“Cardinal No. 1” is rendered in vivid reds, warm copper tones, and deep shadowed accents, capturing the cardinal in a moment of alert, expressive presence. The upward sweep of the crest introduces movement and vitality, while the direct gaze and strong contrast within the facial markings create a sense of clarity and focus. Layered color and dynamic mark-making bring energy to the form, allowing the subject to feel both immediate and alive.

Copper leaf on watercolor paper treated with patina, allowing oxidation and natural reactions to establish the surface. Layers of oil paint applied with a loose, responsive hand, preserving areas of exposed copper, patina, and visible mark-making as active elements within the work.