Our second night out painting a nocturne at the Guilford Harbor.

I switched over from acrylics to oil to see if I like the medium better for a nocturne painting. There are some advantages like drying slower that acrylics but one big disadvantage I could find is that with the lamp light or over head street light a very hard glare happens when a layer of oil paint is on the canvas. I had to keep moving left to right to see if I could dodge the glare. But once I got use to it, I didn't even notice that it was there.

Our second night was a little quieter than the first night. Although a few folks would drive by and yell out their car window "nice painting" - I was so slow to respond, I don't even think they heard me say "Thanks" as they drove off into the night.

One thing I do love about painting a nocturne is that the light source, usually a street lamp doesn't change like the way the sunlight changes throughout the day.

I was thankful that Eileen had an extra clip on light for my easel but it still was a challenge to see the true colors that you were mixing. It wasn't until the next day in daylight I could truly assess whether the colors looked correct or were totally off!