*Anamorphosis* originates from a fleeting reflection captured during an exhibition—an image of shifting light across a suspended strip of rotating aluminum. Translated into a monochrome sublimation print, the scene loosens into soft distortions, its referent dissolving into a field of tonal murmurs. Stretched over a hand-built wooden frame and encircled by an open-back aluminum structure, the work carries a quiet tension between exposure and containment. Surface and support remain visibly intertwined, foregrounding the material event of printing, stretching, and framing. The result is a restrained study in perceptual drift: a photographic trace held at the edge of legibility, registering movement, pause, and the subtle architectures of looking.