Stephanie’s newest collection, “Bend”, reflects a previous claim by a Boston Globe critic: “Cramer’s work has a dark sensibility occasionally struck by light, like the glory of an electrical storm.” Untethered, while painting, Stephanie loses herself to an imaginary world. She starts with a gesture and leans into the process using only her instinct—looking to the past but moving forward, allowing herself to bend. These latest works reveal new glimpses into her dynamic and entrancing mind.