Some of the works played on in intricated lines to create some abstract figures . On the other part, a complex colour composition where appears shapes and silhouettes to be delimited by focusing on each plan. Bakulu are the Ancestors or the Ancients.

The Encounter with self is an extraordinary moment which can be only understood by the individual concerned only. Bokutani demonstrate that; each individual can explore him/her infinity capacity in any domain. Bokutani is a pretext of mix media creation with organic material for the aesthetic’ seek.

BoMwasi is the expression of the Feminine Energy embodied by the Female shape and attributes. Those works depict different scenarios of the Feminine Mystic aspect on everything. Bomwasi or the Feminine(ty) challenges the understanding of its Nature and its Divine Purpose.

Kitalatala could be translated such as Mirror of Reflection. The perspective in this work allows the observant to adjust its eyes in order to perceive the exchange between the viewer and the character onto the picture. Once well situated, the eyes are able to conceive the entire seductive game exiting in this attractive reflection of self.

Mapata or the clouds present the beyond and infinite. Those works translate the state of Dream where things are clear and vague at the same time. Mapata is the domain of Thought magnified by a voluptuousness marriage of the Light and the atmosphere in the sky. Only the Mind is able to transcribe what is exactly broadcasted.

This Serie questions on the idea of the beginning of each thing.

This work is the interrogation of the Desire to see world appears according to the individual’s fantasy. In this magma of bright colours, the eyes have the chance to perceive what the mind is up to. As the Feminine energy belongs to the first Thought, the Female body seems to have the capacity to penetrate any dimension or plan.