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Tate Harmer

Tate Harmer

Maggie Valley, NC

Tate Harmer - self-taught artist working in surrealism

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All Available Sold
You look familiar by Tate Harmer, Image 1.
  • You look familiar
acrylic on wood panel
24 x 24 x 2 in
$500
Where the club @? by Tate Harmer, Image 1.
  • Where the club @?
acrylic on wood panel
36 x 24 x 1.5 in
$700
Swerve by Tate Harmer, Image 1.
  • Swerve
Acrylic on gesso panel
24 x 18 x 2 in
$400
She hovers above by Tate Harmer, Image 1.
  • She hovers above
Acrylic on gesso panel
12 x 12 x 2 in
$150
Rain by Tate Harmer, Image 1.
  • Rain
Acrylic On Canvas
24 x 18 x 1.5 in
$400
Pull up the roots by Tate Harmer, Image 1.
  • Pull up the roots
acrylic on wood panel
36 x 24 x 2 in
$700
Piggie Birds by Tate Harmer, Image 1.
  • Piggie Birds
acrylic on canvas
24 x 24 x 1.5 in
$500
Not trying to fit in by Tate Harmer, Image 1.
  • Not trying to fit in
acrylic on canvas
30 x 24 x 1.5 in
$600
No sleep by Tate Harmer, Image 1.
  • No sleep
Acrylic on gesso panel
12 x 12 x 2 in
$150
Monstera by Tate Harmer, Image 1.
  • Monstera
acrylic on wood panel
12 x 12 x 1.5 in
$150
Mink by Tate Harmer, Image 1.
  • Mink
acrylic on wood panel
24 x 24 x 1.5 in
$500
Landing Strip by Tate Harmer, Image 1.
  • Landing Strip
acrylic on canvas
36 x 24 x 1.5 in
$700
Knee high by Tate Harmer, Image 1.
  • Knee high
acrylic on wood panel
24 x 18 x 2 in
$400
I don't know by Tate Harmer, Image 1.
  • I don't know
acrylic on wood panel
12 x 12 x 1.5 in
$150
HornEE by Tate Harmer, Image 1.
  • HornEE
Acrylic on Gesso
12 x 12 x 2 in
$150
Bunnycats by Tate Harmer, Image 1.
  • Bunnycats
acrylic on wood panel
24 x 24 x 2.5 in
$500
Brain Suck by Tate Harmer, Image 1.
  • Brain Suck
acrylic on wood panel
12 x 12 x 1.5 in
$150
Banana lashes by Tate Harmer, Image 1.
  • Banana lashes
Acrylic on gesso panel
30 x 24 x 2 in
$600
 

Tate Harmer is a self-taught artist working in surrealism. His work centers on the creation of creatures that embody innocence, emotion, skepticism, and awkwardness—figures that confront the viewer and invite questions rather than answers. Harmer disregards traditional technique, embracing mistakes and intuition as part of the process. Building emotionally driven compositions. The work is unplanned and guided by instinct, music, and self-examination, with the resulting creatures serving as companions and reflections of internal states.