David Milne (1882–1953) was a distinguished Canadian painter, printmaker, and writer, known for his minimalist approach to landscape and still-life subjects. Born in Paisley, Ontario, Milne studied art in New York, where he was influenced by European and American modernist movements, including Impressionism and Fauvism. His career saw early successes with exhibitions at the Armory Show and the Panama-Pacific Exposition, but he is perhaps best known for his unique artistic style, characterized by simplicity and stark beauty. Milne’s work, particularly in oil and watercolour, often depicted ordinary subjects, imbuing them with quiet dignity and a sense of stillness. His use of black and white, as well as his experimental colour drypoint prints, set him apart from his contemporaries. Though initially overshadowed by the Group of Seven, Milne gained recognition in the later years of his career, with exhibitions in major galleries and a retrospective after his death. His legacy as a master of minimalism endures, with his works held in prominent collections, including the National Gallery of Canada. Milne’s exploration of both visual austerity and personal allegory, particularly in his later works, solidified his place as one of Canada's most significant artists.