Edge Figure Construct uses a spare network of silver lines to outline a loose creature or torso that leans toward the edge of the page. Unlike the denser head forms, here much of the black paper remains open, so the geometry feels like a trace left by something that has already moved through. The body is implied rather than built, carried by the rhythm of the automatic line instead of anatomical planning. The drawing demonstrates how little information is needed for the oracular vector language to hint at a figure.