Self, Unshakeable
Brendon McNaughton, The Asset Artist
UV-cured ink on brushed aluminum, 2025

Curatorial Statement

In Self, Unshakeable, McNaughton constructs a conceptual self-portrait that probes the boundaries between perception and permanence, essence and artifice. A rough, unremarkable boulder—entirely clad in 24-karat gold leaf—rests against a field of deep ultramarine blue. The color, while not technically International Klein Blue, is a deliberate homage to Yves Klein and his evocation of immaterial space, spiritual depth, and infinite potential.

At its core, this work is a visual meditation on Stoic resilience. It draws from Marcus Aurelius’ Meditations, Book 4: “Be like the rock that the waves keep crashing over. It stands, unmoved, and the raging of the sea falls still around it.” In that spirit, the boulder becomes a sculptural metaphor for psychological fortitude—anchored and immovable amid life’s chaos.

The title Self, Unshakeable operates on multiple levels. It is, first, a portrait of an unyielding form. More provocatively, it introduces a philosophical riddle: Is the self truly unshakeable, or is it something we spend our lives attempting to shed, conceal, or reinvent? In McNaughton’s treatment, the self cannot be shaken off—it is both burden and bedrock. The gold surface represents the curated persona we project outward, while the stone beneath remains trivial, overlooked, and unadorned.

This interplay invites viewers to confront a fundamental tension: Is identity fixed, or performative? Is resilience about holding firm, or about letting go of illusion?

By situating a gilded object of banality within a symbolic ocean of emotional depth, McNaughton offers a personal yet universally resonant proposition: that peace, calm, and happiness are not found in the mirage of material promises, but in the inner state of being unshakeable.