Looks Good on Paper from Pyramid Atlantic

My work explores the expressive possibilities of materials, especially handmade paper and textiles, which I use to deal with my fascination with time altered urban and rural landscapes. A piece of land in the Oregon outback, the brick wall of buildings in Madison, a leafy Minneapolis neighborhood, etc. are all impacted by the passing of time, actions of human beings, weather. These occurrences can be incremental or sudden, and the change they bring almost imperceptible or very radical, each change layering on top of what came before. I use that observation to inspire my work. Fabric surfaces are worked over with layers and layers of pigments, embellished with embroidery, dunked into dye, cut and torn. Paper pulp is poured, dipped, mixed with sawdust, painted, crumpled and smoothed out again. In this small human way, I am channeling the beautiful awful world into the objects I create.