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Martin Spang Olsen

Martin Spang Olsen

Hoersholm

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Collection: Drawings

Vilhelm by Martin Spang Olsen
  • Vilhelm, 2024
Acrylic On Canvas
60 x 50 x 2 cm
(23.62 x 19.69 x 0.79 in)
Sold
Ingeborg by Martin Spang Olsen
  • Ingeborg, 2023
Pencil on plastic
30 x 42 cm
(11.81 x 16.54 in)
DKK 2,000
Highway, Mexico by Martin Spang Olsen
  • Highway, Mexico, 2022
crayon on plastic foil (print)
30 x 42 cm
(11.81 x 16.54 in)
DKK 2,000
Beneath The Swaying Leaves by Martin Spang Olsen
  • Beneath The Swaying Leaves, 2022
Crayon on plastfoil
42 x 30 cm
(16.54 x 11.81 in)
DKK 6,000
Ava by Martin Spang Olsen
  • Ava, 2022
Pencil on plastic
42 x 30 cm
(16.54 x 11.81 in)
DKK 2,000
Young Man by Martin Spang Olsen
  • Young Man, 2019
pencil on plastfoil (print)
42 x 30 cm
(16.54 x 11.81 in)
DKK 2,000
Young Boy by Martin Spang Olsen
  • Young Boy, 2019
Crayon on plastfoil (print)
29 x 42 cm
(11.42 x 16.54 in)
DKK 2,100
Jacob by Martin Spang Olsen
  • Jacob, 2019
Pencil on plastic
42 x 30 cm
(16.54 x 11.81 in)
DKK 2,000
In Thoughts by Martin Spang Olsen
  • In Thoughts, 2019
pencil on plastfoil
30 x 42 cm
(11.81 x 16.54 in)
Sold
August by Martin Spang Olsen
  • August, 2019
Pencil on plastic (print)
42 x 30 cm
(16.54 x 11.81 in)
DKK 2,000
Anna by Martin Spang Olsen
  • Anna, 2019
Pencil on plastic (print)
42 x 30 cm
(16.54 x 11.81 in)
DKK 2,000
Young Girl by Martin Spang Olsen
  • Young Girl, 2017
pencil on paper (print)
30 x 42 cm
(11.81 x 16.54 in)
DKK 2,000
Young Girl by Martin Spang Olsen
  • Young Girl, 2017
pencil on plastfoil
30 x 42 cm
(11.81 x 16.54 in)
Sold
Valdemar by Martin Spang Olsen
  • Valdemar, 2014
Pencil on plastic (print)
30 x 42 cm
(11.81 x 16.54 in)
DKK 2,000
Ole by Martin Spang Olsen
  • Ole, 2014
pencil on paper (print)
29 x 42 cm
(11.42 x 16.54 in)
DKK 2,000
Ib by Martin Spang Olsen
  • Ib, 2011
pencil on paper (print)
42 x 30 cm
(16.54 x 11.81 in)
DKK 2,000
Alfred by Martin Spang Olsen
  • Alfred, 2011
Pencil on plastic (print)
DKK 2,000
Chitchen Itza After Rain by Martin Spang Olsen
  • Chitchen Itza After Rain, 2003
crayon on plastic foil (print)
30 x 42 cm
(11.81 x 16.54 in)
DKK 2,000
Affectionate Grandmother by Martin Spang Olsen
  • Affectionate Grandmother, 2003
pencil on paper (print)
29 x 42 cm
(11.42 x 16.54 in)
DKK 2,000
Setting Sun at Yum Balam, Mexico by Martin Spang Olsen
  • Setting Sun at Yum Balam, Mexico, 2002
crayon on plastic foil
30 x 42 cm
(11.81 x 16.54 in)
DKK 2,000
Olive Tree by Martin Spang Olsen
  • Olive Tree, 1986
pencil on plastfoil (print)
42 x 30 cm
(16.54 x 11.81 in)
DKK 2,000
Olive Tree by Martin Spang Olsen
  • Olive Tree, 1986
pencil on plastfoil
42 x 30 cm
(16.54 x 11.81 in)
DKK 2,000
Olive Tree by Martin Spang Olsen
  • Olive Tree, 1986
pencil on plastfoil
30 x 42 cm
(11.81 x 16.54 in)
DKK 2,000
Olive Tree by Martin Spang Olsen
  • Olive Tree, 1986
pencil on plastfoil (print)
42 x 30 cm
(16.54 x 11.81 in)
DKK 2,000
Olive Tree by Martin Spang Olsen
  • Olive Tree, 1986
crayon on plastic foil (print)
42 x 30 cm
(16.54 x 11.81 in)
DKK 2,000
 

Martin Spang Olsen is recognized in Denmark primarily as an artist, public speaker, writer, stuntman, and actor. But his professional career encompasses many more merits (such as philosopher, religious historian, health and movement expert, therapist, musician, composer, singer and more).  Apart from pictorial art, his professional production includes academic books, drawings for children, film and TV productions, music composition and poetry. As a son of Ib Spang Olsen and Nulle Øigaard, Martin was born into a family of well-known Danish artists and held his first exhibition at the age of nineteen, in Galleri Gammelstrand.

 

About Martin's paintings

By Dominika Loburska, Danish art historian:

‘Martin Spang Olsen’s paintings unfold places and landscapes he has visited and seen, but this is not a precise photographic image that meets the viewer. Quite to the opposite, Martin creates a kaleidoscopic expression by a burst of colours and light, with the figurative motif slowly dissolving into a larger sensual bombardment of several layers that at once seem well-known and strange.

In several of his landscapes, Martin describes a mirror reflection, in which the surrounding landscape is mirrored or dissolved entirely in the painted lake. Thus, the pictorial room is converted into a strongly colour-saturated, abstract place in which the observer is forced to reflect upon the mirroring, colours, and the dreaming room created here. In the abstract flitter of colours, Martin Spang Olsen catches several moments rather than just one and describes with his painting more than we can observe with the naked eye. Light and colour are intensified, shadows replaced by mirror images in different shades, and the picture turns into an over-saturated reality where time disappears, and several dimensions meet.” 

 



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