Absquatulate apoptosis
The inspiration to this collection comes from the process of applying ink with bubbles and from the organic forms of cells. This is volatile technique where chance plays a significant role and this method embraces unpredictability, resulting in unique and dynamic patterns.


Commensalism
This collection is a vibrant blend of urban influences, featuring the energetic use of neon spray and the organic unpredictability of ink bubbles. The result is a striking juxtaposition of bold, urban elements and natural, fluid forms, creating a unique visual tapestry.


Constellate
This collection constellates a multitude of different materials, including acrylic, spray paint, ink, and markers. By creating layers upon layers, it evokes the concept of "as above, so below," mirroring the intricate complexities of both the sky and the earth. Each piece weaves together these diverse media to form a rich, textured tapestry that captures the interconnectedness of the celestial and terrestrial realms.


Halcyon
The collection draws inspiration from a monochrome palette, exploring various structures and mark making techniques to evoke a calm and peaceful atmosphere. The interplay of shades and textures aims to create a serene and contemplative visual experience.
Waiting waiting, passing by
Title: Waiting, waiting passing by
Project synopsis
I have photographed ordinary places that you might not pay attention to. But I find them interesting and see unintended beauty. I want to capture the magic of the ordinary and not noticeable places.
These places are usually busy with pedestrians, people on bikes on their way home, to work or somewhere. Places of transportation. Places we pass by every day, but don’t really see them beyond the purpose for which they are there to serve.
I wanted to capture these places without people. Just the places themselves. Sort of like portraits of these structures and places. And perhaps that transforms them to fictional worlds created by an union of light, space and form. Aesthetics that arise in the interaction between light, shadows and geometric shapes.
I have photographed places in the morning and in the evening. There is also a section called interval which is distorted photos in daytime.

