Mary Younkin
Mary Younkin is a visual artist who lives in Brooklyn, NY. Her work explores the intimacies of everyday life through a feminist lens.
MessageMary Younkin (b. 1982, California) lives and works in the Greenpoint neighborhood of Brooklyn. Younkin’s work has been exhibited widely in the New York area, most recently as part of the “Everywoman Biennial” at La Mama Galleria and “In the Echoes” curated by Elizabeth Tolson. Her work resides in the permanent collection of the Ramsey County Historical Society in Minnesota as part of their exhibit “Persistence: Continuing the Struggle for Suffrage and Equality: 1848-2020”. Published paintings can be found in I Like Your Work’s 2023 Summer Exhibition Catalog “Esprit de l’escalier” curatored by Alicia Puig and 101 Floral Artbook by the Arts to Hearts Project. Younkin studied painting at California College of the Arts and received her MFA at Parsons The New School, is a member of the Greenpoint Art Circle and core organizer of Greenpoint Open Studio
Statement
My paintings look intimately at the artifacts of everyday life. While my work is grounded in the tradition of still life painting, the vibrancy of color imbues the compositions with a heightened sense of reality or a dreamlike quality.
I am interested in leveraging color as a female narrative, employing a painterly pop-art approach. Rooted in observations of my life, my work incorporates objects that provide humor as well as an escape for those who notice the nuances. For example, I place flowers by groceries and appliances, referencing the 1960’s flower power movement. The flowers act as an emblem of resistance and feminine power and the kitchen kitsch provides a humorous release, specifically the wine glasses and la Croix that sneak in.
Other recurring characters in my series of paintings include candles, books, tarot cards, and childhood toys. In my most recent series of work, I explore my experience as an artist-mother and these objects represent my duality as an adult and caregiver. By composing the paintings from my own vantage point, the viewer is invited into my world by looking between my knees or beyond a hand holding a glass, to the scene unfolding; toys strewn on the ground, a bewildered Mr Potato Head staring dead-pan, or a small child on the toilet. Through content and color I present a slice of real life in its disarray and satire. The viewpoint is emphatically female, and purposefully motherhood.
Copyright 2024, Mary Younkin.
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