In making collages, Glynn is expressing fictions that society produces about those incarcerated, whose emotional utterances are normally ignored. Collaging these jail cells becomes a meditative process of cutting, pasting, and assembling to form an intention and speak about the inequities. It is also a codified language that allows her to pull from a variety of relatable sources and condense them into a single image about the imprisoned. This cathartic violence applied to the materials allows the broken-up pieces to be restructured while remaining fractured, as the people are. Glynn’s hope is that elements of poetic abstraction mixed with critically charged content allows the one-off cell collages to live as hybrid portraits of otherness, isolation, diversity, and systematic injustice.