My work employs non-objective forms that often gravitate towards minimalistic and reductive aesthetics, to convey concepts that provokes unanticipated thoughts and perceptions. For over two decades, glass has been a central medium in my practice, chosen for its paradoxical qualities, which enrich the conceptual depth of my pieces. Glass, with its inherent fragility, gains strength and volume through casting—a transformation that parallels the tension between transparency and opacity, evoking diverse emotional responses and shaping existential perceptions.

As a contemporary artist, it is imperative to continually explore and expand the boundaries of materials and techniques in the field, seeking new avenues of expression. Over the past five years, I have developed a technique that exemplifies my commitment to innovation. This method involves incorporating different colored elements into cast glass sculptures, with one of its most distinctive features resulting in the unexpected and creative fusion of multi-colored cast glass within a single piece. This novel approach introduces a new dimension to the traditional casting process in sculpture, transforming the medium and challenging conventional boundaries. The process is a dynamic collaboration with gravity, where nature intervenes, resulting in unforeseen and compelling outcomes. It is a delicate balance between controlled and deliberate processes and embracing the unknown.

Beyond its aesthetic qualities, the pieces can be seen to delve into socio-political themes, offering a subtle commentary on societal constraints and impositions. The work aspires to push the boundaries of sculpture while reflecting contemporary issues, inviting viewers to ponder underlying motivations. The work integrates technology, tradition, and societal commentary, crafting a subtle, multifaceted statement. By merging materials and techniques, it symbolizes societal complexities and prompts contemplation on societal dynamics.

– Maki Hajikano