Sara Leger
Lancaster, Ontario
I paint bold, feminine figurative art for women done performing. Bougie Punk meets fine art—elegant, sharp, and a little defiant. Power claimed, not given.
Message
Artist Bio
Sara Leger is a contemporary Canadian artist based in Southern Ontario whose Bougie Punk style fuses refined technique with a defiant, unapologetic spirit. Her work is a direct challenge to the historic undervaluing of women’s creative and emotional labor, both in life and in the art world.
Leger’s process is deeply rooted in narrative. Her paintings are contained within either reclaimed 100-year-old windows from Maryvale Abbey — a former Catholic girls’ school where generations of young women were taught to be pious and proper — or within ornate, hand-sculpted Rococo frames she spray-paints black. The Abbey frames reframe historical restriction into unapologetic presence, while the black-painted Rococo frames represent the truth that our darkest, most complicated parts often create the most striking beauty.
Formally trained in Illustration at Sheridan College, Leger also founded and operated a highly successful women’s strength training facility before returning to her art full-time. This background informs her work’s central themes of strength, resilience, and taking up space.
An accomplished curator and arts advocate, Leger has exhibited in group shows at Cline House alongside Pierre Giroux and Laura Stevens, and curated and exhibited in Gardeners of the Galaxy with Jason DeGraff, Jessica Sarrazin, and Eliska Smiley. Her work has been featured in the Xanadu Gallery catalog, she has illustrated three books by author Melissa Yee, and she has been recognized with an Artist of the Year award.
From her Cherry Bomb Studio in Lancaster, Ontario, Leger sells directly to collectors who value art as a declaration rather than decoration. Her work is held in private collections internationally. Collected across North America, her paintings live in homes from New York and Seattle to Scottsdale and Los Angeles, as well as in notable Canadian cities including Toronto and Montreal. She works directly with collectors from her studio, producing art that speaks to women who refuse to fade into the background.
Statement
Sara Leger - Artist statement
My work is a rebellion against the long history of undervaluing women’s emotional and creative labor. I paint women who are not portraits, but archetypes — each a physical monument to core self-worth and defiant strength.
The central motif in my work is the Sacred Heart. Historically rooted in a system that told women they were inherently flawed, I reclaim it as a symbol of truth, resilience, and unapologetic visibility. In my paintings, the Sacred Heart is not flat or ornamental — it is sculpted, physically emerging from the canvas as a reminder to guard one’s inner fire.
My framing process is integral to the narrative. Some works are housed in reclaimed 100-year-old windows from Maryvale Abbey, a former Catholic girls’ school where generations of women were taught to be silent and small. Others are placed in ornate, hand-sculpted Rococo frames that I spray-paint black — a deliberate choice symbolizing how our darkest, most complex parts can give rise to the most striking beauty.
Through this combination of historical materials, sculptural elements, and figurative painting, my work invites viewers to see women not as passive subjects, but as undeniable forces. These works are not decoration — they are declarations.