In this work, the geometry opens up. Instead of a dense central mass, the drawing occupies the sheet as a loose, breathing constellation of triangles, curves, and small node clusters. Long looping lines mark the perimeter of an invisible body, while interior segments hold pockets of denser structure and glittering ink. The result feels like a trace of something that has already passed through the space, a record of orbit rather than the object itself. It extends the oracular vector language toward mapping, without losing the sense of an automatic, dot and line based writing.