (framed)

    $650

  17. The Pyramids of Giza, Image 2.

    The Pyramids of Giza, 2010

    archival pigment print

    18 x 22 x 1 in (framed)

    $450

  18. Temple of Isis, Philae, Egypt, Image 1.

    Temple of Isis, Philae, Egypt, 2010

    archival pigment print

    18 x 22 x 1 in (framed)

    $600

  19. Wadsworth and the Collosal Statue of Ramses II, Abu Simbel, Egypt, Image 1.

    Wadsworth and the Collosal Statue of Ramses II, Abu Simbel, Egypt, 2010

    archival pigment print

    22 x 28 x 1 in (framed)

    $800

  20. The White Desert by Susan Moldenhauer, Image 2.

    The White Desert, 2010

    archival pigment print

    18 x 22 x 1 in (framed)

    $600

  21. Aaron Neville, Backstage, Snowy Range Music Festival, Laramie, WY by Susan Moldenhauer, Image 1.

    Aaron Neville, Backstage, Snowy Range Music Festival, Laramie, WY, 2011

    archival pigment print

    28 x 22 x 1 in (framed)

    $600

  22. Trombone Shorty, Snowy Range Music Festival, Laramie, WY by Susan Moldenhauer, Image 1.

    Trombone Shorty, Snowy Range Music Festival, Laramie, WY, 2012

    archival pigment print

    28 x 22 x 1 in (framed)

    $600

  23. Amputated Tree by Susan Moldenhauer, Image 1.

    Amputated Tree, 2017

    archival pigment print

    15 x 18 x 1 in (framed)

A few images from my earlier work: The Landscape of Mind and Place series explores working with fabrics in the landscape and reconsiders landscape photography. C. 1990s. Images are archivally matted in white metal frames. The series Desert Varnish explores the ancient petroglyphs and pictographs of Utah with found graffiti. C. 1990s. Images are archivally matted in white metal frames. The three Susan Jennifer Fabrics are from a collaboration with photographer Jennifer Anne Tucker which used fabrics to explore imagemaking. We became both photographer and model for each other, and occasionally worked with another artist, Harriet Rosenberg. C. 1980s. Images are archivally matted in white metal frames. The series Vapor explores the poetic nature of Wyoming's skies and is a precursor my recent View from Home series. C. 2000s. I was inspired by its ever-changing delusive, transitory appearances and imaginary figmentation. I was and remain intrigues by the idea of capturing immense space in a small format, evidenced by the small print size of this work. Images are archivally matted in black metal frames. The image Wendy, Margaret, Ucross is an early work from Sequencing Through Time and Place when we were in residence at Ucross. It was the beginning or our collaboration together. 2009. It is archivally matted in a white metal frame. Egypt is from a series of images made while touring Egypt. Our travels took us from the tombs and pyramids to the austere landscape of the white desert. 2010. The images are archivally matted in white metal frames. The work Amputated Tree is an experimental pinhole image made during a Ucross residency and is part of a series called Walkabout. 2017. It is archivally matted in a black metal frame.

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