*Soft Architectures* brings together a group of materially driven abstractions in which photographic fragments are translated into quiet spatial constructions. Through sublimation printing, stretching, and the interplay of wooden and aluminum frames, each work inhabits the threshold between surface and structure. Images loosen into tonal fields—blurred ripples, divided color planes, subtle distortions—while the supports remain visibly present, shaping both the image and its encounter. Across the collection, the photographic becomes a site of gentle architecture: soft edges, porous boundaries, and material decisions that slow perception into a contemplative act.