Statement

Growing up in a rural environment, art became a means for exploration. My practice began by drawing people, animals, and artifacts found in publications like National Geographic, imagining what their lives might be like. This early desire to understand the world evolved into a pursuit to express emotional experiences through painting.

I consider painting an act of resilience, offering understanding beyond language. Motivated by curiosity, much of my inspiration stems from exploring individual emotional states, particularly moments of strength and transformation, drawing on nature, mythology, the hero’s journey. My current work interprets the hero’s journey as an internal emotional passage rather than a literal narrative. I place myself within the story, considering what it would feel like to inhabit that moment. Through this process, painting becomes a form of emotional anthropology - humanistic storytelling that invites viewers to feel seen and understood.

My approach is influenced by late 19th-century and contemporary masters who bridge academic structure with expressive interpretation. Largely self-directed, I have trained through books, online study, and engagement with peers committed to representational art. Light plays a central role in shaping both form and psychological narrative. Working in oil, I combine direct painting and glazed layers, pairing strong draftsmanship with intuitive color and restrained surreal elements to support emotionally driven narratives. While grounded in the present, my work consistently revisits themes of resilience, mortality, and emotional transformation.